Venice 2026 Review: NO PARADISE IF YOU ARE KILLED BY A WOMAN Goes into Stealth Mode to Confront the Scars of War
Merging the exportable mechanics of a stealth-combat thriller with the political urgency of Kurdish resistance, Halkawt Mustafa delivers an ambitious Iraqi-Norwegian genre film.
Venice 2026 Review: DIANE IN THE LOOP Channels Inherited Generational Rage into a Whimsical Yet Touching Feminist Western
Belgian filmmakers Ann Sirot and Raphaël Balboni turn intergenerational trauma into an eccentric tale of revenge and rebirth, veiled as unexpected feminist Western fairy tale and family road movie.
Toronto 2026 Review: DIARY OF A MAD OLD MAN Turns Erotic Obsession Into an Anti-Erotic Meditation
Wayne Wang returns to literary adaptation with a disquieting chamber drama in which senescence becomes its own form of erotic suspense.
Venice 2026: Exclusive UNTIL THE DAY ENDS Poster Premiere
Jelena Maksimović's fiction-feature debut, set to world premiere in the 83rd Venice International Film Festival's Orizzonti competition, follows two young people divided by politics but united by a desire for freedom.
Locarno 2026: Asia Argento on Failure, Scandal, and Choosing the Road "That Had a Heart"
Honoured with Locarno's Lifetime Achievement Award, Asia Argento reflects on surviving childhood fame, turning trauma into 'Scarlet Diva,' rejecting Hollywood millions and finding meaning in a career.
Locarno 2026 Review: THE RIVERBANK Turns Queer Desire Into a Defiant Neo-Noir
Brazilian filmmakers Enock Carvalho and Matheus Farias make an atmospheric feature debut with a slow-burning queer neo-noir that pits intimacy and solidarity against the murderous politics of the militarized religious right.
Locarno 2026 Interview: MANHUNT Director Wayne Wapeemukwa on Humanizing Killers, Settler Mythology, and Cinema Without Sermons
Wayne Wapeemukwa talks about transforming a notorious Canadian killing spree, confronting misogyny and settler mythology, working with nonprofessional actors, and resisting demands that cinema reduce violent characters to moral lessons.
Locarno 2026 Review: DESTROY ALL GIRLS, Freewheeling Skate-Punk Rebellion, With an Expiration Date
Erin Vassilopoulos' sophomore feature is a retro-styled skate odyssey whose authentic subcultural energy invigorates a familiar story.
Locarno 2026 Review: ROMA ELASTICA Cannibalizes the Myth of the Movie Star in a Delirious Cinephile Phantasmagoria
Marion Cotillard stars in Bertrand Mandico's a surrealistic tribute to golden age actresses, celluloid cinema and Italian culture.
Locarno 2026 Review: BLOODY TENNIS Serves Up a Blood-Soaked Sports-Horror Satire
Nikias Chryssos serves up a blood-soaked, darkly funny sports horror in which an elite tennis academy trains its aspiring champions through ritualized brutality.
Locarno 2026 Masterclass: Darren Aronofsky on Risk, Movie Jail, and Knowing When to Let a Film Go
Honoured with Locarno's Pardo d'Onore, Darren Aronofsky reflects on turning poverty into style, surviving "movie jail," casting actors at the right moment and learning when to let a film go.
Locarno 2026 Interview: KETTICÈ Filmmakers Luca Guadagnino and Giovanni Tortorici on Adolescent Rebellion and Protecting Cinema's Rare Roses
At Locarno, the Palermo-born director and his producer traced a line from adolescent resistance to an endangered idea of cinema, specific, unruly and built from a language of its own.
Locarno 2026 Interview: DONKEY PRINCESS Filmmakers Cristóbal León and Joaquín Cociña Say "Jan Švankmajer Is Our Father"
The acclaimed Chilean duo discusses expanding their handmade cinematic language into live action and drawing on the formative influence of Jan Švankmajer.
FRANZ Review: Embracing an Incomplete Life
Director Agnieszka Holland's film is a biopic of the iconic Franz Kafka, portrayed by Idan Weiss.
Locarno 2026 Interview: NOBODY'S VIOLENCE Filmmaker Denis Côté Talks Mortality and Making Cinema That "Floats"
The Québécois auteur explains how illness shaped the film's grainy 16mm aesthetic, why disciplined production is essential to improvisation, and how critical feedback informs his uncompromising filmmaking.
Locarno 2026 Industry: Growth, Risk, and the Search for a More Resilient Independent Film Business
Locarno Pro 2026 examined how new financing, co-production and audience-building models could sustain independent cinema in an increasingly uncertain market.
Locarno 2026 Interview: SIXTEEN MOMENTS OF MY LIFE Filmmaker Albert Serra Discusses Five Cameras, Six Years of Creation, and AI's Limits
The Catalan filmmaker explains why his concert film was an "accidental consequence" of six years of work, why cinematographers must edit, and why artificial intelligence can never be innocent.
Locarno 2026 Interview: OBJET A Filmmaker Ann Oren on Touch and the Ecstasy of Losing Control
Filmmaker and visual artist Ann Oren discusses how her sophomore feature draws on Lacan, touch-starved digital culture, Jan Švankmajer, surgical preparation and the dangerous promise of surrender.
Locarno 2026 Interview: O JACARÉ Filmmaker Basil da Cunha on Gangster Heroes
Plus: a two-year edit and Reboleira's last dance.
Locarno 2026 Interview: THE DAYS OFF Filmmaker Lucila Mariani Discusses Internet Nostalgia
Plus: Reality shifting, and an ominous eclipse.
