Tag: keyart

Friday One Sheet: LINE OF DUTY Races The Clock

This Aaron Eckhart race against the clock thriller, Line of Duty (previously, it had a more interesting title, Live!) may not exactly be getting stellar reviews, and is being unceremoniously dumped into a few theatres and on streaming services this...

Friday One Sheet: LUZ THE FLOWER OF EVIL, A Colombian Tableaux

This gorgeous, if terrifying (perhaps maddening is a better word) look at family and religion in the high altitude wilderness of Colombia has a series of 'character' posters which play more like tableaux or scene setting evocations. They are in...

Friday One Sheet: TO KILL THE DRAGON Festival Quad

Here is an eye grabbing quad design for domestic horror, Matar al Dragón, from Argentina (and director Jimena Monteoliva, whose previous film, Clementina, was no stranger to good key art).  Houses and homes are often a theme in poster design, particular for...

Friday One Sheet: Morbido 2019 Flexes Its Tentacles

This is not the first time in these pages that we have featured key art from Morbido, Mexico City's iconic fantastic and horrific film festival. Over 12 editions, their posters have always been a treat for our ocular cavities. The...

Friday One Sheet: Robert Eggers' Cursed Animal Series Continues With THE LIGHTHOUSE

A24 recently put out a new poster for this loopy, horrific, sad, entertaining, difficult, oddly-aspect ratio'd, actors workshop of a period horror, The Lighthouse. The poster is a direct nod to Robert Eggers' previous period horror picture, The VVitch, which...

Friday One Sheet: BURNING CANE

This handsome piece of key art for American indie picture, the Louisiana set Burning Cane, evokes the posters for a hit from a similar region of the US from a few years ago, Beasts of the Southern Wild. Clearly, it...

Friday One Sheet: MIDWAY, Woody Harrelson is Not Impressed

As floating head ensemble posters go, the latest key art for Roland Emmerich's Midway is the Bloomin' Onion variant. A spreading cluster (which, by the way, is still under half of the films principle cast of World War II military...

Friday One Sheet: THE RHYTHM SECTION

In cinema, all you need is a girl and a gun.  Good old Godard said this of filmmaking, but it applies to the marketing department just fine. Here we have a poster for Blake Lively starring revenge thriller, The Rhythm...

Friday One Sheet: THE REPORT Redacts Truth

Analog newsprint and redaction feature heavily into the key art for The Report. In noisy high-contrast black and white, Adam Driver in a pretty natty suit, is rendered in newsprint text with headlines poking out. "Fabricated Information" is underlined via...

Friday One Sheet: A HIDDEN LIFE

You are always guaranteed a great poster for the films of Terrence Malick. A Hidden Life premiered at Cannes in May, but here is a teaser poster for its Toronto International Film Festival screening. Set in World War II, and...

Friday One Sheet: THE LIGHTHOUSE in Glorious, Stark, Black And White

Robert Eggers' Cannes-feted sophomore film, The Lighthouse, gets a gorgeous poster, which matches the high contrast black and white trailer that also dropped this week. (It is embedded below if you have not had the pleasure yet.) It is rare...

Friday One Sheet: ECHO IN THE CANYON Recalls Jack Davis

By a strange co-incidence, this Jack Davis inspired key art appeared for Andrew Slater's documentary on the Laurel Canyon folk music of the 1960s, Echo in the Canyon, debuted almost exactly the same time that the iconic Mad Magazine issued...

Friday One Sheet: Skinny Teaser for BLACK CHRISTMAS

It is a trick of the eyes that this teaser poster for (another) remake of iconic Slasher picture, Black Christmas, looks longer than your usual 24x36". It is all the BLACK, negative space. While this design is not going to...

Friday One Sheet: WONDER WOMAN 1984

Call it the Guardians Of The Galaxy Effect. When Marvel Studios took the chance on adapting 'the oddballs save the universe to the sounds of a rockin' mix tape', with a big budget and a lot of humour, they went...

Friday One Sheet: IN FABRIC Catalogue Quad

With its faded early 1970s colours, and torn pages, the Quad-Style poster for Peter Strickland's In Fabric is on brand. The film itself has vast, deep elements of catalogue page fetishization, layout, and advertisement of a bygone era of British...

Friday One Sheet: THE NIGHTINGALE

The key art for Jennifer Kent's follow-up to the instant cult-classic (and eventually gay icon) The Babadook, takes a page from Joachim Trier's domestic drama slash supernatural coming of age story, Thelma. I am not sure if there will be...

Friday One Sheet: A Brief History Of Crying On Movie Posters

It is not overly typical to put characters crying on your movies poster (unless you are Jordan Peele). Or if you are trying to be transgressive, and exceptionally arty, like one of the greatest posters of all time, for Michael...

Friday One Sheet: STARFISH

The 'grain' on this third piece of key art for A.T. White's Starfish (the other two are also great) resides somewhere in the space between digital noise, and oil canvas texture. This is apt for a film that bills itself...

Friday One Sheet: PUSH

Hot Docs is coming to Toronto, and what better way to celebrate that than with a documentary on the increasing urban-global housing crisis (of which several Canadian cities qualify). Fredrik Gertten's documentary examines the 'gentrification' issue in a variety of...

Friday One Sheet: PARASITE

There are so many curious things on display in the first piece of key art for Bong Joon-Ho's latest film Parasite.There is the obvious dead body in the bottom corner. However, the censorship on the various characters' eyes -- star...