Review: Almodóvar & Swinton Make Short, Beautiful Music in THE HUMAN VOICE

Conceived as a short project during Covid lockdown, Pedro Almodovar's The Human Voice, based on Jean Cocteau's stage play, with its popping colors and its melodramatic theme, is a quintessential Almodovar film. It is also a great reflection on filmmaking...

Review: THIS IS NOT A BURIAL, IT'S A RESURRECTION Signals the Arrival of a Major New Voice in Cinema

Directed by Lemohang Jeremiah Mosese, gorgeously shot in full frame by Pierre de Villiers, and enhanced by a captivating score by Berlin-based electronic composer Miyashita Yu, the film is a highly visual, aural experience that charts a new frontier in its cinematic language.

Review: QUO VADIS, AIDA?, Searing Indictment of War From Not So Distant Past

Writer/director Jasmila Zbanica presents a powerful, harrowing film, with a stellar performance by Jasna Djuricic in the title role.

Review: THE INHERITANCE, An Ode to Black Resistance and a Fitting Cinematic Experiment for the BLM Era

This airy fusion of filmed experiment gives opportunity to its unsuspecting viewers the window to unseen/under seen, unheard/under heard pieces of American history that give them the proper context to understanding the current political climate.

Rendez-vous with French Cinema 2021 Preview

It's Spring in New York. It means it's time for Rendez-vous with French Cinema, the festival showcasing the best of what contemporary French cinema can offer. But this year, with all-virtual presentations due to the Covid-19 crisis, the festival is...

Review: UN FILM DRAMATIQUE, A Beautiful Experiment in Film Subjects as Filmmakers

The film is refreshing documentation of the lives of middle school students, reflecting on changing French society, as well as a boundary breaking, playful cinematic experiment.

Review: MINARI, An Immigrant Story at a Micro-level

If you are expecting Steven Yeun's character to be a recipient of racial slurs and persecution in the rural Arkansas and overcoming odds to achieve that elusive American Dream, a good surprise awaits.

Review: BEGINNING, Powerful Indictment of Religious Patriarchy

Georgian director Dea Kulumbegashivli's powerful drama Beginning has to be one of the most self-assured debut films in recent memory. The filmmaker's approach in creating a suffocating, isolating environment for her main subject is so impeccably done, it easily invites...

Review: JUST DON'T THINK I'LL SCREAM, Ode to Cinema in Obsessive Visual Assemblage

Not since Godard's essay films, have I encountered a purely visual film that is culled from existing material that is also immensely pleasurable. Just Don't Think I'll Scream works beautifully, precisely because it's so personal. This is what an essay film of a true cinephile should look like.

Review: NOTTURNO Examines the Legacy of Colonialism in the Middle East

Gianfranco Rosi, the documentarian behind such astonishing work as Sacro GRA and Fire at Sea, returns with a biting and enormously affecting documentary on people living on the periphery of modern Middle-East conflicts. Culling from footage shot in Iraq, Kurdistan, Syria and Lebanon...

Review: Valentyn Vasyanovych's Stunning Dystopian Near-Future Ukraine in ATLANTIS

Vasyanovych unsubtly comments on Russian expansionism as seen in the annexation of Crimea in 2014 and Western commerce influence with Atlantis, but film is not without hope. The barebone romance between Sergiy and Katya with the cold and unforgiving backdrop hints at the glimmer of hope, human resilience and connection despite dire circumstances.

Review: MLK/FBI Reminds That Dr. King's Legacy Resonates Now, More Than Ever

Packed to the brim with historical documents and recently declassified materials, Sam Pollard, documentarian and editor of Spike Lee's films, among many others (Mo' Better Blues, 4 Little Girls, Chisholm '72, Venus and Serena), brings us MLK/FBI, a searing indictment...

Review: THE REASON I JUMP, Sensory Adaptation of a Revelatory Memoir on Autism

Perhaps the most moving part of the film is when Naoki says in the narration at the end that if he could get a chance to do it all over again, he wouldn't change a thing. The point being that Naoki and countless others experiences the world differently, even better way than we 'normal people' do - a sensory rich world we can only approximate on film.

ScreenAnarchy Top Films of 2020

One of the great advantages of ScreenAnarchy's global writing staff is that our individual end-of-year lists always have a least a few titles that the rest of us have not only not seen, but likely haven't heard of. And I'm...

New York African Film Festival 2020 Goes Virtual, December 2-6

Celebrating its 30th year, New York African Film Festival this year, during COVID shutdown, is running online December 2-6. Under the banner "Streaming Rivers: The Past into the Present", it spotlights films from two nations - Nigeria and Sudan. It...


Funny and suprisingly hopeful in these dark times, Fireball is, in essense, the amalgamation of what Herzog has been doing throughout his illustrious career: it tries to awaken that sense of awe, sense of wonder in us audiences.

FIREBALL: VISITORS FROM DARKER WORLDS, Science and Sense of Awe: Werner Herzog and Clive Oppenheimer Interview

"I wouldn't have made a single film without a sense of awe. I wouldn't have made a single story without sense of deep excitement. That's culture - a collective agitation of mind. It's the core of what culture is. A cow in the field doesn't have that. And we have it."

Art of the Real 2020 Showcases Constantly Evolving State of Filmmaking

I was devastated back in April that Art of the Real, my favorite annual film series at Film at Lincoln Center didn't happen because of Covid Outbreak. But here we are, 7 month later, the celebration of non-narrative/hybrid filmmaking is...

Review: DIVINE LOVE, Religious Hypocrisy in Brazilian Sci-fi

Divine Love is a quietly biting satire, brilliantly realized by Mascaro, a director who is operating on the highest level of artistry in every aspect. Do not miss this!

Review: GUEST OF HONOUR, Story of Guilt, Childhood Trauma and Vengeance

David Thewlis, Laysla De Oliveira and Luke Wilson star in the latest drama by Canadian filmmaker Atom Egoyan, now streaming on The Criterion Channel.