Tag: hongsangsoo

New York 2020 Review: THE WOMAN WHO RAN, Hong Sang-soo Again Explores Monotony vs. Chaos

Kim Min-hee, Lee Eun-mi, and Kwon Hae-hyo star in director Hong Sang-soo's deceptively simple yet deliciously playful film.

Notes on Streaming: Enjoy a Sampler Trio by Hong Sang-soo

All on the Criterion Channel: 'The Day He Arrives,' 'On the Beach At Night Alone' and 'Claire's Camera.'

Review: GRASS, Cynical, Delicious Coffee Shop Vignettes

Kim Minhee stars in director Hong Sangsoo's latest human comedy.

New York 2018 Review: Emotions Run High in Hong Sangsoo's GRASS

When considering the work of Hong Sangsoo, Grass is not groundbreaking or anything, but itis perhaps more cynical and darker than Hong's other films. Still, the director's human comedy continues with slight variations each time with delicious results.

Locarno 2018 Review: HOTEL BY THE RIVER, A Wonderfully Performed New Drama from Hong Sangsoo

Six months after the premiere of Grass at the Berlinale, prolific auteur Hong Sangsoo is back with another black and white drama which once again reunites him with his leading actress Kim Min-hee. Having just debuted at the Locarno International...

Review: CLAIRE'S CAMERA, A Perfunctory Blip

Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar framework and new variations on his favorite themes. His 20th work Claire's Camera debuted last year at the Cannes Film...

Cannes 2017 Review: THE DAY AFTER Offers Bitter Portrait of Infidelity

Returning to black and white for the first time since The Day He Arrives (which screened in Un Certain Regard in 2011), Hong Sangsoo returns to the Cannes competition section with The Day After, a focused rumination on love and...

Cannes 2017 Review: CLAIRE'S CAMERA, Hong Sangsoo's Low-Key Cannes Holiday

Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar framework and new variations on his favorite themes. His 20th work Claire's Camera debuts this weekend as a Special Screening...

Berlinale 2017 Review: ON THE BEACH AT NIGHT ALONE, Hong Sang-soo's Most Personal and Cruel Film to Date

A new year has arrived and with it the challenge of reviewing a new work from Korea's arthouse darling Hong Sang-soo. On the Beach at Night Alone, which borrows its name from the title of a Walt Whitman poem and...

Korea's Big Year Will Shine at 11th London Korean Film Festival

The London Korean Film Festival has revealed the full lineup for its 11th edition, which cherrypicks several top films from what has been a stellar year for Korean film. The festival announced its closing film, which will be Hong Sang-soo's...

Toronto 2016 Review: YOURSELF AND YOURS Finds Hong Sang-soo in Wry and Perplexing Mood

Celebrated indie auteur Hong Sang-soo returns to Toronto with his 18th film Yourself and Yours. Once again featuring artists boozing their way through a series of eateries as they lament over their personal woes, his latest work echoes the themes...

Review: RIGHT NOW, WRONG THEN, Gawky Characters and Awkward Conversations Equal Pure Delight

Following Hong Sangsoo's career guarantees for viewers, at the very least, one thing - developing a keen eye for detail. The auteur's films are remarkably similar to one another, from their lecherous male director/professor characters and conversations over bottles of...

NYC Happenings: "Tales of Cinema: The Films Of Hong Sang-soo" Explores A Subtle And Sublime Body Of Work

Over the course of two decades, South Korean auteur Hong Sang-soo has created one of the most rigorous and refined, subtle and sublime, oeuvres of world cinema history. From his debut feature The Day a Pig Fell Into the Well (1996) to...

Locarno 2015: Golden Leopard Goes To Hong Sangsoo

The 68th Locarno International Film Festival wound to a close yesterday and offered its top prize to a Korean film for the first time, in what was a strong night overall for Asian features. Two years after picking up the...

Locarno 2015 Review: RIGHT NOW, WRONG THEN, Stars Shine In Classic Hong Sangsoo

Following Hong Sangsoo's career guarantees for viewers, at the very least, one thing - developing a keen eye for detail. The auteur's films are remarkably similar to one another, from their lecherous male director/professor characters and conversations over bottles of...

Venice 2014 Review: HILL OF FREEDOM Proves A Pleasant But Slight Slice From Hong Sangsoo

It's easy to accuse Hong Sangsoo of doing the same thing over and over again as each of his films revisit the same themes with similar characters, situations and locations. Such a reading can easily miss the point of his...

Vancouver 2013 Review: OUR SUNHI Floats Across The Screen

I always hesitate when reviewing a film by a prolific director whom I am mostly unfamiliar with, especially one with plenty of dedicated followers and specialists. Such is the case with South Korea's Hong Sang-soo, who typically pumps out two...

LA Film Fest 2013 Review: NOBODY'S DAUGHTER HAEWON And The Endearing Art Of Wandering

I've got a confession to make: Until last night I'd never seen a film by Korean auteur Hong Sang-soo (In Another Country, Woman Is The Future Of Man). So Why was that? My reasons in the past were fleeting, entirely...