Tag: fridayonesheet

Friday One Sheet: EYES WIDE SHUT @ 20

My favourite Christmas movie turned 20 this year. Stanley Kubrick's final film has taken almost as long to get its due in the popular culture, but I feel it has achieved consensus (more or less) for the final Kubrickian masterwork...

Friday One Sheet: GREED Is Good

Ladies and gentlemen, I give you the tagline of the year, "The Devil Is In The Retail."  Michael Winterbottom's stylized take-down of the fashion retail industry (by way of planning and throwing a megalomaniac-vanity party) may have had some woes...

Friday One Sheet: PORTRAIT OF A LADY ON FIRE is all Paint & Flames

Neon consistently put out exceptional, thoughtful, and laser-focused key art for their releases. Their beautifully minimal one-sheet for Cannes sensation, A Portrait Of A Lady On Fire, is one of their best. Designer Akiko Stehrenberger is fond of the polaroid...

Friday One Sheet: LINE OF DUTY Races The Clock

This Aaron Eckhart race against the clock thriller, Line of Duty (previously, it had a more interesting title, Live!) may not exactly be getting stellar reviews, and is being unceremoniously dumped into a few theatres and on streaming services this...

Friday One Sheet: TO KILL THE DRAGON Festival Quad

Here is an eye grabbing quad design for domestic horror, Matar al Dragón, from Argentina (and director Jimena Monteoliva, whose previous film, Clementina, was no stranger to good key art).  Houses and homes are often a theme in poster design, particular for...

Friday One Sheet: Morbido 2019 Flexes Its Tentacles

This is not the first time in these pages that we have featured key art from Morbido, Mexico City's iconic fantastic and horrific film festival. Over 12 editions, their posters have always been a treat for our ocular cavities. The...

Friday One Sheet: Robert Eggers' Cursed Animal Series Continues With THE LIGHTHOUSE

A24 recently put out a new poster for this loopy, horrific, sad, entertaining, difficult, oddly-aspect ratio'd, actors workshop of a period horror, The Lighthouse. The poster is a direct nod to Robert Eggers' previous period horror picture, The VVitch, which...

Friday One Sheet: BURNING CANE

This handsome piece of key art for American indie picture, the Louisiana set Burning Cane, evokes the posters for a hit from a similar region of the US from a few years ago, Beasts of the Southern Wild. Clearly, it...

Friday One Sheet: MIDWAY, Woody Harrelson is Not Impressed

As floating head ensemble posters go, the latest key art for Roland Emmerich's Midway is the Bloomin' Onion variant. A spreading cluster (which, by the way, is still under half of the films principle cast of World War II military...

Friday One Sheet: THE RHYTHM SECTION

In cinema, all you need is a girl and a gun.  Good old Godard said this of filmmaking, but it applies to the marketing department just fine. Here we have a poster for Blake Lively starring revenge thriller, The Rhythm...

Friday One Sheet: BLOW THE MAN DOWN

I did not manage to catch Blow The Man Down, Bridget Savage Cole and Danielle Krudy's salty Maine-set mystery-drama at TIFF this year. Had I seen this key art in advance, I might have tried a wee bit harder. Acting...

Friday One Sheet: THE REPORT Redacts Truth

Analog newsprint and redaction feature heavily into the key art for The Report. In noisy high-contrast black and white, Adam Driver in a pretty natty suit, is rendered in newsprint text with headlines poking out. "Fabricated Information" is underlined via...

Friday One Sheet: A HIDDEN LIFE

You are always guaranteed a great poster for the films of Terrence Malick. A Hidden Life premiered at Cannes in May, but here is a teaser poster for its Toronto International Film Festival screening. Set in World War II, and...

Friday One Sheet: LOW TIDE and Orange Gradients

Learn to love your gradient. That is the heart of the sunset orange glow of the key art for Low Tide. It's different, and minimalist, enough to grab ones attention in a multiplex hallway of crowded photoshop nightmares (i.e. typical...

Friday One Sheet: THE LIGHTHOUSE in Glorious, Stark, Black And White

Robert Eggers' Cannes-feted sophomore film, The Lighthouse, gets a gorgeous poster, which matches the high contrast black and white trailer that also dropped this week. (It is embedded below if you have not had the pleasure yet.) It is rare...

Friday One Sheet: ECHO IN THE CANYON Recalls Jack Davis

By a strange co-incidence, this Jack Davis inspired key art appeared for Andrew Slater's documentary on the Laurel Canyon folk music of the 1960s, Echo in the Canyon, debuted almost exactly the same time that the iconic Mad Magazine issued...

Friday One Sheet: RED LETTER DAY

The EC Comics-inspired poster for Canadian horror comedy Red Letter Day plays on the absurdity of the Red Communist Scare of the 1950s, in conjunction with the white flight that moved families out of the cities and into new minted 'ticky-tacky' houses...

Friday One Sheet: PUSH

Hot Docs is coming to Toronto, and what better way to celebrate that than with a documentary on the increasing urban-global housing crisis (of which several Canadian cities qualify). Fredrik Gertten's documentary examines the 'gentrification' issue in a variety of...

Friday One Sheet: PARASITE

There are so many curious things on display in the first piece of key art for Bong Joon-Ho's latest film Parasite.There is the obvious dead body in the bottom corner. However, the censorship on the various characters' eyes -- star...

Friday One Sheet: SCARY STORIES TO TELL IN THE DARK

Uncluttered concept, unconventional placement of credit blog, and pastel pink horror - The latest anthology film has a suite of posters that know the value of negative space, but none quite as striking as this bathroom nightmare. Does it get...