Tag: keyart
Friday One Sheet: THE AMUSEMENT PARK
This surreal poster from designer Aleksander Walijewski echoes the strange feeling of getting a 'new' George A. Romero film nearly four years after the maestro's passing. The film is, of course, not 'new' in the sense that it was made...
Friday One Sheet: SHIVA BABY
A good poster finds an iconic image or idea, and removes all the clutter to focus on that. Design company High Council has settled on a mountain of food as a bridal dress, for Emma Seligman's bisexual funeral drama Shiva...
Friday One Sheet: DEATH TRIP
One of my favourite movie posters of the last 20 years is Akiko Stehrenberger's design for Michael Haneke's FUNNY GAMES U.S. (yes, the remake). I have spoken at length about the many imitators and homages to this power of this...
Friday One Sheet: ME YOU MADNESS
This key art for Louise Linton's high-camp bisexual thriller, Me You Madness, has all the brash hallmarks of 'stuff I like' in a poster: Super saturated colour, minimal design elements, pink and neon, and unabashed absurdity. The lime green squirt...
Friday One Sheet: GREEN
Why is it that you do not often see green movie posters? I could not tell you for certain, other than the colour is rather neutral and blends into the landscape of most multiplex aisles where these types of one...
Friday One Sheet: PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME
Lili Horvát's mystery-drama has been selected for Hungary's submission to the best foreign language Oscar this year. The original title, Felkészülés meghatározatlan ideig tartó együttlétre, and its English translation, Preparations To Be Together For An Unknown Period Of Time, present...
Friday One Sheet: THE WANTING MARE
It is rare that a director designs the key art for their film, even in the indie filmmaking world. The last time that I can recall this was P.T. Anderson's design for Magnolia over 20 years ago. This striking poster...
Friday One Sheet: DIE HARD
Because we cannot come down to the coast, get together and have a few laughs, ahem 2020. Because along with It's A Wonderful Life and A Christmas Story, Die Hard has become an American holiday traditional Christmas movie. Because designer Paul...
Friday One Sheet: The Best Posters of 2020
So we approach the end to a strange year. And particularly, a stranger year to cinema and cinema-going (at least here in North America) than any year in my lifetime. I hope you have enjoyed this column (almost) every Friday...
Friday One Sheet: A Tale Of Two Posters
Consider this column, one of the last before the year-end round up of 2020s key art designs, a lesson on what to do, and what not to do in all things One Sheet. Here, we have two posters for a...
Friday One Sheet: SING ME A SONG
I have written, several times in this space, that many of the best posters are simply a well-designed photo. This is something South Korea designers are known for. A well produced still without the usual clutter, merging of too many...
Friday One Sheet: FALLING
Two posters do not a trend make, however, I will point out the effective use of wallpaper in both Charlie Kaufman's I'm Thinking of Ending Things, and today's key art, from Viggo Mortensen's Falling. Maybe wallpaper is just a stand...
Friday One Sheet: TREMORS
As Netflix, Prime, and Hulu plug up the streaming services with what (cynically) feels like A.I. generated 'Holiday Movie' content, the accompanying generic and cluttered Key Art to splash up on smart phone streaming apps seems to be the predominant poster...
Friday One Sheet: GIRL
There is a surprising amount to unpack given the simplicity of this grainy, high-contrast poster for Chad Faust's revenge mystery, Girl. The design immediate recalls brutally stark European arthouse pictures. At the same time it has a 'controversial' Disney channel...
Friday One Sheet: FIRE WALK WITH ME
On this eve of All Hallow's Eve, I present, with minimal comment, designer Sean Longmore's maximal fusion of Japanese genre collage, and The UK's Hammer Horror key fan-art for David Lynch's gonzo love-letter and cult classic prequel to TV's Twin...
Friday One Sheet: MANK (Again)
In our delight at the chiaroscuro and typeface, this column previously highlighted the 'fan art' poster for David Fincher's new film, Mank. But here, Netflix has released a joyfully bacchanal, hand-drawn official key art. This poster gives you the man,...
Friday One Sheet: MANK and the Fake Criterion
The films of David Fincher never let a typeface or design opportunity go to waste. Considering he is recreating a specific Hollywood era - the production of Orson Welles cinematic milestone and political bombshell, Citizen Kane - with his latest...
Friday One Sheet: 3 Posters By Midia Kiasat
Muted colour palettes, silent subject focus, and angled, alienating architecture -- I thought this would be a good week to highlight the work of Iranian designer, VFX artist, director and occasional didgeridoo player, Midia Kiasat. Below are three of his...
Friday One Sheet: I PREDATORI
I am not so mature as to pass by an opportunity to feature a poster where a beautiful woman offers a pair of 'one finger salutes' to the viewer. If there was a movie poster about how everyone (and especially...
Friday One Sheet: NOCTURNE
Yellow is the new pink. After the bold and original poster for Brandon Cronenberg's Possessor dropped, I commented on the re-appropriation of yellow from the 'Sundance Indie Dramedy' to art-house horror film space. Here is the poster for Zu Qurike's...
