Los Cabos 2018 Dispatch: BLACKkKLANSMAN, Plus Spike Lee's Comments on Alfonso Cuarón's ROMA

Early seventies. Leaders of the civil rights movement, such as Kwame Ture (Corey Hawkins), continue to carry their message to young African-Americans. So-called blaxploitation films, with characters like Shaft and Coffy, empowers them at the cinema. The black power shout...

Los Cabos 2018 Dispatch: AMERICAN ANIMALS and WIDOWS, a Heist Movie Double Feature

Reminiscent of the recent Mexican film Museo, by Alonso Ruizpalacios, American Animals is a heist movie starring youngsters who, on paper, would have no obvious reason to carry out a robbery. With the support of their families, without economic problems,...

Review: TENACIOUS D IN POST-APOCALYPTO, The Disappointing Animated Adventure Of Jack Black and Kyle Gass' Rock Band

Tenacious D in The Pick of Destiny, the first and so far only film adventure of Jack Black and Kyle Gass’ rock band, is an underrated movie and a heartfelt tribute to rock 'n' roll that fulfills its purpose of...

Los Cabos 2018 Preview: 10 Films Not To Miss At The Mexican Film Festival

The seventh edition of the Los Cabos International Film Festival has one of the most impressive lineups of a Mexican film festival in recent memory. Kicking off next Wednesday, November 7, with the gala of Yorgos Lanthimos’ The Favourite, Los...

Los Cabos 2018: Terry Gilliam, Spike Lee, Adam Driver Visits Indicate This Might Just Be Mexico's New Top Festival

Let’s face it, and maybe some day it will happen, but right now Mexican film festivals won’t have the year's biggest world premieres. Hence, they rely -- in terms of film programming -- on national, maybe Latin American premieres. That’s...

Watch: Jim Hosking and David Wike Discuss AN EVENING WITH BEVERLY LUFF LINN, Working with Jemaine Clement, and More

After being part of Fantastic Fest 2018, An Evening with Beverly Luff Linn, British director Jim Hosking’s second feature after The Greasy Strangler, is now in theaters, on VOD and Digital HD. In the film, Emile Hirsch is Shane, the temperamental...

Los Cabos 2018 Interview: Director Andrés Kaiser on Religion, Found Footage and FERAL

After having its world premiere at Fantastic Fest, Feral is celebrating its Mexican premiere in  November as part of the 2018 edition of the Los Cabos International Film Festival. Directed by Andrés Kaiser, Feral mixes the (fake) documentary and found...

Review: MID90S, Jonah Hill's Debut As Director Is Funny and Humane

Eleven years after Superbad finally made him stand out as a comedic actor, and seven since Moneyball turned him into an Oscar nominee, Jonah Hill debuts as writer/director with Mid90s, a coming-of-age film that’s funny and, at the same time,...

Sitges 2018 Review: KEEP AN EYE OUT, Another Funny, Crazy And Worthy Film By Quentin Dupieux

The first scene of Keep an Eye Out, another crazy film by France’s Quentin Dupieux, evokes that memorable speech from Rubber about how all the great films have stuff with "no reason" to be. That’s because in said sequence, we...

Fantastic Fest 2018 Review: FERAL, Andrés Kaiser's Worthy Debut Feature

The only Mexican film at this year's Fantastic Fest was Andrés Kaiser’s debut feature length film, Feral, which uses fake documentary and found footage formats to delve into a tragedy that took place in the late 1980s. It officially ended...

Fantastic Fest 2018 Interview: Director Amanda Kramer Talks LADYWORLD

In the opening credits of Amanda Kramer's Ladyworld, we hear what we'll eventually confirm as an earthquake that has left eight young girls trapped in the house where they were supposed to celebrate the birthday of one of them. With...

Fantastic Fest 2018 Interview: Director Jim Hosking and Co-Writer David Wike on AN EVENING WITH BEVERLY LUFF LINN

After his debut feature The Greasy Strangler, a sort of mix between quirky romantic/comedy indie cinema and exploitation/B movies, British director Jim Hosking is back with An Evening with Beverly Luff Linn, stepping away from horror but maintaining a general...

Fantastic Fest 2018 Interview: Nicolas Pesce on His Film Adaptation of Murakami Ryu's PIERCING

For his second feature length film, after The Eyes of My Mother, young American director Nicolas Pesce decided to adapt Murakami Ryu’s 1994 novel Piercing. The movie stars Christopher Abbott and definitely has one of the most striking opening sequences...

Interview: Panos Cosmatos on MANDY and His Mythical Realm of the Imaginary

In the final part of Panos Cosmatos' first film, Beyond the Black Rainbow, there is a sequence that presents a quintessential scenario of horror films: two long-haired friends listen to heavy metal music in the middle of nowhere, while they...

Venice 2018 Review: Alfonso Cuarón's ROMA

In one of the scenes with narration of Y tu mamá también, where the voice of Daniel Giménez Cacho gave a greater context to the actions of the protagonists and occasionally also of the social and political environment around them,...

PUPPET MASTER: THE LITTLEST REICH Interview: Meet Tate Steinsiek, Puppet and Creature Designer

The S. Craig Zahler penned reboot Puppet Master: The Littlest Reich - now out in theaters and available on VOD and Digital HD - goes back to basics with its setting: a bunch of people in a hotel become the...

Interview: Udo Kier Talks PUPPET MASTER: THE LITTLEST REICH, Playing Nazi Characters, and the SUSPIRIA Remake

After 11 films, plus a Syfy spin-off, the Puppet Master franchise is back with a reboot in which legendary German-born actor Udo Kier plays the titular puppeteer, Andre Toulon. While in the prologue of the 1989 original film Toulon is...

Interview: Director Matthew Ross Talks SIBERIA and Keanu Reeves

In the Matthew Ross-directed thriller Siberia, Keanu Reeves is Lucas Hill, a married American man who travels to Saint Petersburg, Russia for his latest mission in the diamond trade. Like John Wick, Hill is a very reserved, quiet professional who...

ScreenAnarchy's Top Movies Of The First Half Of 2018

Time flies like a sonofabitch, and this year it seems to do so faster than usual. We are at 2018's mid-point already. Whoa! That does beg the question though: what films have managed to impress and touch us most, so...

Review: THE NIGHT OF THE VIRGIN Drags On, Then Barely Delivers As WTF Genre Cinema

Roberto San Sebastián’s The Night of the Virgin (aka La noche del virgen) is one of those genre films that, since early on, you know it’ll be all about the execution of its climax. The basic setting goes like this:...