Festivals: Vancouver IFF
Vancouver 2024 Interview: SUPER HAPPY FOREVER Director Kohei Igarashi Talks Romantic Memory and Finding the Happy in the Sad
People and places can leave an impression on us. In absence of one thing, we might find ourselves returning to the other for traces. Sano (Hiroki Sano) sits in his minimally adorned hotel room, staring blankly towards the light from...
Vancouver 2022 Review: HARVEST MOON, Simple but Tender Exploration of (Step)fatherhood
One of the high-profile actors from Mongolia, Amarsaikhan Baljinnyam is mostly known for his tough guy roles in the Trapped Abroad action flicks and Netflix's Marco Polo, where he plays Kublai Khan's brother Ariq Böke. This time, the audience gets...
Vancouver 2021: CRYPTOZOO Review
A young couple go for a walk in a forest, make love, and encounter a gigantic fence. On impulse they decide to climb over it, curious about what could be on the other side. Anyone who has seen a Jurassic...
VIOLATION: Canadian Digital-Cinema Release Dates For Homegrown Drama/Horror Announced
Madeleine Sims-Fewer and Dusty Mancinelli's chilling drama/horror Violation is coming home. We shared with you not that long ago that Pacific Northwest Pictures had picked up the Canadian rights for the homegrown TIFF Midnighter. Working fast they've secured digital-cinema releases...
Vancouver 2019 Review: THE LIGHTHOUSE, Startling, Darkly Funny Maritime Nightmare
After a sleeper hit and critical success with 2015's The Witch, writer/director Robert Eggers crafts a startling, darkly funny maritime nightmare: The Lighthouse. Like Eggers' debut feature, The Lighthouse is fully committed to the aesthetics, language, and atmosphere of its...
Vancouver 2019 Review: STILL HUMAN Features Incredibly Moving Performances
Directed by Oliver Siu Kuen Chan, Still Human tells the story of a friendship that blossoms between a man living with a disability and his live-in Filipina caregiver. Veteran Hong Kong actor Anthony Wong plays Cheong-wing, who was paralyzed in a...
Vancouver 2019 Review: PAIN AND GLORY, Restrained and Reinvigorated
Antonio Banderas does perhaps his best work to date in Pain and Glory, for which he deservedly won Best Actor at this year's Cannes Film Festival. He slips surprisingly well into Pedro Almodovar's loafers -- easier than sneakers to put...
Vancouver 2019 Review: KILLER QUEEN, Love Letter to Exploitation Cinema
Nostalgia was the driving force for the creation of some of the most interesting and entertaining genre films (and television series) of the past several years. While it's typical for nostalgic movies to fuss over wardrobe, décor, and music selections,...
Vancouver 2019 Review: THE WORLD IS BRIGHT, Touching to Watch, Thrilling to Follow
Mr. and Mrs. Deng were at home in Beijing when they received word from the Canadian government that their son, Shi Ming, had committed suicide in Vancouver, where he'd been living. The notification contained little detail, and the Dengs were...
Vancouver 2019 Review: TAPEWORM, Canadian Cringe Comedy
One of the very first visuals in Tapeworm, shot on lovely 16mm, is a decent-sized pile of bloody human stool in a field. This is really the only such gross-out image, but it establishes the tone for Fabián Velasco and...
Vancouver 2019 Review: BIRTHDAY, Genuine Emotional Catharsis
In April of 2014, the Sewol ferry sank off the coast of South Korea, on its way to Jeju island from the northern city of Incheon. It was carrying 476 people--304 of whom died, 250 of them students from the...
Vancouver 2018 Review: NO. 1 CHUNG YING STREET Champions the Spirit and Courage of Hong Kong
No. 1 Chung Ying Street is the latest from director Derek Chiu, a well-established figure in the Hong Kong film industry. The movie takes place during two periods of political unrest in Sha Tau Kok, a neighborhood that borders mainland...
Vancouver 2018 Review: LUSH REEDS Balances Comedy Expertly with Uneasy Dread
Xiayin (Huang Lu) is a journalist in Nanjing, living with her professor husband and her dog, and expecting her first child. Increasingly frustrated by the restrictions put upon her reporting by her supervisor, she goes against his wishes to investigate...
Vancouver 2018 Review: THE DARLING, Sadness and Dark Hilarity Abound
The Darling finds a young Korean actress, Lee Sun-hwa (played by Jang Jieun), spending some time abroad in Vancouver, ostensibly to visit her sister and brother-in-law. As she takes in the sights and interacts with the locals, it becomes clear...
Vancouver 2018 Interview: Ron Mann Preserves Holy History in CARMINE STREET GUITARS
It may not sound like groundbreaking stuff - a quaint documentary about a custom guitar shop in the heart of Greenwich Village - but make no mistake, Ron Mann’s latest laid-back documentary, Carmine Street Guitars, is the most unassuming, sneakily...
Vancouver 2018 Review: EDGE OF THE KNIFE, Immersed in the 19th Century
Edge of the Knife (aka SGaawaay K'uuna) is a film whose reputation will precede it, but for all the right reasons. Its existence marks the first ever feature entirely in Haida, an indigenous language that is spoken fluently by less than...
Vancouver 2018 Review: THE HOUSE THAT JACK BUILT, Lars von Trier's True "Kanye Moment"
Matt Dillon commits fully to the role of serial killer Jack, who works as an engineer and suffers from crippling OCD, among other psychological issues. Like a square version of American Psycho's Patrick Bateman, Jack gleefully embraces his dark nature and never tries to thwart his heinous impulses.
Vancouver 2018 Review: BERGMAN: A YEAR IN A LIFE Digs Deep
I’m writing this review from a friend’s kitchen where I’m staring at a very apropos Jack Kerouac magnet that quotes him saying “All I have to offer anyone is my confusion.” In digesting the Ingmar Bergman doc I’ve just seen,...
Vancouver 2018 Review: Hosada Returns with the Mesmerizing MIRAI
Part Alice in Wonderland, part A Christmas Carol, Hosada's latest film is as charming and moving as his other works--and perhaps even more beautifully animated.
Vancouver 2018 Review: THE OLD MAN & THE GUN is a Bittersweet Delight
In David Lowery's The Old Man & the Gun, Robert Redford plays a version of real life legend, Forrest Tucker, the old timer who robbed countless banks in his lifetime, broke out of jail sixteen times, yet still found the time to court pretty women like Jewel, played by the eternally lovable Sissy Spacek.