OMAHA Review: Grounded, Intimate, Ominous Family Drama
John Magaro, Molly Belle Wright, and Wyatt Solis star in director Cole Webley's coming-of-age drama.
LEE CRONIN'S THE MUMMY Review: An Old Monster, A New Nightmare, Courtesy of James Wan and Jason Blum
Universal’s once hyped, subsequently derided “Dark Universe,” a misguided attempt to create a Marvel-style shared universe featuring newly imagined incarnations of the studio’s classic monsters, may be done and dusted, but the mummy, the stumbling, wrapped-in-bindings undead avatar of vengeance,...
INFILTRATE Review: Generic Actioner Elevated by Superior Stunt Work
James Mark directed the action thriller, starring Orphée Ladouceur-Nguyen, Tim Rozon, Mitra Suri, Alain Moussi, and Lisa Berry.
THE CHRISTOPHERS Review: Art Forgery Comedy-Drama Excels On Every Level
Steven Soderbergh's film stars Ian McKellen and Michaela Coel, with James Corden, Jessica Gunning.
BUNNYLOVR Review: Opaque Character Study of a Cam-Girl
Katarina Zhu stars in and directs a striking drama, co-starring Austin Amelio, Perry Yung, and Rachel Sennott.
THE AI DOC: OR HOW I BECAME AN APOCALOPTIMIST Review: Timely, Personal, Must-See Doc
To Daniel Roher, the documentary filmmaker behind 2022’s essential Academy Award winner, Navalny, AI (Artificial Intelligence) isn’t just an abstract construct or the latest technological wonder endlessly hyped by Silicon Valley CEOs, the mainstream media, and self-appointed tech influencers as...
Cinequest 2026 Review: HEARTWORM, Provocative, Poignant Sci-Fi Ghost Story
In the very near-future of husband-and-wife filmmaking duo Miriam Louise Arens and Mitchell Arens’ impressively realized feature-length debut, Heartworm, it could be the day after tomorrow. A family of three, Avena (Amber Gray), Mark (Juan Riedinger), and Zamira (Ellie...
PROJECT HAIL MARY Review: Lord and Miller Direct Stellar Adaptation of Weir's Sci-Fi Novel
Ryan Gosling stars in the space adventure, directed by Phil Lord and Christopher Miller.
ANDRE IS AN IDIOT Review: Richly Imagined, Deeply Affecting, Often Hilarious
Tony Benna's standout documentary follows advertising executive André Ricciardi as he confronts a fatal diagnosis.
IN THE BLINK OF AN EYE Review: Pixar's Andrew Stanton's Underwhelming Return to Live-Action Filmmaking
As a writer and/or director of finely crafted, populist animated entertainments, Andrew Stanton (Finding Dory, WALL-E, Finding Nemo) has few, if any, equals. Stanton’s only foray into live-action filmmaking, however, John Carter, an expensive adaptation of Edgar Rice Burroughs' titular character...
HOW TO MAKE A KILLING Review: Glen Powell Leads Surface-Deep Satire of the Rich And Not So Famous
Glen Powell, Jessica Henwick, and Margaret Qualley star in John Patton Ford's sophomore feature.
GHOST TRAIN Review: South Korean Horror Trods Overly Familiar Supernatural Ground
The translated title of Tak Se-woong’s (Devil in the Lake, A Stranger Dream) latest, feature-length film, Ghost Train (괴기열차), is something of a misnomer. While Tak’s intriguingly premised supernatural horror film involves unquiet specters (a handful, maybe more) and...
San Francisco's Original Movie Palace, The Castro Theatre, Reopens With Harry Melling's PILLION
The second movie palace to bear the name, the Castro Theatre in San Francisco opened more than a century ago (1922). Originally serving the working-class inhabitants of the area, the Art Deco-inspired Castro Theatre ran new and old theatrical...
WUTHERING HEIGHTS Review: Emerald Fennell Tackles Emily Brontë's Gothic Drama With Mixed Results
For filmmakers stuck in a creative lull or stall, there’s nothing better than taking a dip into the public domain, pulling out a work of fiction long past its copyright expiration, and adapting, revising, or reinterpreting it accordingly to match...
Sundance 2026 Review: UNION COUNTY, Will Poulter Leads Devastating Examination of Opioid Addiction
By one estimate, more than 550,000 people have lost their lives to the opioid epidemic over the first quarter of the 21st century. That number doubles or even triples when it includes those who’ve fallen prey to opioid addiction...
Sundance 2026 Review: THE GALLERIST, Natalie Portman and Jenna Ortega Co-Star in Ambitious Art-World Satire
Art-world satires come (The Square); art-world satires go (Velvet Buzzsaw). Few, if any, art-world satires leave any impression whatsoever beyond the transient or the ephemeral. Writer-director Cathy Yan’s (Birds of Prey and the Fantabulous Emancipation of One Harley Quinn,...
Sundance 2026 Review: HANGING BY A WIRE, Fascinating Documentary Leaves You Wanting More
On the morning of August 22nd, 2023, eight young men, six of them still in school, climbed into a cable car to traverse a valley 900 feet above the remote foothills of Pakistan, a trip the young men took at...
Sundance 2026 Review: GHOST IN THE MACHINE, A Must-See AI Primer
Valerie Veatch directed the "mind-expanding, investigative essay" documentary.
Sundance 2026 Review: I WANT YOUR SEX, Olivia Wilde and Cooper Hoffman Headline Gregg Araki's Welcome Return to Filmmaking
Between 1987 (Three Bewildered People in the Night) and 2010 (Kaboom), queer filmmaker Gregg Araki wrote and directed 10 films, solidifying his status as a New Queer Cinema visionary with few, if any, peers (only arthouse favorites Derek Jarman and...
Sundance 2026 Review: THE INVITE, Who's Afraid of Olivia Wilde and Seth Rogen?
When we first meet Joe (Seth Rogen), a failed musician turned conservatory music instructor, in director Olivia Wilde’s (Don’t Worry Darling, Booksmart) superbly engaging third film, The Invite, he’s mired in a miasma of self-doubt, disappointment, and frustration. Indifferently...
