Tokyo 2026 Exclusive: SISTER BROTHER MANHOLE COVER Poster Premiere
Milcho Manchevski returns to Tokyo with an offbeat social comedy about survival, solidarity, and the families people create for themselves.
Toronto 2026 Review: THE SMELL OF APPLES, Subtle, Unsettling Coming-of-Age Drama Under Apartheid
John Trengove adapts Mark Behr's novel into a restrained, disquieting coming-of-age drama that filters apartheid-era privilege, racial hierarchy and paternal idealization through a child's limited understanding.
Toronto 2026 Review: TEHRAN, UNDER THE SKIN Reveals the Politics Beneath the Promise of Transformation
Afsaneh Salari's formally controlled documentary examines cosmetic surgery in Iran as an unstable expression of conformity, resistance, consumer desire, and bodily autonomy.
Venice 2026 Review: LOVERS IN THE BLUE NIGHT, Tender Social Drama Caught in Its Own Emotional Web
Anuparna Roy's second feature intertwines queer longing, displacement, caste and emotional misrecognition in the nocturnal margins of Mumbai.
Venice 2026 Review: ARRESTED MEMORY, Screwball Cop Caper Brings Melancholy to the Police-Action Formula
Japanese cult filmmaker Sabu refreshes the police-action formula with screwball comedy and melancholic undertones.
Venice 2026 Review: JUPITER, Claustrophobic Political Thriller for the Current Time
Alexandre Smia's gripping feature debut locks Denis Ménochet inside the machinery of presidential power, where rational calculations lead toward an unthinkable conclusion.
Toronto 2026: Wrap -- All Our Coverage (So Far)
Our curtain raiser, our reviews, our poster columns, and an interview.
Venice 2026 Review: NO PARADISE IF YOU ARE KILLED BY A WOMAN Goes into Stealth Mode to Confront the Scars of War
Merging the exportable mechanics of a stealth-combat thriller with the political urgency of Kurdish resistance, Halkawt Mustafa delivers an ambitious Iraqi-Norwegian genre film.
Venice 2026 Review: DIANE IN THE LOOP Channels Inherited Generational Rage into a Whimsical Yet Touching Feminist Western
Belgian filmmakers Ann Sirot and Raphaël Balboni turn intergenerational trauma into an eccentric tale of revenge and rebirth, veiled as unexpected feminist Western fairy tale and family road movie.
Toronto 2026 Review: DIARY OF A MAD OLD MAN Turns Erotic Obsession Into an Anti-Erotic Meditation
Wayne Wang returns to literary adaptation with a disquieting chamber drama in which senescence becomes its own form of erotic suspense.
Venice 2026: Exclusive UNTIL THE DAY ENDS Poster Premiere
Jelena Maksimović's fiction-feature debut, set to world premiere in the 83rd Venice International Film Festival's Orizzonti competition, follows two young people divided by politics but united by a desire for freedom.
Locarno 2026: Asia Argento on Failure, Scandal, and Choosing the Road "That Had a Heart"
Honoured with Locarno's Lifetime Achievement Award, Asia Argento reflects on surviving childhood fame, turning trauma into 'Scarlet Diva,' rejecting Hollywood millions and finding meaning in a career.
Locarno 2026 Review: THE RIVERBANK Turns Queer Desire Into a Defiant Neo-Noir
Brazilian filmmakers Enock Carvalho and Matheus Farias make an atmospheric feature debut with a slow-burning queer neo-noir that pits intimacy and solidarity against the murderous politics of the militarized religious right.
Locarno 2026 Interview: MANHUNT Director Wayne Wapeemukwa on Humanizing Killers, Settler Mythology, and Cinema Without Sermons
Wayne Wapeemukwa talks about transforming a notorious Canadian killing spree, confronting misogyny and settler mythology, working with nonprofessional actors, and resisting demands that cinema reduce violent characters to moral lessons.
Locarno 2026 Review: DESTROY ALL GIRLS, Freewheeling Skate-Punk Rebellion, With an Expiration Date
Erin Vassilopoulos' sophomore feature is a retro-styled skate odyssey whose authentic subcultural energy invigorates a familiar story.
Locarno 2026 Review: ROMA ELASTICA Cannibalizes the Myth of the Movie Star in a Delirious Cinephile Phantasmagoria
Marion Cotillard stars in Bertrand Mandico's a surrealistic tribute to golden age actresses, celluloid cinema and Italian culture.
Locarno 2026 Review: BLOODY TENNIS Serves Up a Blood-Soaked Sports-Horror Satire
Nikias Chryssos serves up a blood-soaked, darkly funny sports horror in which an elite tennis academy trains its aspiring champions through ritualized brutality.
Locarno 2026 Masterclass: Darren Aronofsky on Risk, Movie Jail, and Knowing When to Let a Film Go
Honoured with Locarno's Pardo d'Onore, Darren Aronofsky reflects on turning poverty into style, surviving "movie jail," casting actors at the right moment and learning when to let a film go.
Locarno 2026 Interview: KETTICÈ Filmmakers Luca Guadagnino and Giovanni Tortorici on Adolescent Rebellion and Protecting Cinema's Rare Roses
At Locarno, the Palermo-born director and his producer traced a line from adolescent resistance to an endangered idea of cinema, specific, unruly and built from a language of its own.
Locarno 2026 Interview: DONKEY PRINCESS Filmmakers Cristóbal León and Joaquín Cociña Say "Jan Švankmajer Is Our Father"
The acclaimed Chilean duo discusses expanding their handmade cinematic language into live action and drawing on the formative influence of Jan Švankmajer.
