Tag: keyart
Friday One Sheet: GASOLINE RAINBOW
Sometimes, typography makes the poster stand out. Consider the key art for The Ross Brothers' latest documentary, Gasoline Rainbow, featuring a black and white image of some kids on an automobile by the grassy shoulder of a long road. The...
Friday One Sheet: LITTLE HAITI, MIAMI, USA
We have featured the work of L.A. designer Tori Huynh in the pages previously for Rielle Li's short film Penny Pinched. Her latest design is another short film, Little Haiti, Miami, USA. Here, using architecture, shadows, and sky, she underscores the...
Friday One Sheet: MONKEY MAN
No beating about the bush with this one. With its saturated reds, high grain, and brooding intensity, the key art for Dev Patel's Monkey Man signals blood and tightly bound bombast. Eschewing a standard credit block, and putting all text...
Friday One Sheet: THE ROOSTER
This dark, moody and minimalist key art from Australian design house Barlow.Agency injects some metaphor and iconography into Mark Leonard Winter's feature film debut, The Rooster. We have featured the design work of Timothy Barlow's company a few years ago for...
Friday One Sheet: THE BIKERIDERS
Exuding casual mid-century mid-western cool, freedom and wide open space, the key art for Jeff Nichols' biker saga, spanning the 1950s and 1960s rise of The Vandals, wears its iconography with ease. No credit block for this bad boy, just...
Friday One Sheet: SEAGRASS
A Japanese-Canadian woman grapples with the death of her mother as she brings her family to a remote British Colombian island in Meredith Hama-Brown's Seagrass. This distressed, lonely key art, with its almost letterhead typography and design at the top makes...
Friday One Sheet: TENET (Re-Release)
Apologies for two re-releases in a row, however, this new key art for Christopher Nolan's Tenet is so, so good. This Saul Bass inspired free fall from design house B O N D is a country mile (forwards or backwards) ahead...
Friday One Sheet: CORALINE (Re-Release)
Arguably the scariest film aimed at children in the past 15 years, Coraline, the animated classic from Laika Studios, writer Neil Gaiman, and director Henry Selick, is getting a re-release in August. The poster designer, whom I have had bit...
Friday One Sheet: LONGLEGS
Grim, dead of winter foreboding, and a hint of an aged photograph aesthetic set the tone for Osgood Perkins' latest period film, Longlegs. Perkins is a kind of specialist in slow burn chillers. His previous films February or I Am...
Friday One Sheet: MOTHER SAIGON (Má Sài Gòn)
Quebec/Vietnamese filmmaker Khoa Lê's documents a portrait of the LGBTQ+ in modern Vietnam in Má Sài Gòn (Mother Saigon). The hazy orange and pink key art offers its own kind of public intimacy, and sends out a strong core visual on...
Friday One Sheet: GODZILLA MINUS ONE (Minus Color)
Somehow in this column, I never managed to get to any of the lovely key art designs Godzilla Minus One. Let us fix that, shall we? The Japanese soft reboot cum retro prequel to the 1954 original Kaiju classic has been...
Friday One Sheet: The Best Posters of 2023
Another year has come to a close, and many columns later, I do sincerely hope you have taken some enjoyment (or better yet, enlightenment) out of this column which endeavours to examine the ins and outs of poster design; from...
Friday One Sheet: Eyes Wide Shut @ 24
Three times make a tradition, right? It is (now) a holiday tradition of sharing a poster variant for Stanley Kubrick's final film, an alternate Christmas movie classic. Modern movie lovers may go to The Apartment, Die Hard, Gremlins, or Chungking Express (perhaps even...
Friday One Sheet: THE ZONE OF INTEREST
The second significant piece of key art for Jonathan Glazer's The Zone Of Interest leans into a minimalism and iconography, almost as oblique as the film itself. It reminds me of the opening shot of his previous film, Under The...
Friday One Sheet: THE TEACHERS' LOUNGE
Evoking the keenest student's homework that has had notes scribbled in the margin, the recent key art for Ilker Çatak's provocative social thriller, The Teachers’ Lounge, sure has a lot of text on display. It has been a darling on...
Friday One Sheet: OCCUPIED CITY
There are many ways to make a piece of key art. Be it a minimalist totem or icon from the film, those adventure blockbuster collages, be it photoshop or hand-painted, the surreal Dada-ist Polish style, or simply a shot of...
Friday One Sheet: THE ZONE OF INTEREST
Negative space factors quite figuratively into the execution (as it were) of Jonathan Glazer's magnificently icky, and profoundly disturbing domestic drama, The Zone Of Interest. Design studio Kellerhouse have integrated that into their key art for the film, which features the blackest...
Friday One Sheet: WHEN EVIL LURKS
No point beating around the bush on this one, California's Mocean design house goes full on distressed red sky and deep black shadows for slow burn Argentinian possession horror, When Evil Lurks. The tagline, "There is no point in praying" is...
Friday One Sheet: SITGES #56
It cannot pass without mentioning how much the design team for the Sitges Film Festival, or rather, Festival Internacional de Cinema Fantàstic de Catalunya, simply aced the key art this year. On a creamy white field (the similar colour of an...
Friday One Sheet: RIDDLE OF FIRE
The "Coolest debut from Cannes," according to AnOther Magazine, the poster for American indie cult-film-to-be, Riddle Of Fire, exudes rural middleschool cool. The key art is awash in warm peachy tones and early 70s pre-Amblin 'latch-key kids' vibes. Note the mushrooms and...
