Indie Interviews
Ji.hlava 2024 Interview: Tsai Ming-liang on Hand-Sculpted Cinema, Breaking the Industry Norms and New Films
The Taiwanese master of slow cinema discuses VR works, the intersection of theatre, performance art and cinema, and upcoming works.
Lausanne 2024 Interview: BEEZEL Director Aaron Fradkin on Haunted Homes, Genre-Bending Horror, Crafting Viral Scares
Aaron Fradkin delves into discusses the unique challenges of using personal spaces to amplify fear, blending vintage horror aesthetics with modern pacing, and drawing on feedback from his viral YouTube shorts to craft scares that resonate deeply.
New York 2024 Interview: Paul Schrader on Realizing Russell Banks' OH, CANADA
In Paul Schrader’s Oh, Canada, adapted from Russell Banks’ Foregone, a renowned documentary filmmaker named Leonard Fife subjects himself to a filmed interview while battling the throes of death. This final interview, to be captured by a former pupil turned...
Fantastic Fest 2024 Interview: FRANKIE FREAKO Director Steve Kostanski
I should start by saying I’m a Steve Kostanski stan. Does that make me a Kost-FAN-ski? In any event, his name on a project automatically elevates my interest. This is especially true when he’s in the director's chair. Manborg (2011),...
IN A VIOLENT NATURE Interview: Director Chris Nash Talks About Their Slasher Hit
In A Violent Nature, Chris Nash's tremendous take on the slasher genre, opens in cinemas this coming Friday, May 31st. We managed to steal a few minutes of his time and speak with him about his breakout Sundance hit and...
Roger Corman Remembered: 1926-2024
In a conversation with Roger and Julie Corman in September 2010, the filmmakers talked about working in present-day Hollywood, shooting in the Philippines, making 'X: The Man With the X-Ray Eyes,' Allan Arkush, and 'Sharktopus.'
THE GREATEST HITS Interview: Ned Benson, Lucy Boynton, Justin H. Min on Los Angeles and Everchanging Relationships with Music
In my review of The Greatest Hits, the new sci-fi romance from The Disappearance of Eleanor Rigby writer/director Ned Benson, I mention that it opens with a montage of two young lovers “generally doing things that young, hip couples do...
Sundance 2024 Interview: DIG! XX, Ondi Timoner and Joel Gion Talk About the Passion
When documentary filmmaker Ondi Timononer and her brother David set out in the mid 90s to capture the tribulations and hopeful ascent of ten indie bands as they attempted to navigate the big bad record industry at the end of...
YOUR LUCKY DAY Interview: Writer/Director Dan Brown and Actor Jessica Garza on American Stories, Balancing Ideas with Excitement, and Getting a Kidney Stone While Filming
Screen Anarchy met with filmmaker Dan Brown and actor Jessica Garza to discuss their new film Your Lucky Day, which follows several characters in a convenience store after a $156 million lottery ticket win turns from celebration to desperate fight...
FALLING STARS Interview: Richard Karpala and Gabriel Bienczycki on Indie U.S. Filmmaking
The tandem of filmmakers behind the film discuss the American-European connection for the story, shooting a micro-budget film in the U.S., and the state of indie filmmaking.
LOUSY CARTER Interview: Bob Byington and David Krumholtz on the State of Comedy
Austin filmmaker Bob Byington and actor David Krumholtz talk about the state of comedy, genre labeling, and indie filmmaking.
SXSW 2022 Interview: Patton Oswalt, James Morosini Talk I LOVE MY DAD
If the catfish film is defined by a character being duped by another through an online alias, then I suppose the honor of first entry goes to Ariel Schulman and Henry Joost, who coined the term with 2010’s Catfish. But...
Sundance 2022 Interview: SIRENS Director Rita Baghdadi and Stars Lilas Mayassi, Shery Bechara Talk Metal
Allowing your life to become the subject of a documentary is a brave feat under the most comfortable of circumstances, yet in Rita Baghdadi’s Sirens, we’re treated to an intimate window into a badass band who dare to be themselves,...
Sundance 2022 Interview: MEET ME IN THE BATHROOM Directors Dylan Southern and Will Lovelace and Author Lizzy Goodman Discuss
Considering the myriad of exciting topics and subtopics packed within the running time of Meet Me In The Bathroom -- Dylan Southern and Will Lovelace’s impressively dense adaptation of Lizzy Goodman’s loaded oral history of the New York music scene...
Interview: Abel Ferrara Talks Pandemic Film ZEROS AND ONES, Recalls Cult Classic MS .45
At 70, Abel Ferrara lives with his partner Cristina Chiriac and their little daughter Anna in Rome, Italy. Far from the city that made him a legendary filmmaker, he makes fictions and documentaries with absolute creative freedom, personal works that...
PRISONERS OF THE GHOSTLAND Interview: Bill Moseley on Crafting Another Memorable Antagonist
Bill Moseley first saw The Texas Chain Saw Massacre in Boston, Massachusetts, as part of a double feature with Enter the Dragon. After watching The Texas Chain Saw Massacre he “became afraid of rural America," revealed the actor in the...
PRISONERS OF THE GHOSTLAND Interview: Director Sion Sono Talks
In the days of classic Hollywood, directors worked like journeymen, often completing as many as two to three films a year. These days, a successful filmmaker would be lucky to get one made every three years. Yet somehow, for the...
DEMONIC Interview: Neill Blomkamp On Combining Science Fiction With Supernatural Horror
The first contact in District 9, Neill Blomkamp’s powerful first feature film, turns out to be different than we might anticipate. The aliens stranded on a spaceship on the skyline of Johannesburg, South Africa, are malnourished, dirty, and without direction....
THE EXCHANGE Interview: Dan Mazer on His Anti-Racism Comedy
The Exchange takes place in the fictional small town of Hobart, in Ontario, Canada, during an economic recession in 1986. In snowy Hobart, "home of the white squirrel," teenager Tim Long (Ed Oxenbould) feels alone and misunderstood. Nobody else seems...
Interview: Emile Hirsch on MIDNIGHT IN THE SWITCHGRASS, Working with Friedkin and Tarantino
“The most significant young performance in generations in American film” is how Sean Penn described Emile Hirsch's work on the epic Into the Wild. Hirsch physically transformed himself to bring to the screen the liberating and deadly adventure of Chris...
