Weird Reviews
FrightFest 2026 Review: ODDITIES, Adrienne Barbeau Gets the Wicked, Substantial Horror Role She Deserves
When two self-destructive best friends accidentally kill their drug dealer, they have to flee town. Stopping at a roadside antique shop, they quickly discover that the older woman running the place isn't as sweet as she seems.
FrightFest 2026 Review: HOME BODIES, Sibling Tension Rises in a Smart Home Trap
Two children, raised in total isolation by an automated house, begin to confront the mysteries of their existence after an enigmatic stranger arrives from outside.
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FrightFest 2026 Review: ITHAQUA, A Chilling Western Gothic Nightmare
Set in a harsh 1821 Canadian winter, the folk horror film Ithaqua follows the starving residents of an isolated fur-trading fort as they turn against each other and face a primordial, hunger-inducing creature.
Locarno 2026 Review: ROMA ELASTICA Cannibalizes the Myth of the Movie Star in a Delirious Cinephile Phantasmagoria
Marion Cotillard stars in Bertrand Mandico's a surrealistic tribute to golden age actresses, celluloid cinema and Italian culture.
Locarno 2026 Review: BLOODY TENNIS Serves Up a Blood-Soaked Sports-Horror Satire
Nikias Chryssos serves up a blood-soaked, darkly funny sports horror in which an elite tennis academy trains its aspiring champions through ritualized brutality.
DER FAN Returns with a 4K Restoration Vengeance
It’s been a long time since I’ve heard hushed whispers of the subversive German thriller, Der Fan. Written and directed by the late West German provocateur Eckhart Schmidt, this film was never banned formally, more so shunned due to both...
Fantasia 2026 Review: THE GLORIOUS DEAD, When it is The End of The World But You Still Have to Clock in
On a cold, winter day, in rural America, It was supposed to be Sheriff Deb’s day off. But one of her deputies, Mikey, is knocking on her door early in the morning. The power is out. No one else has...
Home Video: Severin Films Home Entertainment Roundup
I've been overdue for some Severin release coverage. Part of it involves finding all the time I need to sift through their extras-laden releases and the number of first-time watches involved. This batch was all first-time watches and all movies...
Fantasia 2026 Review: CAPTURED! Of Ghosts And Growing Up
Misaki is a bright high-school senior who has the grades to get into a good university. Misaki’s reservation is that she lives alone with her mother, who works a night shift to make ends meet. She is more or less...
Fantasia 2026 Review: VILLAGE OF EIGHT GRAVESTONES, Takashi Shimizu Proves Traditional Murder Mysteries Are Better With Ghosts
When Tatsuya’s estranged mom suddenly passes away, he is forced to head out to her old, isolated village and meet the family he has never known, the Tajimi Family. On the way there, he bumps into private detective Kosuke Kindaichi,...
Fantasia 2026 Review: THE LAST HORROR, Myanmar's First Found-Footage Film Forced to be Too Safe With The Scares
The Last Footage starts with a collection of videos from life loggers, users recording daily experiences using wearable tech. We see the Burmese peoples out jogging along lakefronts, playing concerts with their bands, riding the backseat of a motorcycle which...
Fantasia 2026 Review: CORPUS, Languid Queer Thriller Delivers a Killer Horror Payoff
Sayo photographs New York’s nightlife, dealing drugs to partygoers at clubs and generally stays out of trouble with the owners of those clubs with free samples. Life takes a spin when he learns that Vince, an old friend whose star...
Fantasia 2026 Review: PERMANENT DAMAGE, A Loosey-Goosey, Drug-Addled, Hanging-Out Thriller On Housing Insecurity
Reborn in the opening scene by tearing his way out of a black garbage bag after being tossed in the trash from a prison van, Tommy irrevocably changes his life through a chance encounter in a Dollarama, the house of...
Fantasia 2026 Review: TEENAGE SEX AND DEATH AT CAMP MIASMA, Bold Queer Exploration
Opening with flesh and blood, Jane Schoenbrun's latest work, Teenage Sex and Death at Camp Miasma, is a continuation of the queer exploration found in their previous films, We're All Going to the World's Fair and I Saw the TV...
Fantasia 2026 Review: HER PRIVATE HELL, A Nightmare Neon Opera
At one point in Nicolas Winding Refn’s oblique, morally agnostic, performatively high-camp melodrama, a character pontificates, “You know, this movie is not going to fix us.” They are probably right. The director is far more interested in mise-en-scène still-lives...
Dances With Films 2026 Review: LITTERMATES, When Safety Is Not Sufficient
There are different relationship combinations to describe a person with power/control/knowledge, and the one that depends on and learns from the former. Parent and child; teacher and student; mentor and mentee. But in a world where isolation means near complete...
Chattanooga 2026 Review: NIGHT AFTER NIGHT, Atmospheric Sci-Fi Horror Suffers from Narrative Ambiguity
Josh Lobo directs this paranoid, slow burn sci-fi horror movie.
THE DEVIL QUEEN Review: Blood and Glitter in the Streets of Rio
The seedy underbelly of 1970s Rio de Janeiro: drugs and strippers, singers and drag queens, fast cars and fast sex, shaved legs and slit throats, crime and punishment. But most importantly: guns and glitter. Do some of these points feel...
Cannes 2026 Review: SPECIES (SANGUINE) Is THE SUBSTANCE for the Burnout Generation
French newcomer Marion Le Coroller asserts herself as part of a new generation of New French Extremity, retooling its corporeal shocks into a sharp and gory generational statement.
BACKROOMS Review: The Monstrous Labyrinth of the Human Psyche
Chiwetel Ejiofor and Renate Reinsve star in the film adaptation of the web series created by Kane Parsons.
