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Slamdance 2019 Review: CAT STICKS Makes Poetry of Pain and Beauty of Desperation

Kolkata, the eastern Indian megalopolis once known as Calcutta and commonly referred to as the City of Joy, has long been thought of as the center of intellectualism in India. Many of the country's most internationally lauded artists hail from...

Slamdance 2019: Exclusive KIFARU Clip - Calming a Rhino

As a genre-focused film site, we are generally more eager to watch a wild white rhino creating mayhem in outrageous and unbelievable action sequences on the big screen, rather than confronting the reality of the extinction of the last male...

Slamdance 2019: Watch HAPPY FACE Exclusive Clip - Group

In our exclusive clip from Happy Face, we hear from people who are often shut out of the cultural conversation, not necessarily because of what they say, but because of their outward appearance. Set in Montreal, the film will enjoy...

THE RAINBOW EXPERIMENT: Slamdance Avant-Drama Goes to Gravitas

If you've been digging the weirder, bolder side of American Indies circa 2018ish, namely Josephine  Decker's stupendously stirring Madeline's Madeline, than you may want to keep your eye out for Christina Kallas' The Rainbow Experiment. Preposed as a jarring 21st century Rashomon,...

Slamdance 2018 Review: MAN ON FIRE, One Man's Ultimate Sacrifice and a Town's Reckoning With Its Racism

On June 23, 2014, a 79-year-old Methodist minister named Charles Moore drove to a nearly deserted shopping center parking lot in his former hometown of Grand Saline, Texas, poured gasoline on himself, and set himself on fire. The note Moore...

Slamdance 2018 Review: INGRID, A Self-Fulfilling Life

Many of us have likely had the dream of packing it all in: the modern world, the rat race, the rampant consumerism, and heading to a cabin in the woods, to get as far away from civilization as is possible...

Slamdance 2018 Review: FISH BONES, The Moments Between

Do we know the important conversations in our lives when they are happening, or only afterwards? Do we contemplate what we need to understand when we're at the crossroads, or at more seemingly mundane moments? Can we only know ourselves...

Slamdance 2018 Review: BIRDS WITHOUT FEATHERS Still Flock Together

We’ve all felt lonely and isolated at one point or another; it’s a feeling that comes and goes. But for the six wayward protagonists of Wendy McColm’s dark comedy/drama Birds Without Feathers, it’s an inescapable part of their lives, a...

Slamdance 2018 Review: HUMAN AFFAIRS, An Intimate Drama With Panoramic, Cosmic Scope

Human Affairs is nominally about the effect of an impending surrogate birth on the childless couple involved, but its title points to its far more panoramic scope. Bracketed by decades-spanning sequences of still photographs, Human Affairs visually and thematically places its three principal characters within...

Slamdance 2018 Review: THE RAINBOW EXPERIMENT, Educational Nightmares

I do not envy anyone working in the public school system in the United States. Teachers are overworked and underpaid, administrators are caught between helping the teachers and serving the parents; some students get lost in the shuffle, while others...

Slamdance 2018 Review: ROCK STEADY ROW Rewrites the College Experience

The elitism and sexism that tend to accompany higher learning takes a beating in Travis Stevens' delightfully anarchic free-for-all.

Slamdance 2018 Preview: 15 Must-See Films

A slew of fresh and dynamic filmmaking voices await you at the 2018 Slamdance Film Festival in Park City, Utah, January 19 - 25. Once the upstart step-sibling of the once Indie minded Sundance, Slamdance (entering its 24th year) is...

HUMAN AFFAIRS: Watch This Clip From Charlie Birns' Slamdance Entry

Yesterday, a clip for Charlie Birns' Slamdance entry, the drama Human Affairs, premiered over at The Playlist. We can now share that clip from Birns' feature film debut with you below and it is very much worth checking out; such...

WITHDRAWN: Watch The New Trailer For Slamdance Hit

Adrian Murray's Slamdance hit Withdrawn releases November 14th through Syndicado and we're proud to present a new trailer for the film that our own Ben Umstead compared to the early work of Richard Linklater. Aaron Keogh stars here as a...

Exclusive Trailer: WITHOUT, One of the Best Debuts of the Decade

In the world of indie film, Mark Jackson's debut feature, Without, is that rare breed: it is a work that truly came out of nowhere, was made for no money, then gained great esteem from festivals and critics all over...

Fantastic Fest 2017 Exclusive Trailer: Catch THE CURE

From Spaceboy to Red Luck, filmmaker Mike Olenick's certain brand of strange has been infecting the festival circuit these past few years, creeping and delighting audiences from Slamdance to Fantasia. His latest short film, The Cure, is a mesmerizing sci-fi...

Slamdance 2017 Review: KURO Spins a Spellbinding, Exquisitely Photographed Tale

Don’t you wonder sometimes ’Bout sound and vision … – David Bowie, “Sound and Vision” When you’ve seen a countless number of films over your lifetime, the effect can be somewhat numbing, especially after viewing many examples of standard variations...

Slamdance 2017 Review: Psychedelic Fun and Cosmic Questions Abound in AUTOMATIC AT SEA

After his satire on the utopia of Gen Y, The Woods, Matthew Lessner returns with a new feature, Automatic at Sea, a psychedelic chamber piece with flair.   A boy meets a girl. The boy invites the girl to his...

Slamdance 2017 Review: WEATHER HOUSE Roofs Absurdism and Minimalism For Timely Allegory

The initial setup of Weather House, the directorial feature debut by Frauke Havemann (co-directed by Erik Schefter) remains basic throughout the whole duration of the film. A group of people whose relations are not disclosed and who could easily be...

Slamdance 2017 Review: AEROTROPOLIS, An Elegantly Made Portrait of (Sub)Urban Alienation

Li Jheng-neng's debut feature is an elegant, microbudget vision of urban/suburban anomie, which has qualities that will be familiar to intrepid art filmgoers, especially those conversant with the films of Li's fellow Taiwanese countryman Tsai Ming-liang.