Review: BELZEBUTH, The Horrors Of A Bad Script

Almost five years after the (failed) comedy El crimen del Cácaro Gumaro, Mexican filmmaker Emilio Portes returns to the big screen with Belzebuth, a film that, unlike his previous work, soon reveals itself as something completely serious. Not for nothing...

Watch: THE STANDOFF AT SPARROW CREEK Writer/Director Henry Dunham on His Terrific Mystery Film

Writer/director Henry Dunham’s The Standoff at Sparrow Creek is a terrific mystery film with a twist, about a militia group -- with such actors as James Badge Dale, Patrick Fischler and Chris Mulkey as the diverse members -- that tries...

STATE LIKE SLEEP Interview: Director Meredith Danluck Talks Grief, Neo Noir and Casting Michael Shannon as a Romantic Lead

After the suicide of her husband, a famous European actor named Stefan Delvoe (Michiel Huisman), American photographer Katherine (Katherine Waterston) decides to pretty much disappear, to the point that her mother (Mary Kay Place) is the one who has to...

Eric Ortiz's Favorite Movies Of 2018

After watching 133 new releases over the past 12 months, it’s certainly time to chime in, for what it’s worth, with my list of personal favorites. I live in Mexico City, therefore several 2017 titles are here. On the other...

Screen Anarchy's Favorite Films of 2018

Here's our favorite films of 2018, as voted on by more than 20 of our contributing writers, who collectively picked 114 films as their favorites. 1. Roma 2. The Favourite 3 (tie). BlacKkKlansman / You Were Never Really Here 5....

Interview: Festival del Puerto Director on the 2018 Edition

From December 7 to 9, the fourth edition of the Festival del Puerto is taking place in Puerto Escondido, a very famous tourist place in the state of Oaxaca. Outdoor movies and the enjoyment of the Bacocho beach is what...

Interview: Ron Perlman on ASHER, Evoking 70s American Cinema, HELLBOY Reboot

Ron Perlman says: "Acting is like a drug, like shooting heroin and getting this incredible sensation”. In recent years, however, the star of such magnificent films as Cronos, The City of Lost Children and, certainly, Guillermo del Toro’s Hellboy diptych,...

ALL THE CREATURES WERE STIRRING Interview: Directors Rebekah and David McKendry Talk Christmas Horror Movies and Anthologies

Although Christmas is, on paper, a time of peace, love and celebration, the horror genre has been attached to this holiday since long time ago. For writers and directors Rebekah and David McKendry, setting a horror movie precisely during Christmas...

Los Cabos 2018 Dispatch: BORDER and THE SISTERS BROTHERS, Two Of The Festival's World Highlights

At the core of Let the Right One In, one of the most memorable vampire films of the past decade, was Oskar (Kåre Hedebrant), a lonely, misfit, and bullied young boy with little attention from his divorced parents. He found...

Los Cabos 2018 Dispatch: LORDS OF CHAOS and LETO, Two Gems From The Festival's Music Section

In the documentary Supersonic, the Gallagher brothers are heard discussing what is most important for a rock 'n' roll band, whether music itself or the mythology that is created around them. Although Noel argued for the artistic material, while Liam...

Los Cabos 2018 Dispatch: BLACKkKLANSMAN, Plus Spike Lee's Comments on Alfonso Cuarón's ROMA

Early seventies. Leaders of the civil rights movement, such as Kwame Ture (Corey Hawkins), continue to carry their message to young African-Americans. So-called blaxploitation films, with characters like Shaft and Coffy, empowers them at the cinema. The black power shout...

Los Cabos 2018 Dispatch: AMERICAN ANIMALS and WIDOWS, a Heist Movie Double Feature

Reminiscent of the recent Mexican film Museo, by Alonso Ruizpalacios, American Animals is a heist movie starring youngsters who, on paper, would have no obvious reason to carry out a robbery. With the support of their families, without economic problems,...

Review: TENACIOUS D IN POST-APOCALYPTO, The Disappointing Animated Adventure Of Jack Black and Kyle Gass' Rock Band

Tenacious D in The Pick of Destiny, the first and so far only film adventure of Jack Black and Kyle Gass’ rock band, is an underrated movie and a heartfelt tribute to rock 'n' roll that fulfills its purpose of...

Los Cabos 2018 Preview: 10 Films Not To Miss At The Mexican Film Festival

The seventh edition of the Los Cabos International Film Festival has one of the most impressive lineups of a Mexican film festival in recent memory. Kicking off next Wednesday, November 7, with the gala of Yorgos Lanthimos’ The Favourite, Los...

Los Cabos 2018: Terry Gilliam, Spike Lee, Adam Driver Visits Indicate This Might Just Be Mexico's New Top Festival

Let’s face it, and maybe some day it will happen, but right now Mexican film festivals won’t have the year's biggest world premieres. Hence, they rely -- in terms of film programming -- on national, maybe Latin American premieres. That’s...

Watch: Jim Hosking and David Wike Discuss AN EVENING WITH BEVERLY LUFF LINN, Working with Jemaine Clement, and More

After being part of Fantastic Fest 2018, An Evening with Beverly Luff Linn, British director Jim Hosking’s second feature after The Greasy Strangler, is now in theaters, on VOD and Digital HD. In the film, Emile Hirsch is Shane, the temperamental...

Los Cabos 2018 Interview: Director Andrés Kaiser on Religion, Found Footage and FERAL

After having its world premiere at Fantastic Fest, Feral is celebrating its Mexican premiere in  November as part of the 2018 edition of the Los Cabos International Film Festival. Directed by Andrés Kaiser, Feral mixes the (fake) documentary and found...

Review: MID90S, Jonah Hill's Debut As Director Is Funny and Humane

Eleven years after Superbad finally made him stand out as a comedic actor, and seven since Moneyball turned him into an Oscar nominee, Jonah Hill debuts as writer/director with Mid90s, a coming-of-age film that’s funny and, at the same time,...

Sitges 2018 Review: KEEP AN EYE OUT, Another Funny, Crazy And Worthy Film By Quentin Dupieux

The first scene of Keep an Eye Out, another crazy film by France’s Quentin Dupieux, evokes that memorable speech from Rubber about how all the great films have stuff with "no reason" to be. That’s because in said sequence, we...

Fantastic Fest 2018 Review: FERAL, Andrés Kaiser's Worthy Debut Feature

The only Mexican film at this year's Fantastic Fest was Andrés Kaiser’s debut feature length film, Feral, which uses fake documentary and found footage formats to delve into a tragedy that took place in the late 1980s. It officially ended...