New York 2022 Review: R.M.N., Skillful But Heavy-Handed Xenophobia Drama

Cristian Mungiu uses a cudgel to examine xenophobia in Eastern Europe when a scalpel might have sufficed.

New York 2022 Review: WILL-O'-THE-WISP, Exuberant Gay Fantasia

João Pedro Rodrigues' Portuguese musical delivers the dance numbers along with a side of environmentalism.

New York 2022 Review: TRENQUE LAUQUEN, Binge-worthy South American Mystery Box

Director Laura Citarella's superb new opus, clocking in over four hours, strikes the balance between a Nicholas Sparks romance and a creature feature.