ScreenAnarchy's Top 10 Films of 2022
What, it's 2023 already? You're kidding, right? Alas, 2022 has come and gone, as long as every other non-leap year but seeming shorter than most nonetheless. But as Yoda says "Size matters not", so we asked our writers to send...
Review: BONES AND ALL, Young Cannibals in Love
Timothée Chalamet reunites with his Call Me By Your Name director Luca Guadagnino for another unconventional romance, the cannibal road movie Bones And All, adapted from Camille DeAngelis’ award-winning 2016 novel of the same name. Chalamet is just one...
Busan 2022 Review: CONNECT Sees Miike Takashi Trade J-Horror for K-Drama
Miike Takashi becomes the first Japanese director to dip his toe into the ever-expanding world of K-dramas, helming all six episodes of Disney’s upcoming fantasy horror series Connect. Adapted from Shin Daesung’s webtoon of the same name, this ghoulishly entertaining...
Busan 2022 Review: BONES AND ALL, An All-Consuming Adolescent Love Story
Timothée Chalamet reunites with his Call Me By Your Name director Luca Guadagnino for another unconventional romance, the cannibal road movie Bones And All, adapted from Camille DeAngelis’ award-winning 2016 novel of the same name. Chalamet is just one of...
Busan 2022 Review: BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS, Pretentious but oh so Pretty
It has been seven years since Mexican filmmaker Alejandro G. Iñárritu’s last film, the epic western The Revenant, which scored him his second consecutive Best Director Oscar after winning for Birdman the previous year. Considering the subject matter of his...
Australia Korean Fest 2022: Mainstream K-Culture Appeal Results In Most Accessible Program Yet
Korean Film Festival in Australia (KOFFIA) branches back out this year in four major Australian cities, bringing a lean and clean program of genre favorites and Festival picks. Ensuring that nobody will gets FOMO if they miss the latest playing...
ScreenAnarchy's Top 10 Films Of The First Half Of 2022
Blimey folks... they say "time flies" but this year it flies on a rocket, it seems. While the second half of 2022 technically didn't start on the first of July (because February is so short), we DID pass the halfway...
ScreenAnarchy's Top 10 Films of 2021
Hi All, here at ScreenAnarchy we are wishing you the best for 2022! And with the previous year now in the past, let us make a tally of what movies we liked most in 2021. Everyone here was encouraged to...
Review: ESCAPE FROM MOGADISHU, Big, Brash, Empty Spectacle
As violence erupts in the African nation of Somalia, delegates from both North and South Korea scramble to evacuate the capital city of Mogadishu in Ryoo Seung-wan's action-packed political thriller Escape From Mogadishu. In the late 1980s, South Korea and...
New York Asian 2021 Review: In ESCAPE FROM MOGADISHU, Ryoo Seung-wan Wants No Korean Left Behind
As violence erupts in the African nation of Somalia, delegates from both North and South Korea scramble to evacuate the capital city of Mogadishu in Ryoo Seung-wan's action-packed political thriller Escape From Mogadishu, which was the opening night film at...
Udine 2021: Far East Film Festival Unveils Packed Hybrid 23rd Edition
To the delight of Asian Cinema fans the world over, the Far East Film Festival has announced a packed 23rd edition, which will take place in the beautiful Italian city of Udine in a hybrid format, with all films screening...
HUG THE SUN: All Hail Sun God Oxtos in Trailer for Deranged Comedy Web Series
We’ve been huge fans of Aussie comedian Aaron McCann ever since he wrote, directed and starred as one half of Henry & Aaron in a series of hilarious comedy shorts dating back more than a decade. Since then he has...
The Great Festival Rebound of 2020: Let The Anarchists Speak
We are not at Sundance right now. However, we do have Anarchists who are covering the festival lineup. IFF Rotterdam started today and we won't be there either. But, we do have an Anarchist all raring to go and cover...
ScreenAnarchy Top Films of 2020
One of the great advantages of ScreenAnarchy's global writing staff is that our individual end-of-year lists always have a least a few titles that the rest of us have not only not seen, but likely haven't heard of. And I'm...
Busan 2020 Review: COALESCE Shows Cambodia as a Land Compromised by Opportunity
Three young men look to forge their own paths in the fast-developing Kingdom of Cambodia in French filmmaker Jessé Miceli’s keenly observed debut feature. Employing non-professional actors and an entirely Cambodian cast, what follows is a coherent and engaging story...
Busan 2020 Review: In THREE, Soviet Rule Made Monsters Of Everyone
A police intern becomes the lead investigator in one of the most gruesome and notorious murder cases in modern history, in Ruslan Pak's bleak and introspective new thriller. Inspired by the true story of Kazakh serial killer and cannibal Nikolai...
Review: THE PREY, Late Night Action Thrills
Jimmy Henderson writes and directs, while Gu Shangwei and Vithaya Pansringarm headline an international cast.
Udine 2020: BETTER DAYS Scoops Golden Mulberry at 22nd Far East Film Festival
Derek Tsang’s celebrated youth drama Better Days claimed top honours over the weekend, as the 22nd Far East Film Festival awarded the Chinese film the Golden Mulberry Award, as voted for by their virtual audience. Adapting to accommodate social...
Macau 2020: 5th International Film Festival and Awards Macao Defiantly Announces 2020 Dates
Festival-goers the world over have been sat at home, looking on forlornly, as one after another of their favourite film-going events has either moved online or been indefinitely postponed due to the ongoing global coronavirus pandemic. But in a...
Udine 2020: Korean Disaster Epic ASHFALL to Open 22nd Far East Film Festival Online Edition, Full Lineup Announced
Star-studded South Korean disaster epic Ashfall has been unveiled as the opening film of this year’s Far East Film Festival in Udine, Italy, which will be staged as an exclusively online affair due to the ongoing covid-19 lockdown. Ha Jung-woo,...
