SINNERS Review: Ryan Coogler Proves Once Again That He Does Not Miss
When pop-culture historians write the final chapter on the MCU (Marvel Cinematic Universe) in the not-so-distant future, filmmaker Ryan Coogler’s (Creed, Fruitvale Station) contribution, Black Panther, to said universe will stand head-and-shoulders above the rest. Black Panther both confirmed...
THE LEGEND OF OCHI Review: Richly Imagined Fantasy Adventure
Helena Zengel, Finn Wolfhard, Emily Watson, and Willem Dafoe star in Isaiah Saxon's family adventure.
THE UGLY STEPSISTER Review: Fairy Tale, Subverted Into Body Horror
Emilie Blichfeldt wrote and directed; Lea Myren, Thea Sofie Loch Næss, and Ane Dahl Torp star.
THE BALLAD OF WALLIS ISLAND Review: Delightful Oddball Musical Drama
Win the national lottery once and you’d be considered one of the luckiest people currently alive. Win the national lottery twice and you’d be firmly in a reality-adjacent world where the whimsical isn’t just an abstract idea, but the...
JULIE KEEPS QUIET Review: Tennis Phenom, Insightful, Incisive Character Study
Among major professional sports played around the world, tennis stands out for its unique set of demands on its respective athletes. Unlike team sports or even doubles tennis, singles tennis places full responsibility for success or failure on the...
SNOW WHITE Review: Disney's Latest Live-Action Remake Delivers Frustratingly Uneven Results
Disney’s latest exercise in brand management and IP (intellectual property) extension, Snow White, arrives in theaters clouded by unwanted controversy. A combination of factors ignited the controversy, initiated by relentless reactionary, regressive "fans" regarding Rachel Zegler's (The Hunger Games: The...
THE FISHBOWL Review: Freedom, Fate, and Family Collide
The history of Puerto Rico is the history of colonialism. The history of Vieques, an island off the coast of Puerto Rico, is the history of American imperialism. During World War II, the United States forcibly expropriated most of the...
CONTROL FREAK Review: Kelly Marie Tran Elevates Psychological Horror
Eight years ago, toxic Star Wars fans almost derailed Kelly Marie Tran’s career, whining non-stop on social media about her character in Star Wars: The Last Jedi, ultimately forcing her to quit social media altogether. And while that completely...
THE ELECTRIC STATE Review: A Triumph of Robotic Design, A Failure in Everything Else
In the U.S. of A., a cool $300M can not only buy you the presidency, but give you untold access to every federal agency, government servers, and private records. Another $300M (plus) can buy you the rights to The...
OPUS Review: Splatter Horror, Black Comedy, and Cults
Ayo Edebiri, John Malkovich, Mark Anthony Green, Murray Bartlett, Amber Midthunder, and Stephanie Suganami star in Mark Anthony Green's film.
Sundance 2025 Review: JIMPA, Generational Queer Drama Elevated By Authentic, Heartfelt Performances
With a career spanning six decades, two centuries, and more accolades than could fit in a single review, John Lithgow could have retired long ago to bask in much deserved critical acclaim and popular consideration. Even as he approaches...
SLY LIVES! (AKA THE BURDEN OF BLACK GENIUS) Review: Sly Stone Doc Enlightens, Entertains
Win a well-earned Academy Award on your first try and chances are, you’d be tempted to call it a day and quit while you were ahead. For Ahmir “Questlove” Thompson, though, winning a Best Documentary Oscar for Summer of...
Sundance 2025 Review: RAINS OVER BABEL, Singularly Enthralling Retro-Futuristic Queer Fantasy
In the retro-futuristic, pop-punk imagination of Spanish Columbian writer-director Gala del Sol (Natalia Hermida) and her unmissable, queer-coded feature-length debut, Rains Over Babel (Llueve Sobre Babel), Cali, Colombia exists in a sublime liminal space, at the crossroads between the real...
Sundance 2025 Review: OH, HI!, Anti-Rom-Com Promises Much, Delivers Less
The title of writer-director Sophie Brooks’s feature-length debut, Oh, Hi!, an anti-rom-com, appears almost immediately in an exchange between longtime best friends, Iris (Molly Gordon) and Max (Geraldine Viswanathan). Usually saved for a moment combining surprise and levity, here...
Sundance 2025 Review: DIDN'T DIE, Post-Apocalyptic Zom-Com, Short on Zombies, Short on Comedy
In co-writer/director Meera Menon’s (Equity, Farah Goes Bang) post-apocalyptic zombie tale, Didn’t Die, the zombie-filled life is barely worth living. As always, staying alive means not just dodging the unwashed walking dead and their insatiable appetite for tender human...
Sundance 2025 Review: BUNNYLOVR, Gen Z Cam-Girl Faces Existential Crisis
Pace everyone’s favorite Greek philosopher, Socrates, if the unexamined life isn’t worth living, then the unexamined cam life — as in cam-girl life — is probably a close second or even a distant third. That lack of self-exploration, of...
Sundance 2025 Review: OBEX, Oddball Lo-Fi Sci-Fi/Fantasy Redefines Vibe Flick
Writer-director Albert Birney’s (Strawberry Mansion, Tux and Fanny, Sylvio) latest film, OBEX, an almost non-categorizable sci-fi/fantasy/comedy-drama, stands out as a vibe film through and through. If you’re on OBEX’s wavelength or frequency, i.e., attuned to its oddball charms, quirky humor,...
Sundance 2025 Review: THE UGLY STEPSISTER, Grim, Grotesque, Gory Take on the Brothers Grimm's Folktale
There’s a singularly cringe-inducing moment in Norwegian filmmaker Emilie Blichfeldt’s brilliantly conceived and vividly realized fairy/folk tale, The Ugly Stepsister (orig. Den stygge stesøsteren), where the doomed-to-fail title character, Elvira (Lea Myren), the subserviently obedient daughter of a ruthless, amoral social...
Sundance 2025 Review: REBUILDING, Loss, Grief, and Rediscovering Family
Despite the contrarian, anti-science protestations of some on the right, climate change is real. The effects thereof have been and will be felt in the years to come, including extreme weather events, such as the recent devastating wildfires that tore...
Sundance 2025 Review: LOVE, BROOKLYN, Performance-Led Romantic Triangle Engages, Enthralls, Entertains
A catch-all phrase popularized over a decade ago by Meta (formerly Facebook), “It’s complicated,” meant to describe romantic relationships that didn’t fall into one particular category or another, finds its clearest, nearest, and obviously it’s most recent application in director...
