Interviews

ENDLESS SUMMER SYNDROME Interview: Kaveh Daneshmand, Gem Deger, and Sophie Colon Talk Creative Collaboration, Cinephilic Filmmaking, and National Morality

The team behind France's freshest incest drama discuss lockdown creativity, national morality, and embarking on a uniquely familial project without bumpers.

ALL THE HAUNTS BE OURS VOL. 2 Interview: Kier-La Janisse Talks New Blu-ray Box Set

Any opportunity to talk to Kier-La Janisse makes me happy. The chance to help celebrate a new project of hers is a cause for celebration. I hereby nominate for Blu-ray box set of the year All the Haunts Be Ours...

THE HOLIDAY CLUB Interview: Alexandra Swarens Talks Seasonal Sapphic Storytelling, Respecting Romance, and Getting Her Hands Dirty

The queen of seasonal lesbian love discusses romantic cinema, screen chemistry, and hilarious, accidental euphemisms.

European Film Awards 2024: Maura Delpero on VERMIGLIO Reflecting on Family Legacies, Gender Roles, Mountain Life

Italian filmmaker Maura Delpero talks about the exploration of personal memory, regional authenticity, and shifting social norms.

European Film Awards 2024: Magnus von Horn Talks THE GIRL WITH THE NEEDLE, Social Failures, Moral Ambiguity, Crafting a Dark Fairytale

Swedish director Magnus von Horn discusses themes of systemic societal failure and moral ambiguity, as well as historical and contemporary contexts.

European Film Awards 2024: Saulė Bliuvaitė Talks TOXIC, Post-Soviet Realities, Authentic Adolescence

Saulė Bliuvaitė talks about how her experiences growing up in post-Soviet Lithuania shaped the film's portrayal of adolescence, industrial decay, and socio-economic struggles.

GET AWAY Interview: Steffen Haars, Maisie Ayres, Sebastian Croft on Their Horror Comedy

In the horror comedy Get Away, an Anglo-Irish family (Nick Frost, Aisling Bea, Maisie Ayres and Sebastian Croft) go on vacation to Svälta, a place that sounds ideal for horror: a small Swedish island where in the 19th century a...

Sound And Vision: Jérôme Vandewattyne

In this Sound and Vision, an exclusive interview with film and music video director Jérôme Vandewattyne. Jérôme Vandewattyne and Severine Cayron are two members of the band Pornographie Exclusive, and co-directors, co-producers, writers of the album film One-way Ticket to...

Ji.hlava 2024 Interview: Tsai Ming-liang on Hand-Sculpted Cinema, Breaking the Industry Norms and New Films

The Taiwanese master of slow cinema discuses VR works, the intersection of theatre, performance art and cinema, and upcoming works.

Lausanne 2024 Interview: SCALA!!!, Jane Giles and Ali Catterall on Cult Cinema, Counterculture Icons, London's Underground Legacy

Jane Giles and Ali Catterall discuss the transformation of London's Scala cinema from an underground movie theater into an icon of cult film and counterculture.

Lausanne 2024 Interview: MAKAMISA: PHANTASM OF REVENGE Director Khavn de la Cruz on Punk-Surrealism and Total Cinema

In the interview with Screen Anarchy, Khavn de la Cruz—a boundary-pushing Filipino filmmaker known for his avant-garde approach—opens up about his latest cinematic venture, Makamisa: Phantasm of Revenge. Screened at the Lausanne Underground Film Festival, whre the film won the...

Lausanne 2024 Interview: BEEZEL Director Aaron Fradkin on Haunted Homes, Genre-Bending Horror, Crafting Viral Scares

Aaron Fradkin delves into discusses the unique challenges of using personal spaces to amplify fear, blending vintage horror aesthetics with modern pacing, and drawing on feedback from his viral YouTube shorts to craft scares that resonate deeply.

New York 2024 Interview: Paul Schrader on Realizing Russell Banks' OH, CANADA

In Paul Schrader’s Oh, Canada, adapted from Russell Banks’ Foregone, a renowned documentary filmmaker named Leonard Fife subjects himself to a filmed interview while battling the throes of death. This final interview, to be captured by a former pupil turned...

Vancouver 2024 Interview: SUPER HAPPY FOREVER Director Kohei Igarashi Talks Romantic Memory and Finding the Happy in the Sad

People and places can leave an impression on us. In absence of one thing, we might find ourselves returning to the other for traces. Sano (Hiroki Sano) sits in his minimally adorned hotel room, staring blankly towards the light from...

Fantastic Fest 2024 Interview: FRANKIE FREAKO Director Steve Kostanski

I should start by saying I’m a Steve Kostanski stan. Does that make me a Kost-FAN-ski? In any event, his name on a project automatically elevates my interest. This is especially true when he’s in the director's chair. Manborg (2011),...

Toronto 2024 Interview: THE GESUIDOUZ Director Kenichi Ugana Talks Punk, Transnationalism, and Childhood

If you're a genre fiend with a taste for the low-budget and oddball, you might have noticed Kenichi Ugana's name appearing time and again over the past few years at festivals such as Fantasia, Japan Cuts, and Nippon Connection. With...

ENTER THE CLONES OF BRUCE Video Interview: Severin's David Gregory Talks the History of Bruceploitation

I've been blessed to have several conversations with Severin founder David Gregory over the years. He always leaves me feeling that the history of horror and exploitation film is in good hands. It would be enough if he were simply...

RED ROOMS Interview, Part 2: Pascal Plante Talks the Music and Ethics of His Thriller

In part 1 of our interview, Red Rooms filmmaker Pascal Plante talked extensively about how individual scenes were designed and shot. In part 2, we got more into the musical score and the ethics of making his thriller. Red Rooms...

TWIN PEAKS: FIRE WALK WITH ME Interview: Sheryl Lee Returns

Sheryl Lee returns to the scene of the crime, attending an anniversary screening of David Lynch's 'Twin Peaks: Fire Walk With Me' at the site of its 1992 hometown premiere.

RED ROOMS Interview, Part 1: Pascal Plante Talks the Craft of Making a Thriller

In Martin Kudlac's review of Red Rooms, he writes about how the film draws on Michael Haneke, its "enigmatic" protagonist Kelly-Anne (Juliette Gariépy), and the ways it repeatedly "bucks genre expectations" as a film ostensibly about a serial killer. More...