Tag: fridayonesheet

Friday One Sheet: BURNING CANE

This handsome piece of key art for American indie picture, the Louisiana set Burning Cane, evokes the posters for a hit from a similar region of the US from a few years ago, Beasts of the Southern Wild. Clearly, it...

Friday One Sheet: MIDWAY, Woody Harrelson is Not Impressed

As floating head ensemble posters go, the latest key art for Roland Emmerich's Midway is the Bloomin' Onion variant. A spreading cluster (which, by the way, is still under half of the films principle cast of World War II military...

Friday One Sheet: THE RHYTHM SECTION

In cinema, all you need is a girl and a gun.  Good old Godard said this of filmmaking, but it applies to the marketing department just fine. Here we have a poster for Blake Lively starring revenge thriller, The Rhythm...

Friday One Sheet: BLOW THE MAN DOWN

I did not manage to catch Blow The Man Down, Bridget Savage Cole and Danielle Krudy's salty Maine-set mystery-drama at TIFF this year. Had I seen this key art in advance, I might have tried a wee bit harder. Acting...

Friday One Sheet: THE REPORT Redacts Truth

Analog newsprint and redaction feature heavily into the key art for The Report. In noisy high-contrast black and white, Adam Driver in a pretty natty suit, is rendered in newsprint text with headlines poking out. "Fabricated Information" is underlined via...

Friday One Sheet: A HIDDEN LIFE

You are always guaranteed a great poster for the films of Terrence Malick. A Hidden Life premiered at Cannes in May, but here is a teaser poster for its Toronto International Film Festival screening. Set in World War II, and...

Friday One Sheet: LOW TIDE and Orange Gradients

Learn to love your gradient. That is the heart of the sunset orange glow of the key art for Low Tide. It's different, and minimalist, enough to grab ones attention in a multiplex hallway of crowded photoshop nightmares (i.e. typical...

Friday One Sheet: THE LIGHTHOUSE in Glorious, Stark, Black And White

Robert Eggers' Cannes-feted sophomore film, The Lighthouse, gets a gorgeous poster, which matches the high contrast black and white trailer that also dropped this week. (It is embedded below if you have not had the pleasure yet.) It is rare...

Friday One Sheet: ECHO IN THE CANYON Recalls Jack Davis

By a strange co-incidence, this Jack Davis inspired key art appeared for Andrew Slater's documentary on the Laurel Canyon folk music of the 1960s, Echo in the Canyon, debuted almost exactly the same time that the iconic Mad Magazine issued...

Friday One Sheet: RED LETTER DAY

The EC Comics-inspired poster for Canadian horror comedy Red Letter Day plays on the absurdity of the Red Communist Scare of the 1950s, in conjunction with the white flight that moved families out of the cities and into new minted 'ticky-tacky' houses...

Friday One Sheet: PUSH

Hot Docs is coming to Toronto, and what better way to celebrate that than with a documentary on the increasing urban-global housing crisis (of which several Canadian cities qualify). Fredrik Gertten's documentary examines the 'gentrification' issue in a variety of...

Friday One Sheet: PARASITE

There are so many curious things on display in the first piece of key art for Bong Joon-Ho's latest film Parasite.There is the obvious dead body in the bottom corner. However, the censorship on the various characters' eyes -- star...

Friday One Sheet: SCARY STORIES TO TELL IN THE DARK

Uncluttered concept, unconventional placement of credit blog, and pastel pink horror - The latest anthology film has a suite of posters that know the value of negative space, but none quite as striking as this bathroom nightmare. Does it get...

Friday One Sheet: Leaning Against The Frame In ONCE UPON A TIME IN... HOLLYWOOD

The strange marketing materials for Quentin Tarantino's '9th Film' (as the poster says) feature (across two one sheets) the trio of lead characters leaning against 'the frame' of the poster. It is also present in one of the initial pieces...

Friday One Sheet: FINGERS

Eschewing the usual 'Indie Yellow,' the key art for Juan Ortiz's crime comedy, Fingers, comes as a hand-drawn (ahem, sorry) collage on a palm with partially and fully severed digits, framed in water-stained pink. Artist and designer Emily J. Moore,...

Friday One Sheet: GIRL ON THE THIRD FLOOR

Evoking the middle space between Darren Aronofsky's mother! poster, and the Russell Mills' Downward Spiral art from Nine Inch Nails' iconic 1994 album, the one-sheet for SXSW debuting Girl On The Third Floor is eye catching to say the least....

Friday One Sheet: HAIL SATAN?

Leaving neon behind for a spell, and focusing on the dark lord himself, this week's key art is from Penny Lane's documentary that focuses on the religious group, The Satanic Temple. Hail Satan? still cheekily catches the eye with its...

Friday One Sheet: DIVINE LOVE and Neon Iconography

This column's obsession with neon continues with the key art for Brazilian drama and Sundance entry, Divino Amor. The design feels like those ubiquitous paperback novels of the 1980s, dealing more in iconography than 'description.' Even the tagline here, "True...

Friday One Sheet: TEEN SPIRIT

Even after the Pink Explosion of Key Art in 2017, I still find the colour endearing in all its forms in movie poster design. Case in point is the one sheet for Max Minghella's Teen Spirit, which features a fuchsia...

Friday One Sheet: DESTROYER (en Fran├žais)

High contrast. Minimalist design. Emphasize movie star. Dominating typeset. This. Is. A. French. Movie poster.  And yet it has all the Hollywood elements too.  All you need is A Girl, A Gun, and Hyperbolic pull-quotes. (Jamais! Jamais!) Don't get me...