Friday One Sheet: HOT FROSTY (Sorry)
I apologized in the title, and I apologize again here, for propagating the deluge of Christmas themed romantic and family slop on the various streaming services. Recently this is providing much needed work for Lindsay Lohan, albeit Lohan does not appear the...
GHOST CAT ANZU Review: Jaws Will Drop
To the sounds of cicadas during a Tokyo summer, 11-year-old Karin and her father Tetsuya leave the city by train to visit a countryside temple where the caretaker is the grandfather she has never met. It is a grand old...
Friday One Sheet: PĂRVULOS
After featuring a number of key art that left the standard credit block out the design, it is nice to see this poster from Mexico's festival darling coming-of-age plague-zombie film, Párvulos, has a more traditional sense, where they are tucked...
Friday One Sheet: THE BRUTALIST
Typography is no stranger to the design of Brady Corbet's "Monumental" new film, The Brutalist. The credits in both the film, and its recent trailer, do interesting things. This carries into this iconic poster, with the Statue of Liberty upside...
A Superb Trailer for Brady Corbet's 70mm Epic, THE BRUTALIST
One of the best films of the year gets one of the best trailers of the year. Harnessing an early scene in the film, before breaking into a montage of the celebration of artictectural form, with the joy and pain...
Friday One Sheet: THE ORDER
I am generally indifferent to collage style posters, particularly when designers transitioned from hand-painted to photoshop. However, I do admire the commitment to verticality taken by design house, Fable, for Justin Kurzel's neo-nazi procedural, The Order. The pull quotes, the above...
Trailer for Ed Wood inspired VAMPIRE ZOMBIES...FROM SPACE!
Clearly inspired, and having some old timey fun with modern filmmaking tools and more than a touch of self-awareness, Mike Stasko's goofy homage to Plan 9 From Outer Space! era Ed Wood, Vampire Zombies...From Space! has been working its way through the...
BOOKWORM Review: Sometimes Silly and Sometimes Serious Makes for a Fun Father-Daughter Adventure
Elijah Wood stars in Ant Timpson's family adventure.
ANORA Review: Wildly Entertaining
The experience of watching Anora is akin to a spontaneous and unexpected invite to a epic house-wrecking party. It starts off with surprise and wonder, plunges into drunken euphoria, loses all your friends, projectile vomits on you in a car ride around...
Friday One Sheet: MICKEY 17
Who needs credit blocks anymore? The new poster for Bong Joon Ho's science fiction cloning comedy Mickey 17 sees Robert Pattinson framed in ochre and rust. The numbers 1 through 16 are cleverly hiding in plain sight, anchored by the...
Friday One Sheet: ENTELEQUIAS
With a tagline of "Imagination is not always perfect," Darío Autrán's Entelequias, if judged by its desaturated, asymmetrical, vertically distorted key art, looks to be playing in the narrow liminal space between Solaris and eXistenZ. This poster eschews a standard credit...
Friday One Sheet: SHARP CORNER Teaser
This will be a short one today, with this minimalist teaser for Jason Buxton's dark character study, Sharp Corner. A family man (Ben Foster) becomes obsessed with saving the lives of the car accident victims on the sharp corner in front...
Friday One Sheet: DEAD MAIL
Delightfully low-fi and textured, the key art for Joe DeBoer's and Kyle McConaghy's Dead Mail not only is a great reflection of the analog style of the film, but also offers a significant amount of information about the plot. The...
Toronto 2024 Review: RIFF RAFF, Riffs on Parenting, The Holidays, And THE REF
The foul mouthed holiday film is now, more or less, a cinema tradition. From Terry Zwigoff’s Bad Santa to National Lampoon’s Christmas Vacation to Harold Ramis’s The Ice Harvest, there are plenty of these anti-Christmas yet still kinda Christmas...
Toronto 2024 Review: BY THE STREAM (Suyoocheon), Hong Sang-Soo's Primer On How To Watch His Work
I have not seen all of Hong Sang-Soo's feature films, but I have seen many of them. Starting somewhere in the late 1990s, it took me years to figure out how to watch them. Had this one been made earlier...
Toronto 2024 Review: SHARP CORNER, An Emasculated Ben Foster Goes to Dark Places
There is a railroad trestle over Gregson Street in Durham, North Carolina, that is a bit lower than it should be. In spite of flashing lights and a few signs, several times a month a cube van or tractor...
Friday One Sheet: GULIZAR
A simple, melancholy image forms most of the design for the key art of Belkis Bayrak's Gülizar. A woman in a car presses her hands up to the glass, eyes downcast, as if saying goodbye to her world for the last...
Toronto 2024 Review: THE ASSESSMENT, Savage Science Fiction Parable of State Authority and Parenting
Giving a whole new meaning to the phrase, “we took a pregnancy test,” Fleur Fortuné’s debut feature, The Assessment, is a saturated, button-pushing provocation on parental anxiety. It is a Kobayashi Maru wrapped in a Voight-Kampff test inside the Stanford Prison...
Toronto 2024 Review: RELAY, Propulsive Paranoid Tradecraft
There is one line of dialogue repeated, over and over in Relay, like a mantra: “Go ahead.” It is spoken by nearly every major character as they communicate through anonymous telephone operators, to preserve each other's privacy. This aspect alone makes for a...
Toronto 2024 Review: U ARE THE UNIVERSE, A Space Romance
In the near future, a space garbageman, Andriy, is solo-piloting an aging space junker tasked with disposing of several kilotonnes of spent radioactive waste on one of Jupiter’s moons. Mid-journey, he gets the full Arthur Dent experience: First he finds...
_poster-thumb-80x80-96224.jpg)
