Tag: fridayonesheet

Friday One Sheet: FALLING

Two posters do not a trend make, however, I will point out the effective use of wallpaper in both Charlie Kaufman's I'm Thinking of Ending Things, and today's key art, from Viggo Mortensen's Falling. Maybe wallpaper is just a stand...

Friday One Sheet: GIRL

There is a surprising amount to unpack given the simplicity of this grainy, high-contrast poster for Chad Faust's revenge mystery, Girl. The design immediate recalls brutally stark European arthouse pictures. At the same time it has a 'controversial' Disney channel...

Friday One Sheet: MANK (Again)

In our delight at the chiaroscuro and typeface, this column previously highlighted the 'fan art' poster for David Fincher's new film, Mank. But here, Netflix has released a joyfully bacchanal, hand-drawn official key art.  This poster gives you the man,...

Friday One Sheet: MANK and the Fake Criterion

The films of David Fincher never let a typeface or design opportunity go to waste. Considering he is recreating a specific Hollywood era - the production of Orson Welles cinematic milestone and political bombshell, Citizen Kane - with his latest...

Friday One Sheet: I PREDATORI

I am not so mature as to pass by an opportunity to feature a poster where a beautiful woman offers a pair of 'one finger salutes' to the viewer. If there was a movie poster about how everyone (and especially...

Friday One Sheet: NOCTURNE

Yellow is the new pink. After the bold and original poster for Brandon Cronenberg's Possessor dropped, I commented on the re-appropriation of yellow from the 'Sundance Indie Dramedy' to art-house horror film space. Here is the poster for Zu Qurike's...

Friday One Sheet: POSSESSOR

This disturbing key art for Brandon Cronenberg's latest film, Possessor, comes in 'industrial warning yellow.' It is a striking improvement from the orange-red teaser poster. Something about this shade of yellow, which is typically reserved for easy-viewing 'Sundance-hit' indie films,...

Friday One Sheet: THE DARK AND THE WICKED

The title of Bryan Bertino's latest film is evocative all on its own. The Dark And The Wicked has a minimal, handsome poster, to compliment such a moniker. A film that begins with the description, "On a secluded farm in...

Friday One Sheet: I'M THINKING OF ENDING THINGS

First off, it is simply exciting that we will be getting a new Charlie Kaufman film. Each one is a celebration, with him as the writer, or, for the past decade, as the writer and director. He returns to the...

Friday One Sheet: RESIDUE

The key art for Merawi Gerima's Residue is capital "S," serious: Classic typesetting, centered title cards and credit block on what appears to be, expensive paper-stock. Looky there: noils! Also, the logo for the hip offshoot of the Venice Film...

Friday One Sheet: MAKE UP

This striking, lo-fi, key art for Claire Oakley's debut feature, Make Up, does unlikely things with colour. Mixing red and green is a one-way ticket to evoking Christmas, but here, it is cosmic and ethereal, like the stargate sequence of...

Friday One Sheet: Fire and Matches in UNHINGED

The rather impossible to miss (again, I lament that these things will not hang in movie theatre or multiplex lobbies) pair of orange warning signs for Unhinged makes up for the rather unremarkable original poster. This contemporary, incel-inflected, MAGA take...

Friday One Sheet: DA 5 BLOODS

Netflix and Design Agency Gravillis Inc. have done yeoman's work with the series of Key Art and One Sheets for the upcoming Spike Lee Joint, Da 5 Bloods. Recently, they hired one of the best in the business, Akiko Stehrenberger,...

Friday One Sheet: ONCE UPON A TIME IN VENEZUELA

The HotDocs film festival in Toronto opened yesterday, in its virtual edition, and it seems fitting to offer key art from a documentary. The poster for Once Upon A Time In Venezuela simply frames a still from the film, two...

Friday One Sheet: The DOWNHILL RACER Homage, MOVING IN 2008

The pleasures of minimalism are on display in Sister Hyde Design's design for the great recession drama, Moving in 2008. Every now and again, I note an homage to one of the more iconic posters of the late 1960s, the Robert...

Friday One Sheet: In PAATAL LOK, The Media Is Just Another Weapon

In limited Prime series Paatal Lok, which combines intense crime drama with media muck-raking, the key art brings the weapons and the eyeballs. Design house, Rubarb, who frequently work with the streaming giants (e.g. Netflix's Narcos and Le Casa De Papel...

Friday One Sheet: ENDINGS, BEGINNINGS

Sweet, sweet pink and negative space.  Two things I do have a soft spot for in poster design.   This key art for Drake Doremus's elliptical love-triangle drama, Endings, Beginnings, debuted prior to its commercial release, missing this column, last week,...

Friday One Sheet: THE LIFE AQUATIC WITH STEVE ZISSOU

I hope many of you have been taking the opportunity during the 'stay at home' times we live in to revisit, not just your favourite classic films, but also ones that you may have written off as 'bad' during the...

Friday One Sheet: PHASE FINALE

A not-so-gentle downward stabbing motion. Consider the French key art to be the vertical complement to the 'horizontal motion' in the poster for American Indie Wendy.   The motion blur of this woman spear fishing in a verdant woods and blackwater stream...

Friday One Sheet: War Time Propaganda (In The Time of Cholera)

And now for something completely different... Apologies if you have been coming to Screen Anarchy to take your mind off the current War on Covid-19 aka global pandemic.  However, it has been a slow few weeks in the movie industry...