Review: THE SCIENCE OF FICTIONS, Black Comedy as Socio-Political Parable
Political allegory meets the Ministry of Silly Walks.
Locarno 2019 Review: TECHNOBOSS, Lo-Fi Surrealist Musical Road Movie
A counter-ageism love story in the clothing of a deadpan idiosyncratic comedy.
Locarno 2019 Review: IVANA THE TERRIBLE, Quirks and Paradoxes of Millennials on the Balkan
Filmmaker Ivana Mladenovic scrutinizes her generation in a female-driven psycho-realist dramedy.
Locarno 2019 Review: HAM ON RYE, Coming-of-Age Revisited Surreally
Imagine 'Freaks & Geeks' by way of a macabre-less and psychosexual-less euphoric David Lynch and Gus van Sant of 'Paranoid Park.'
Locarno 2019 Review: ECHO, Poetically Realist Kaleidoscope of Life in Iceland
The Icelandic writer-director Rúnar Rúnarsson combines gentle and raw in a collective portrait.
Karlovy Vary 2019 Review: A CERTAIN KIND OF SILENCE, A Free Will Undone in the Czech Social Psychothriller
The banality of evil and a stranger-than-fiction tale collide in Michal Hogenauer´s feature debut.
Venice 2019: PSYCHOSIA Exclusive Trailer Premiere, Danish Female-Driven Gothic Noir
The film called "extremely erotic psychothriller" will premiere at Venice´s sidebar Critics´ Week.
Karlovy Vary 2019 Review: OLD-TIMERS, Seniors Seek Revenge on the Road
A Czech drama by directors Martin Dušek and Ondřej Provazník.
PSYCHOMAGIC, AN ART THAT HEALS Trailer: Alejandro Jodorowsky Unleashes the Healing Power of Theatrical Shamanism
The latest feature by legendary filmmaker Alejandro Jodorowsky is a documentary about his healing therapy.
Locarno 2019: ECHO Exclusive Poster Premiere, Rúnar Rúnarsson's Portrait of Iceland
Exclusive premiere of a poster for Rúnar Rúnarsson's latest feature.
Karlovy Vary 2019 Review: PATRICK, A Nudist Procedural Tragicomedy About Grief and Identity
Clothes do not make a man in Tim Mielants' procedural coming-of-grief dramedy.
Karlovy Vary 2019 Review: In THE MIRACLE OF THE SARGASSO SEA, Greek Tragedy Meets Psycho Noir
Greek filmmaker Syllas Tzoumerkas delivers an eclectic, psycho-noir mystery thriller.
THE PAINTED BIRD Trailer: Controversial, Atrocities-Ridden Holocaust Novel Adaptation Heads to Venice
An adaptation of Jerzy Kosinski's controversial novel is set for Venice and Toronto.
Karlovy Vary 2019 Review: SICK SICK SICK, Love, Grief, Madness in New Cinema
Coming-of-age, madness and macabre in new aesthetics.
Cannes 2019 Review: ALL ABOUT YVES, New French Burlesque and the Age of AI
What would you get if you crossed the talking toaster from 'Red Dwarf,' 'Twilight Zone' and '8 Mile'?
Febiofest 2019: BY A SHARP KNIFE, A Family Tragedy in a Broken System Turns into Social Stigma
By a Sharp Knife, a drama by up-and-coming Slovakian director Teodor Kuhn, is described by the creators as a generational film. Mainly, it's because real-life events that inspired the film impacted a whole generation, the one where the director and...
Cannes 2019: Second Wave of Titles Announced, Miike, Diaz, Bonello, Gaudagnino to Bow at the French Riviera
After the main competition was revealed last week, new titles have been added to the slate of the French celebration of cinema. The parallel section Director´s Fortnight will welcome original auteurs and visionary film for the 51st time.
Cannes 2019: Malick, Jarmusch, Herzog, Ferrara, Bong Joon-Ho, Almodóvar and Refn Head to La Croisette
The veil over the 72nd edition of the Cannes had been lifted as the festival´s director Thierry Frémaux revealed the main competition line-up. The upcoming edition will boast a slate of seasoned veterans along with promising talents in the ranks up-and-coming filmmakers.
Rotterdam 2019 Review: KOKO-DI KOKO-DA, Sophomore La-Di-Da
Swedish filmmaker Johannes Nyholm jumped into the limelight of the international arthouse circuit with both feet, sweeping audiences and awards with his feature debut The Giant. It was a touching dramedy, absolved of sentimentality, about an autistic boy separated from...
Rotterdam 2019 Review: NONA. IF THEY SOAK ME, I'LL BURN THEM, An Intriguing Mocku-Biopic
Chilean filmmaker Camila José Donoso's third feature manifests formalistic experimentation in docu-fiction and reality aesthetics.
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