Friday One Sheet: THE FRENCH DISPATCH
The French Dispatch of The Liberty, Kansas Evening Sun, has this piece of delightful Wes Anderson clutter (in title and design) slash dollhouse-diorama as its first piece of key art. What has become the norm for the filmmaker, is to...
Friday One Sheet: THE INVISIBLE MAN
H.G. Wells' speculative horror novel, The Invisible Man, has been adapted for the big screen many, many times. From auteur directors James Whale to John Carpenter to Paul Verhoeven, the story and the style of the various retellings has acted...
Review: COME TO DADDY, Escalating Mayhem in Outlandish Father-Son Story
It is a joy to watch Elijah Wood give such a game performance in director Ant Timpson's outlandish father-son story.
Friday One Sheet: WENDY in Motion
Proudly adhering to the photographic rule of thirds, this poster for Ben Zeitlin's take on the Peter Pan mythology was designed by Eclipse to, apparently, emphasize various strata of 'danger,' and the human energy sandwiched between the natural world. There...
Friday One Sheet: DISAPPEARANCE AT CLIFTON HILL
Like many things when capturing attention, it is all about the eyes. The key art for this Canadian neo-noir re-imagines the tacky urban theme park slash tourist trap, the eponymous Clifton Hill, that is barnacled to Niagara Falls, as a...
Friday One Sheet: A PATIENT MAN
Kevin Ward's dramatic indie thriller, A Patient Man, is getting a direct download release next week, and a VOD bow in February, after a short stint on the festival circuit in 2019. By way of a press release, this lovely...
ScreenAnarchy's Top Ten Films of 2019
As 2019 comes to an end, ScreenAnarchy’s global team of critics and cineastes weighs in with our favourite cinematic offerings from the past 12 months, which saw Netflix lead the charge for cementing the legitimacy of the streaming platforms, while...
Friday One Sheet: The Best Posters of 2019
I hope you have enjoyed this column (almost) every Friday for 2019 as much as I have enjoyed writing it. Here is a cumulation of the best posters of the year. They are in no specific order, as they are...
Friday One Sheet: EYES WIDE SHUT @ 20
My favourite Christmas movie turned 20 this year. Stanley Kubrick's final film has taken almost as long to get its due in the popular culture, but I feel it has achieved consensus (more or less) for the final Kubrickian masterwork...
Friday One Sheet: GREED Is Good
Ladies and gentlemen, I give you the tagline of the year, "The Devil Is In The Retail." Michael Winterbottom's stylized take-down of the fashion retail industry (by way of planning and throwing a megalomaniac-vanity party) may have had some woes...
Friday One Sheet: PORTRAIT OF A LADY ON FIRE is all Paint & Flames
Neon consistently put out exceptional, thoughtful, and laser-focused key art for their releases. Their beautifully minimal one-sheet for Cannes sensation, A Portrait Of A Lady On Fire, is one of their best. Designer Akiko Stehrenberger is fond of the polaroid...
Friday One Sheet: LINE OF DUTY Races The Clock
This Aaron Eckhart race against the clock thriller, Line of Duty (previously, it had a more interesting title, Live!) may not exactly be getting stellar reviews, and is being unceremoniously dumped into a few theatres and on streaming services this...
Morbido 2019 Review: LUZ THE FLOWER OF EVIL Is A Gorgeous Act of Provocation
The sudden loss of a mother can extract a terrible psychological toll on any family - in any culture or any era. Consider Luz*: The Flower Of Evil, one of the most extreme cases in this regard. A widowed father,...
Friday One Sheet: LUZ THE FLOWER OF EVIL, A Colombian Tableaux
This gorgeous, if terrifying (perhaps maddening is a better word) look at family and religion in the high altitude wilderness of Colombia has a series of 'character' posters which play more like tableaux or scene setting evocations. They are in...
Friday One Sheet: TO KILL THE DRAGON Festival Quad
Here is an eye grabbing quad design for domestic horror, Matar al Dragón, from Argentina (and director Jimena Monteoliva, whose previous film, Clementina, was no stranger to good key art). Houses and homes are often a theme in poster design, particular for...
Friday One Sheet: Morbido 2019 Flexes Its Tentacles
This is not the first time in these pages that we have featured key art from Morbido, Mexico City's iconic fantastic and horrific film festival. Over 12 editions, their posters have always been a treat for our ocular cavities. The...
Friday One Sheet: Robert Eggers' Cursed Animal Series Continues With THE LIGHTHOUSE
A24 recently put out a new poster for this loopy, horrific, sad, entertaining, difficult, oddly-aspect ratio'd, actors workshop of a period horror, The Lighthouse. The poster is a direct nod to Robert Eggers' previous period horror picture, The VVitch, which...
Friday One Sheet: BURNING CANE
This handsome piece of key art for American indie picture, the Louisiana set Burning Cane, evokes the posters for a hit from a similar region of the US from a few years ago, Beasts of the Southern Wild. Clearly, it...
Friday One Sheet: MIDWAY, Woody Harrelson is Not Impressed
As floating head ensemble posters go, the latest key art for Roland Emmerich's Midway is the Bloomin' Onion variant. A spreading cluster (which, by the way, is still under half of the films principle cast of World War II military...
Friday One Sheet: THE RHYTHM SECTION
In cinema, all you need is a girl and a gun. Good old Godard said this of filmmaking, but it applies to the marketing department just fine. Here we have a poster for Blake Lively starring revenge thriller, The Rhythm...
