Tag: india

With Hindi CHHORI, CryptTV Aims to Remake Marathi Social Horror LAPACHHAPI

Released in India during the summer of 2017, Marathi social horror Lapachhapi (aka Hide and Seek) gained further attention through playdates at film festivals around the world, including the London Indian Film Festival. Now the film will be remade, according...

Friday One Sheet: In PAATAL LOK, The Media Is Just Another Weapon

In limited Prime series Paatal Lok, which combines intense crime drama with media muck-raking, the key art brings the weapons and the eyeballs. Design house, Rubarb, who frequently work with the streaming giants (e.g. Netflix's Narcos and Le Casa De Papel...

Rotterdam 2020 Review: NASIR, Stoicism in the Time of Assertive Hindu Nationalism

Tamil indie filmmaker Arun Karthick offers first-hand observations on the impact of Hindu nationalism.

London Indian 2019 Review: ARISHADVARGA Is A Labyrinthine Thriller Full Of Surprises

A movie producer has been murdered in an upscale bungalow in Bengaluru. Who is the culprit? No one knows, but a pair of unlucky would-be actors are the primary suspects, and it's going to be up to them and one...

Notes on Streaming: REVISIONS From Japan, THE DEFECTED From Hong Kong

Plus: Action-comedy 'The Man Who Feels No Pain' arrives from India.

Tribeca 2019 Review: AAMIS (RAVENING), A Forbidden Romance Consumes Star-Crossed Lovers

Set in the far northeastern Indian state of Assam, Bhaskar Hazarika's sophomore feature Aamis (Ravening) is a film unlike anything you've ever seen. A forbidden love story between a man and a woman separated by perhaps a dozen years, several...

HOTEL MUMBAI Interview: Director Anthony Maras on a Plea for Peace

On November 26, 2008, a multi-pronged attack of unfathomable destruction and carnage seized the city of Mumbai, India over three days.  Amidst the chaos, unarmed common people of all faiths and races banded together to survive the terrorist onslaught.    ...

Review: Shankar's 2.0 Cranks Up The Crazy, But Forgets To Make Us Care

It's been a little over eight years since Shankar and Rajinikanth's masterclass of cinematic insanity Enthiran created a small viral whirlwind with its over the top science fiction action and disregard for logic. The film made a buttload of money...

Mumbai 2018 Dispatch: Wrapping Up, Masterclass With Sean Baker, And Awards Aplenty

The 20th edition of the Jio MAMI Mumbai Film Festival with Star wrapped up on November 1st, and after about 48 hours of travel and 8 hours of sleep total in the days since, we're finally ready to put the...

Review: BASMATI BLUES, Brie Larson, Singing Scientist, Goes to India

By the time Donald Sutherland leads a song and dance number, kicking around gliding office furniture and extolling the virtues of capitalistic greed for "The Greater Good" -- which includes the should-be immortal line "Obi-wan Kenobi gave up to Darth...

The New Trailer For RAAKSHAS Promises A Dark Fantasy In The Indian Jungle

2017 was kind of a light year for genre films in India. There were a few stand out productions, but the general mood in the country was pretty tense, and that seemed to lend itself more toward either dramas or...

Review: Anurag Kashyap's MUKKABAAZ, The Tale Of A Boxer Fighting For What's Right

These are tense times in India, and that tension has been increasingly reflected in their popular art even when the art isn't necessarily about the sources or direct effects of conflict. The biggest source of enmity and division in the...

Trailer Time: Amit Kumar's MONSOON SHOOTOUT Gets a Unique Interactive Trailer

Following its world premiere at the Cannes Film Festival in 2013, it's been a long road to Indian cinema screens for Amit Kumar's Monsoon Shootout. The film, which stars Vijay Varma as a rookie cop making a fateful decision, has...

Revel in the Pitch Black Humor of EE.MA.YAU, the New Film From Lijo Jose Pellissery

A few days ago we posted the first few teasers from Lijo Jose Pellissery's Ee.Ma.Yau, a dark satire of the class and religious divides in Kerala, India based around a Christian funeral service. The film has since released in Kerala...

AFI Fest 2017 Review: NEWTON Welcomes Sharp Political Satire To The Jungle

Director Amit V Marsurkar burst onto the filmmaking scene in India back in 2013 with his debut feature, Sulemani Keeda (Writers). That film, the story of a pair of nobodies trying to break into Bollywood as screenwriters was regarded as...

Busan 2017 Review: Indian Revenge Drama AJJI is a Battlecry for Justice

When a ten-year-old slum kid is brutally raped and left for dead, her elderly grandmother takes matters into her own hands. Fuelled by a lifetime of oppression and injustice, trapped in a social hierarchy in which the rich and powerful...

BALAYYA! Nandamuri Balakrishna Is Back To Bash In Heads In PAISA VASOOL

Hot from the success of his film Gautamaputra Satakarni in January, Telugu superstar Nandamuri Balakrishna is coming back to the big screen this Friday, September 1st, with Paisa Vasool. Paisa Vasool is a full-on Telugu mainstream "entertainer" directed by the...

Review: MACHINES Succeeds in Being Both an Art Film and Biting Social Commentary

Machines is a beautiful observation piece that succeeds in both being an art film and biting social commentary.

Review: JAGGA JASOOS Aims For The Moon And Lands Among The Stars

With the release of the incredibly ambitious Jagga Jasoos, director Anurag Basu cements his position as one of Bollywood's premier creative voices. With a career that started over a decade ago largely dedicated to making potboilers, Basu really started to...

Marshy's Favourite Asian Movies of 2017 Part 1

As we hit the halfway point of the year, it is time to look back over the past six months, specifically the cinematic offerings from Asia. This year’s crop of new releases has been a mixed bunch, with precious few...