Festivals Videos
TRAUMA OR, MONSTERS ALL Exclusive Clip: Kicking a Hornet's Nest
A new film by horror indie auteur Larry Fessenden is always cause for celebration, and for those lucky enough to be attending the Overlook Film Festival, they have the chance to attend the world premiere of his new film Trauma or,...
Diagonale 2026 Review: WHITE SNAIL Subverts Girl-Meets-Boy Into Anti-Romance
Austrian-German filmmakers Elsa Kremser and Levin Peter's fiction debut reworks social drama conventions into a psychologically driven, docu-fiction hybrid centred on an unstable relationship shaped by loneliness, death and an implied autocratic backdrop.
THE INVITE Trailer: Invite The Neighbors Over For Dinner, They Said. It'll be Fun, They Said.
Joe and Angela's marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places. Have they reignited the spark or lit the match that burns it all down?
THE BEARDED GIRL: Watch The Trailer Premiere For Jody Wilson's Drama Fantasy
The story of a bearded girl who is tired of being a freak.
A MAGNIFICENT LIFE Review: It Shows One, Animated
Biopics aren't my favorite kind of film. The things a person has done are often more interesting than the person himself, and it is not often that you need to know the background story of the person, what motivated him....
SXSW 2026 Review: MARGO'S GOT MONEY TROUBLES, You Think You Got Problems? Think Again.
Elle Fanning, Nick Offerman, Thaddea Graham, and Michelle Pfeiffer star in the Apple TV series.
EDIE ARNOLD IS A LOSER Official Trailer: Starring Adi Madden Cabrera, McKenna Tuckett, and Cherish Rodriguez - World Premiere at SXSW
Timid dork Edie makes waves when she starts a punk band with her fellow "turds," becoming an icon to the rest of the losers at her Catholic school while pissing off the hot girls, the nuns, and the horniest altar boy you've ever seen.
IMPOSTERS Teaser: Caleb Phillips' Sci-fi Thriller Premieres at SXSW This Weekend
After a couple's baby boy is taken, the desperate mother learns of a way to bring him back. However, her husband begins to suspect that what she returned with isn't their son
Berlinale 2026 Review: TRACES Follows Survivor Networks Documenting Wartime Sexual Violence
Ukrainian filmmaker Alisa Kovalenko, working with co-director Marysia Nikitiuk, examines the documentation of conflict-related sexual violence during Russia's war against Ukraine through the work of survivor and activist Iryna Dovhan.
Berlinale 2026 Review: LUST Constructs a Minimalist Chamber Study of Authority and Desire
Bulgarian director Ralitza Petrova's sophomore feature continues her examination of individuals shaped by institutional structures, shifting the focus toward a more contained study of psychological control and personal disintegration.
Berlinale 2026 Review: Porn and Gen Z Intimacy Clashes in Sweet Coming-of-Age TRULY NAKED
Muriel d'Ansembourg's feature debut Truly Naked examines adolescence and sexual education through the unlikely setting of a small family-run pornography business, framing a Gen Z coming-of-age story around competing ideas of intimacy, masculinity, and agency.
Berlinale 2026 Review: A Clock Stalled Between Fantasy and Fable in CHIMNEY TOWN: FROZEN IN TIME
Japanese director Hirota Yusuke revisits the world of his box office success Poupelle of Chimney Town with Chimney Town: Frozen in Time, a fantasy sequel that expands the franchise's steampunk universe through a new mythic storyline centered on loss, belief, and hope.
DEAD EYES Teaser: Aussie POV Horror to World Premiere at SXSW
After the death of his sister, Sean and his friends venture into a remote forest to search for his missing father, only to uncover his dark secrets, where grief has become a bridge between the living and the dead.
Fantaspoa 2026: Brazilian Genre Fest Announces Festival Lineup
Fantaspoa, Brazil's amazing genre film festival, has revealed the lineup for this year's festival.
GHOST ELEPHANTS Interview: Werner Herzog and Dr. Steve Boyes Speak of Dreams, Ritual, and the Vast Mondo Wilderness
Werner Herzog needs no introduction. He has been one of cinema's most fascinating and deliberate risk-takers for over five decades of extraordinary cinema. The enlightenments he discovers through his pursuit of the "ecstatic truth" are often intense and absurd in...
Berlinale 2026 Interview: IN A WHISPER Director-Writer Leyla Bouzid on Queerness and Her Narrative Approach as a Tunisian Filmmaker
As a Tunisian queer filmmaker, one must exercise particular care when addressing an issue that remains deeply taboo in society to this day. Yet this does not prevent Leyla Bouzid from boldly portraying the increasingly precarious reality faced by homosexual...
Rotterdam 2026 Review: NO HIT WONDER Scores Quite A Few Hits
Crack jokes all you want about the concept of German comedy films, but they exists and are often quite good. Case in point: Florian Dietrich's comedy No Hit Wonder, which played at the International Film Festival Rotterdam this year and...
Berlinale 2026 Interview: QUEEN AT SEA Director Lance Hammer on the Ethical Dilemma of Alzheimer's
After an 18-year hiatus, Lance Hammer makes a remarkable return to the director’s chair following his Sundance Award–winning debut Ballast. For this long-awaited project, he assembled what he describes as his dream cast, led by Juliette Binoche and the outstanding...
Rotterdam 2026 Review: GUNMAN Is One Shot That Hits
Festival people are the best. At the International Film Festival Rotterdam, a filmmaker I met for the first time almost immediately recommended I should watch Cris Tapia Marchiori's thriller Gatillero, released internationally as Gunman, and it turned out to be...
GHOST ELEPHANTS Review: Werner Herzog Reconciles Pragmatism and Poetry in the Angola Highlands
In 1955, Hungarian born Angolan rancher, businessman, and big game hunter, Josef J. Fénykövi, tracked down and killed the largest land animal on record. He was lauded by Sports Illustrated at the time for this sportsman prowess, although Fénykövi...
