Tag: neon
ANORA Review: Wildly Entertaining
The experience of watching Anora is akin to a spontaneous and unexpected invite to a epic house-wrecking party. It starts off with surprise and wonder, plunges into drunken euphoria, loses all your friends, projectile vomits on you in a car ride around...
Friday One Sheet: LONGLEGS (Again)
Perhaps the best movie marketing effort of 2024, at least via its posters, has been for Osgoode Perkins' soon to be released Longlegs. We have always been ardent admirers of design house GrandSon, and, quite simply put, they have been...
Calgary Underground 2024 Review: CUCKOO, Delightfully Analog Sensory Overload
Two characters, having barely survived a traumatic and violent ordeal at a hospital, try to leave, only to find the doors locked. But wait, it is one of those situations where one door is locked but the other one works...
Friday One Sheet: LONGLEGS
Grim, dead of winter foreboding, and a hint of an aged photograph aesthetic set the tone for Osgood Perkins' latest period film, Longlegs. Perkins is a kind of specialist in slow burn chillers. His previous films February or I Am...
ORIGIN Review: A Profoundly Humane and Radical Journey
While many misdefine and scoff at identity politics as 'distracting from presumed more important issues, in fact, identity is at the heart of politics. The people who decide what politics will be, the rules and laws we will follow, who...
IT LIVES INSIDE Review: The Monster Next Door
Megan Suri, Neeru Bajwa, and Mohana Krishnan star in a horror thriller, directed by Bishal Dutta.
Friday One Sheet: HOW TO BLOW UP A PIPELINE
Let there be no criticism of clarity on the key art for Daniel Goldhaber's eco-thriller, How To Blow Up A Pipeline. Large fire-engine red stencil letters, overlaid onto black smoke, foreground the title of the film that tells any prospective...
Review: PETITE MAMAN, Beguiling Fairytale About Growing Up
French auteur Céline Sciamma crafts a low-key, resonant drama. With Gabrielle Sanz, Joséphine Sanz and Nina Meurisse.
Friday One Sheet: TITANE
An almost 'street art' design for Julia Ducournau's sophomore feature, Titane, debuting at the 2021 Cannes Film Festival, features a mixture of haute couture and body horror, in high contrast 'club lighting' colours. Using nearly all the poster real estate...
TITANE Trailer: Julia Ducournau Returns, More Striking Than Ever
Julia Ducournau smashed out of the gate with Raw, her feature debut as writer and director, and her new film looks even more impressive. Take a look below. It's in the Official Competition at the upcoming Cannes Film Festival, and...
Review: IN THE EARTH, Provocative, Disturbing Horror
Ben Wheatley wrote and directed; Joel Fry, Reece Shearsmith and Hayley Squires star in a horror-thriller that opens in theaters on April 16.
Friday One Sheet: IN THE EARTH
Seeming to take inspiration in equal measure from the red-eyed creature in Horror Express and John Boorman's floating visage in Zardoz, this eye grabbing key art from Empire Design is for the new Ben Wheatley horror picture, In The Earth....
Friday One Sheet: POSSESSOR
This disturbing key art for Brandon Cronenberg's latest film, Possessor, comes in 'industrial warning yellow.' It is a striking improvement from the orange-red teaser poster. Something about this shade of yellow, which is typically reserved for easy-viewing 'Sundance-hit' indie films,...
Friday One Sheet: SHE DIES TOMORROW
The genre sales and distribution companies, such as XYZ and here, Neon, have been favouring bold (and surreal) pink and blue in their posters as of late, and there is still much water (and glitter) in the well. Take, for...
SPACESHIP EARTH Trailer: Science Fiction Blurs Into a Nightmare
Filmmaker Matt Wolf delivered uncommon insight in Teenage (2014) -- reviewed by Dylan Sharp for our site here -- and again in Recorder: The Marion Stokes Project (2019), as well as several doc shorts, and it looks like he's done...
Friday One Sheet: PORTRAIT OF A LADY ON FIRE is all Paint & Flames
Neon consistently put out exceptional, thoughtful, and laser-focused key art for their releases. Their beautifully minimal one-sheet for Cannes sensation, A Portrait Of A Lady On Fire, is one of their best. Designer Akiko Stehrenberger is fond of the polaroid...
HONEYLAND Trailer Showcases Impressive Cinematography
Tamara Kotevska and Ljubomir Stefanov's gorgeous documentary Honeyland is equal parts about how shitty humanity can so often be, and yet also so full of grace and perseverence. It is a cry for conservation and humility, a Shakespearean tragedy, and an...
Friday One Sheet: DIVINE LOVE and Neon Iconography
This column's obsession with neon continues with the key art for Brazilian drama and Sundance entry, Divino Amor. The design feels like those ubiquitous paperback novels of the 1980s, dealing more in iconography than 'description.' Even the tagline here, "True...
Friday One Sheet: TERMINAL And The Neon Demon
Neon has been exceedingly popular in poster design as of late. I am not saying that Nicolas Winding Refn's Only God Forgives (and follow on posters for Drive and The Neon Demon) started the recent trend (remember the lovely poster...
Review: THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY, Of Time, Memory, Love and Friendship
"Almost all human endeavour is ephemeral, all that is left in the end is love and friendship." So said Errol Morris at the screening of his latest movie, The B-Side, in which he spends a little over an hour on-screen...
