Tag: tiff

Friday One Sheet: THE TEACHERS' LOUNGE

Evoking the keenest student's homework that has had notes scribbled in the margin, the recent key art for Ilker Çatak's provocative social thriller, The Teachers’ Lounge, sure has a lot of text on display. It has been a darling on...

THE PIGEON TUNNEL Review: Heady Swirl of Conversation on History and Lies

Errol Morris directs John le Carré's final and most personal interview.

Friday One Sheet: WHEN EVIL LURKS

No point beating around the bush on this one, California's Mocean design house goes full on distressed red sky and deep black shadows for slow burn Argentinian possession horror, When Evil Lurks. The tagline, "There is no point in praying" is...

Toronto 2023 Review: FINGERNAILS, Love (And Cinema) Fails By Playing It Safe

It is a solid time-wasting (and futile) exercise looking at couples and making a judgement call if they are ‘right for one another.’ Or to guess if they will ‘last.’ In my family, it is kind of a sport. Well...

Toronto 2023 Review: WORKING CLASS GOES TO HELL, Serbian Justice Served Slow And Absurd

Early in Mladen Djordjevic’s tragicomic satire, Working Class Goes To Hell, a young girl eats her lunch in the husk of a dead factory. A faded mural “Long Live Labour Day” peels off the burnt out walls above her. She...

Friday One Sheet: LIMBO

The pull quotes filling the open sky here say as much about the film as they do about Australian Carnival Studio's design ethos for the film's key art. Ivan Sen's striking, monochrome new cold case, outback noir Limbo is a...

Toronto 2023 Review: THE BOY AND THE HERON, Sumptuous Miyazaki-San, Studio Ghibli Career Retrospective

From the opening air raid sirens and fiery infernos of World War II Tokyo bombings to the bucolic countryside house and its magical surroundings, Hayao Miyazaki and Studio Ghibli has come full circle in its 40 year history animated mastery....

Friday One Sheet: RIDDLE OF FIRE

The "Coolest debut from Cannes," according to AnOther Magazine, the poster for American indie cult-film-to-be, Riddle Of Fire, exudes rural middleschool cool. The key art is awash in warm peachy tones and early 70s pre-Amblin 'latch-key kids' vibes. Note the mushrooms and...

Short Film: Seth Smith's existential-animation DUST BATH is on Vimeo

This is public service announcement that Canadian auteur of the surreal and strange, Seth Smith (The Crescent, Tin Can), made a 2 minute animated short about poultry and death and the circle of life, called Dust Bath, which is now...

Friday One Sheet: SUNDOWN

We posted the superb trailer earlier this week, and now this excellent poster for Michel Franco's Sundown.  I have said, time and time again, that I am a sucker for orange and pink posters, and this is no exception. I...

Toronto 2021 Review: SALOUM, A Spirited Tale of Revenge on the Senegal Delta

The Saloum Delta in Senegal is a land of cannibal myths and cursed kings. Nowhere is this more true than in Congolese director Jean Luc Herbulot's supernatural skinwalker of a film that brings West African mythology to the criminal getaway...

Friday One Sheet: SALOUM

Forget the old Godardian nugget that all you need is a Girl and a Gun.  How about just a big ass gun? The poster for Senegalese supernatural revenge thriller, Saloum, goes for that Sergio Leone western vibe, with a modern,...

Toronto 2021 Short Film, Short Review: DUST BATH

I am cognizant of the fact that it might take you longer to read this review than to watch the one hundred and twenty seconds of this animated short involving chickens searching for scratch, and philosophizing on the circle of...

Friday One Sheet: ENCOUNTER

Design house B O N D's key art for Encounter (currently getting buzz on the festival circuit, before heading to cinemas and Amazon Prime in December), continues a trend I highlighted here, about this relatively recent poster trope: The Vortex....

Trailer for Pablo Larraín's SPENCER

After the stylish and well-received Jackie, Chilean wunderkind director Pablo Larraín tackles the tone and character of another iconic political and deified figure, Princess Diana, in a "what might have happened during those few fateful days" in 1997. Casting a...

Friday One Sheet: THE MIDDLE MAN

I remain committed to showcasing key art that makes good use of textured wallpaper. In this case, the poster is for a Canadian/Norwegian production from deadpan director Bent Hamer. Hamer's films are difficult to describe, oddball dramas, subtle comedies, ultra-niche...

Teaser: NOMADLAND's Quiet, Beautiful Pitch

Searchlight Pictures just dropped a short, single-shot teaser trailer for Chloe Zhao's (The Rider) new feature, Nomadland. And it is beautiful, measured, and melancholic, with Frances McDormand at her understated best. Adapting Jessica Bruder's journalism-novel of the same name, the...

Toronto 2019 Interview: SYNCHRONIC Directors Moorhead & Benson's Favorite Cinematic Representations of Altered States

Aaron Moorhead and Justin Benson have wowed audiences with their mind-bending (and genre-bending) films Resolution, Spring, and The Endless. All of these films share the similarity of slyly tackling complex philosophical and/or metaphysical subject matter in an entertaining package. The...

Toronto 2019 Review: DISCO Doubts Your Commitment To Sparkle Motion

Disco is a juxtaposition of cults. One is the intense dance competition circuit. Here, girls in skimpy, sparkling outfits, a deluge of rhinestones and sequins, with face paint to match, perform intensely choreographed contortions to thumping electronica as an expression of...

Toronto 2019 Review: THE PLATFORM Is a Dystopian Feast of Social Inequality

A man wakes up in a spartan concrete room, with a copy of Don Quixote, and a composed, elderly roommate. The number 48 is stencilled on the wall, and there is an open elevator shaft that divides the space. The...