Tag: southkorea

Notes on Streaming: A HOME WITH A VIEW Embraces Hong Kong, THE WANDERING EARTH Arrives From China

Plus: South Korea's 'Abyss' follows resurrected dead people investigating a serial-killer mystery.

Udine 2019: STILL HUMAN Big Winner at 21st Far East Film Festival

Just 24 hours after receiving the Golden Mulberry for Outstanding Achievement Award, Hong Kong superstar Anthony Wong Chau Sang was gracing the stage at the Teatro Nuovo Giovanni da Udine once again, where his new drama Still Human was awarded...

Udine 2019: 11 Films Not to be Missed at the 21st Far East Film Festival

Tomorrow sees the Far East Film Festival kick off its 21st edition in Udine, Italy, with an unprecedented celebration of Asian cinema the likes of which you won’t find anywhere else in Europe.    An intoxicating blend of East and...

Review: GRASS, Cynical, Delicious Coffee Shop Vignettes

Kim Minhee stars in director Hong Sangsoo's latest human comedy.

Rotterdam 2019 Review: MAGGIE, a Wacky and Idiosyncratic Trip Down the Sinkhole

Yi Okseop’s debut film, Maggie, opens with the discovery of a salacious X-ray photograph at the Love of Maria hospital depicting an unknown couple having sex. This opening gag sets the stage for a series of randomly occurring bizarre events...

KINGDOM Trailer: Korean Zombies Roar to Life in a Period Setting

Zombies make their presence known in a new trailer for Kingdom, a Korean-language series that is heading for its global premiere on Netflix on January 25. The English-language title may be generic, but I like what is being teased. Per...

New York 2018 Review: Emotions Run High in Hong Sangsoo's GRASS

When considering the work of Hong Sangsoo, Grass is not groundbreaking or anything, but itis perhaps more cynical and darker than Hong's other films. Still, the director's human comedy continues with slight variations each time with delicious results.

Marshy's Favourite Asian Movies of 2018 Part 1

2018 is halfway over already, so now is a good moment to cast our eyes back over the last six months, and more specifically, the cinematic offerings that emerged from Asia. Traditionally the first half of the year tends to...

Udine 2018: South Korean Drama 1987: WHEN THE DAY COMES Takes Top Honours

Jang Joon-hwan's historical drama 1987: When the Day Comes won the Audience Award at the Far East Film Festival in Udine, Italy, as the festival wrapped up its 20th edition in fine style. Shuichiro Ueda's meta zombie comedy One Cut...

Far East Film Festival 20 to Open with STEEL RAIN, CROSSROADS: ONE TWO JAGA

The Far East Film Festival launches its 20th edition on 20 April with Netflix’s South Korean spy thriller Steel Rain, playing for the very first time on the big screen. The world premiere of Namron’s Malaysian drama Crossroads: One Two...

Rotterdam 2018 Review: I HAVE A DATE WITH SPRING, a Playful Tragicomic Ensemble Drama about The End Of The World

Do not be fooled by the outwardly cheery title of Baek Seung-bin’s I Have A Date With Spring – the film is actually about individuals whose birthdays fall one day before doomsday.   For a country like South Korea, which...

ScreenAnarchy's Favourite Films of 2017

Another year over, and what an annus horribilis it proved to be in so many ways. But away from the political atrocities that took place in pretty much every country you care to mention, and the sexual harassment scandals that...

TAG, RE:BORN, LEGEND OF THE MOUNTAIN and More Coming Soon from Eureka Entertainment

British distributor Eureka! Entertainment has announced their latest slew of acquisitions and releases, which proves a typically eclectic mix of classic and contemporary cinema.   New 4K restorations of James Whale’s horror classic The Old Dark House and Philippe de...

NANG: The Best Film Magazine You're Not Reading

The printed word is dead. That’s what we have been told. It’s too expensive, cumbersome and environmentally unfriendly, especially when we have the internet, with its limitless word counts and instantaneous editing functions. Film criticism is dead too. Nobody wants...

Fantasia 2017 Review: A DAY (하루), Blockbuster, Rinse, Repeat

When a child dies in an accident, regardless of fault, the parents will live that horrible day over and over again in their mind. They will wonder if only something was different, a phone call, a change of plans, an...

Marshy's Favourite Asian Movies of 2017 Part 1

As we hit the halfway point of the year, it is time to look back over the past six months, specifically the cinematic offerings from Asia. This year’s crop of new releases has been a mixed bunch, with precious few...

Cannes 2017 Review: CLAIRE'S CAMERA, Hong Sangsoo's Low-Key Cannes Holiday

Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar framework and new variations on his favorite themes. His 20th work Claire's Camera debuts this weekend as a Special Screening...

Classic movie review: Shiri, a South Korean action movie from 1998

Movies with war, political and society differences can be difficult to avoid being a propaganda movie instead of being just an ordinary movie. But there are a few movies that actually succeeded to get away from the propaganda stamp such...

Review: THE HANDMAIDEN, Park Chan-wook's Deeply Engrossing and Highly Sexual Tale of Female Sexuality

Following his Hollywood foray Stoker, Park Chan-wook returns to (mostly) home soil for his sumptuous and sensual adaptation of Sarah Waters' Fingersmith. Transposing the novel's setting from Victorian England to 1930s Korea and Japan, when the former was a colony...

BiFan 2016 Preview: Recommendations and Anticipated Delights

This Thursday ScreenAnarchy is heading to Korea for the 20th Bucheon International Fantastic Film Festival, the largest celebration of genre cinema in all of Asia. A grand-scale championing of everything cinematic and fantastic on a normal year, this 20th anniversay...