Festivals Videos

Toronto 2026 Review: TEHRAN, UNDER THE SKIN Reveals the Politics Beneath the Promise of Transformation

Afsaneh Salari's formally controlled documentary examines cosmetic surgery in Iran as an unstable expression of conformity, resistance, consumer desire, and bodily autonomy.

New York 2026 Review: PAPER TIGER, No Crime, Yet Punishment

Adam Driver, Miles Teller, and Scarlett Johansson star in director James Gray's crime thriller.

Vlissingen 2026 Review: WHISPERS IN THE WOODS Stuns With Visual Poetry

During the opening titles of Vincent Munier's new documentary, you watch a forest, for minutes, with trees slowly emerging from the fog, while Hildur Guðnadóttir's Fólk Fær Andlit music plays. Seen on the big screen it's a jawdropper of a...

HALLOWARRIOR Official Trailer: Shudder Original Starring Milly Shapiro Streaming This October

On the eve of Halloween, Pumpkin, the sole survivor of a humanity-ending plague, must use her candy, wit, and weapons to ferociously defend her wasteland home from a savage gang of raiders led by the fearsome Thalia.

MAGICK MTN. Trailer: A Supernatural, Rock-and-Roll Occult Horror Fairytale... So... A Bit of Everything?

Ghosts, Goblins, and Crowley. Magick Mtn. is a rock & roll fairytale set deep in Laurel Canyon using instruments of the occult to dig beneath the soil of a hillside marked by tragedy and death.

LA MANCHA (YOU'RE IT) Trailer: New Horror From The Garcia Bogliano Brothers

Inside an amusement park, a group of children and teenagers become trapped in a dark curse connecting them to a parallel world.

Venice 2026 Review: LOVERS IN THE BLUE NIGHT, Tender Social Drama Caught in Its Own Emotional Web

Anuparna Roy's second feature intertwines queer longing, displacement, caste and emotional misrecognition in the nocturnal margins of Mumbai.

Venice 2026 Review: ARRESTED MEMORY, Screwball Cop Caper Brings Melancholy to the Police-Action Formula

Japanese cult filmmaker Sabu refreshes the police-action formula with screwball comedy and melancholic undertones.

Venice 2026 Review: JUPITER, Claustrophobic Political Thriller for the Current Time

Alexandre Smia's gripping feature debut locks Denis Ménochet inside the machinery of presidential power, where rational calculations lead toward an unthinkable conclusion.

Toronto 2026 Review: EVERYTHING ELSE IS NOISE

Opening with one of the most pleasurable and ambient scenes of 2026, Everything Else Is Noise announces its intentions immediately. Gridlocked traffic in a Mexico City intersection struggles to move and to find space in a complex interactive dance, while...

Venice 2026 Review: NO PARADISE IF YOU ARE KILLED BY A WOMAN Goes into Stealth Mode to Confront the Scars of War

Merging the exportable mechanics of a stealth-combat thriller with the political urgency of Kurdish resistance, Halkawt Mustafa delivers an ambitious Iraqi-Norwegian genre film.

Friday One Sheet: MINOTAUR

Refraction and separation are the key elements in the CREATE's release poster for Andrey Zvyagintsev's superb festival prize-winner, Minotaur. There are some echoes and rhymes with the design work of Akiko Stehrenberger, specifically the remake of Funny Games, one of the best posters of the...

Access:Horror 2026: One Day Live Event Next Week, Program Streams Later in October

The folks from the Access:Horror Film Festival are returning with a hybrid format focused on disability representation and intersectional storytelling in genre cinema. The festival begins with an in-person opening night showcase on Friday, September 25th at 8:00 PM at...

Venice 2026 Review: DIANE IN THE LOOP Channels Inherited Generational Rage into a Whimsical Yet Touching Feminist Western

Belgian filmmakers Ann Sirot and Raphaël Balboni turn intergenerational trauma into an eccentric tale of revenge and rebirth, veiled as unexpected feminist Western fairy tale and family road movie.

Toronto 2026 Review: DIARY OF A MAD OLD MAN Turns Erotic Obsession Into an Anti-Erotic Meditation

Wayne Wang returns to literary adaptation with a disquieting chamber drama in which senescence becomes its own form of erotic suspense.

Toronto 2026 Review: BAD LIEUTENANT: TOKYO, Takashi Miike's Fairy Tale of Redemption

Is the Bad Lieutenant ‘franchise’ an excuse for wild auteur filmmakers to craft slyly black comedies full of sex and violence, and ideation-detritus that never made it into their other pictures? Is the Bad Lieutenant franchise even a franchise, or...

Vlissingen 2026 Review: YOURI, A Great Film About A Great Friendship

The Film by the Sea festival in Vlissingen (a.k.a. Flushing) started this year on a high note with its opening film Youri, by Sander Burger. The festival always has a large section dedicated to literary adaptations, and its main theme...

Toronto 2026 Review: THE REMOTES, The Voices that Haunt the Night

Many of us (myself included) have come to rely on our smartphone apps maybe a little too much, especially ones that tell us where to go. Even in our own hometowns, we can turn to google maps or Mapquest to...

Toronto 2026 Review: HA-CHAN, SHAKE YOUR BOOTY!, Beautiful, Vibrant Portrait of Loss and Romance

Rinko Kikuchi stars in filmmaker Josef Kubota Wladyka's beautiful, vibrant, quirky, weird, imaginative, and genuinely moving portrait of moving on from devastating loss.

Toronto 2026 Review: FJORD, Palme D'Or Winner Finds Many Arthouse Audience Buttons to Push

Roger Ebert once described film as a “machine that generates empathy.” For writer-director Christian Mugiu, this is very much true. But what if that empathy was slyly and sharply weaponized into a provocation? Enter Fjord.   In our increasingly globalized...