Tag: fridayonesheet

Friday One Sheet: A BROKEN HOUSE

New key art from Akiko Stehrenberger is always a thing to celebrate; here for Jimmy Goldblum's short documentary, A Broken House (Hiraeth). A Syrian Architecture student in the United States, who smashed his own models meticulously handmade of his Damascus...

Friday One Sheet: THE HARDER THEY FALL

Scratchy, sunset backlit, spaghetti western vibes exude from the key art for Netflix's The Harder They Fall.  Even in 24x36 'portrait mode', instead of the typical ultra-wide framing of the genre (or even a UK Quad design), the composition of...

Friday One Sheet: THE INNOCENTS

I have a fondness for upside-down styled posters, and the entire key art campaign for Eskil Vogt's Norwegian supernatural thriller, The Innocents, makes me tingle.  While I do not know if the film bears any connection to either the classic...

Friday One Sheet: THE (Animated) FRENCH DISPATCH

It has been over a year since The French Dispatch (of the Liberty, Kansas Evening Star) was to premiere at the 2020 Cannes Film Festival. After numerous date changes and the typical COVID release dance seen for major titles, the...

Friday One Sheet: DIE HARD

Because we cannot come down to the coast, get together and have a few laughs, ahem 2020. Because along with It's A Wonderful Life and A Christmas Story, Die Hard has become an American holiday traditional Christmas movie. Because designer Paul...

Friday One Sheet: SING ME A SONG

I have written, several times in this space, that many of the best posters are simply a well-designed photo. This is something South Korea designers are known for. A well produced still without the usual clutter, merging of too many...

Friday One Sheet: FALLING

Two posters do not a trend make, however, I will point out the effective use of wallpaper in both Charlie Kaufman's I'm Thinking of Ending Things, and today's key art, from Viggo Mortensen's Falling. Maybe wallpaper is just a stand...

Friday One Sheet: GIRL

There is a surprising amount to unpack given the simplicity of this grainy, high-contrast poster for Chad Faust's revenge mystery, Girl. The design immediate recalls brutally stark European arthouse pictures. At the same time it has a 'controversial' Disney channel...

Friday One Sheet: MANK (Again)

In our delight at the chiaroscuro and typeface, this column previously highlighted the 'fan art' poster for David Fincher's new film, Mank. But here, Netflix has released a joyfully bacchanal, hand-drawn official key art.  This poster gives you the man,...

Friday One Sheet: MANK and the Fake Criterion

The films of David Fincher never let a typeface or design opportunity go to waste. Considering he is recreating a specific Hollywood era - the production of Orson Welles cinematic milestone and political bombshell, Citizen Kane - with his latest...

Friday One Sheet: I PREDATORI

I am not so mature as to pass by an opportunity to feature a poster where a beautiful woman offers a pair of 'one finger salutes' to the viewer. If there was a movie poster about how everyone (and especially...

Friday One Sheet: NOCTURNE

Yellow is the new pink. After the bold and original poster for Brandon Cronenberg's Possessor dropped, I commented on the re-appropriation of yellow from the 'Sundance Indie Dramedy' to art-house horror film space. Here is the poster for Zu Qurike's...

Friday One Sheet: POSSESSOR

This disturbing key art for Brandon Cronenberg's latest film, Possessor, comes in 'industrial warning yellow.' It is a striking improvement from the orange-red teaser poster. Something about this shade of yellow, which is typically reserved for easy-viewing 'Sundance-hit' indie films,...

Friday One Sheet: THE DARK AND THE WICKED

The title of Bryan Bertino's latest film is evocative all on its own. The Dark And The Wicked has a minimal, handsome poster, to compliment such a moniker. A film that begins with the description, "On a secluded farm in...

Friday One Sheet: I'M THINKING OF ENDING THINGS

First off, it is simply exciting that we will be getting a new Charlie Kaufman film. Each one is a celebration, with him as the writer, or, for the past decade, as the writer and director. He returns to the...

Friday One Sheet: RESIDUE

The key art for Merawi Gerima's Residue is capital "S," serious: Classic typesetting, centered title cards and credit block on what appears to be, expensive paper-stock. Looky there: noils! Also, the logo for the hip offshoot of the Venice Film...

Friday One Sheet: MAKE UP

This striking, lo-fi, key art for Claire Oakley's debut feature, Make Up, does unlikely things with colour. Mixing red and green is a one-way ticket to evoking Christmas, but here, it is cosmic and ethereal, like the stargate sequence of...

Friday One Sheet: Fire and Matches in UNHINGED

The rather impossible to miss (again, I lament that these things will not hang in movie theatre or multiplex lobbies) pair of orange warning signs for Unhinged makes up for the rather unremarkable original poster. This contemporary, incel-inflected, MAGA take...

Friday One Sheet: DA 5 BLOODS

Netflix and Design Agency Gravillis Inc. have done yeoman's work with the series of Key Art and One Sheets for the upcoming Spike Lee Joint, Da 5 Bloods. Recently, they hired one of the best in the business, Akiko Stehrenberger,...

Friday One Sheet: ONCE UPON A TIME IN VENEZUELA

The HotDocs film festival in Toronto opened yesterday, in its virtual edition, and it seems fitting to offer key art from a documentary. The poster for Once Upon A Time In Venezuela simply frames a still from the film, two...