Festivals

CPH:DOX 2025: Exclusive GIRLS & GODS Poster Premiere

Feminist activist Inna Shevchenko trades protest for conversation in a documentary that confronts the uneasy intersection of religion and women's rights on a global scale.

Berlinale 2025 Review BLUE MOON: Lyricist Lorenz Hart at a Crossroads

Richard Linklater's new film follows lyricist Lorenz Hart as he tries to salvage his career. Ethan Hawke, Margaret Qualley, Bobby Cannavale, and Andrew Scott star.

CLOWN IN A CORNFIELD Official Trailer: Opens Nationwide on May 9th.

If you were at the local movieplex this past weekend to catch the opening of Flying Lotus' cosmic horror Ash, you were among the first to see the official trailer for Eli Craig's Clown in a Cornfield. Premiering exclusively in...

Cinequest 2025 Review: I'M NOT AN ACTOR, A Long Distance Drama Unfolds

A man and a woman audition for a film; he from Frankfurt, Germany, her from Mumbai, India. He is a banker, she is a serious actor, but the only way they get the job is by working together over a...

Fantaspoa 2025: Brazilian Festival Announces Mammoth Lineup

Our friends at Fantaspoa have revealed the whopping, one hundred feature film lineup for this year's festival, taking place in Porto Alegre, Brazil from April 9th through 27th.    Quite frankly, trying to pick highlights out of one hundered titles...

Cinequest 2025 Review: VOICES CARRY, Grim Generational Trauma Thriller

If countless genre films have taught us anything, returning to a lake house where you spent your childhood and where some troubling events may have occurred is never a good idea. Unfortunately, that’s exactly what Sam (Gia Crovatin) and her...

Chattanooga 2025: First Wave of Titles Announced

Doing a bit of catch up as our friends at Chattanooga Film Festival announced the first wave of titles for this year's festival last week. Whoopsie.    I'll recover from the shock of the claim in the second paragraph in...

SXSW 2025 Review: BROTHER VERSES BROTHER, A Live Cinema Musical With A Huge Heart

Twin brothers roam the streets of San Francisco in search of their AWOL father in Ari Gold’s blissfully introspective live cinema musical, Brother Verses Brother. The fact that Brother Verses Brother recently added Francis Ford Coppola to its credit block...

SXSW 2025: How Theaters Are Eventizing the Moviegoing Experience

Before I watched anything at SXSW this year, I began Friday, March 7, by attending a panel entitled "How Theaters Are Eventizing the Moviegoing Experience." Much of the discussion centered around how individual theaters and local cinema chains have made...

SXSW 2025 Wrap: All Our Reviews, Interviews, and More

The sound of silence is deafening. SXSW 2025 has concluded this year's edition. Last week the jury and special awards were announced. Our coverage is not quite complete; we'll update this post as a few more articles roll in this...

SXSW 2025 Review: ODYSSEY, A Super Tense Thriller With A Bloody Edge

Natasha Flynn (Polly Maberly) is a hustler. She runs an estate agency, selling and leasing properties all over London. Working from a flashy office with a cadre of hungry employees, on the verge of a profitable merger with a bigger...

SXSW 2025 Review: GLORIOUS SUMMER, Three Women Seek Freedom From Their Gilded Cage

Three women exist in an abandoned castle, bound by rules and rituals disseminated by disembodied voices, unburdened by want, but trapped in a dystopian wonderland they cannot leave in directors Helena Ganjalyan and Bartosz Szpak’s Glorious Summer. An ennui laden...

SXSW 2025 Review: NIRVANNA THE BAND THE SHOW THE MOVIE, Matt & Jay Go Back to the Future!

A pair of lovable losers come up with a series of ridiculous schemes to get their band a gig at Toronto’s legendary nightclub, The Rivoli in Matt Johnson and Jay McCarrol’s Nirvanna The Band The Show The Movie. A feature...

SXSW 2025 Review: THE SURRENDER, A Mother Attempts to Save Her Husband From Death Through Black Magic

Megan returns home after a long time away to support her mother, Barbara, as her father enters his dying days in writer/director Julia Max’s black magic horror film, The Surrender. Barbara’s (Kate Burton) husband has been ill for a very...

SXSW 2025 Review: FUCKTOYS, A Filth-filled Odyssey Though A Punk Rock Wonderland

A sometime sex worker longs for love in director/writer/star Annapurna Sriram’s chaotic debut feature film, Fucktoys. We meet AP (Sriram) mid-tarot reading, sitting in the middle of a swamp, listening to the wisdom of a psychic played by iconic rapper,...

SXSW 2025 Review: CAPER, Toxicity Does Not Pay

Dan Imperial's comedy is a bitter pill to swallow for six New York City men.

SXSW 2025 Review: DEEPER, How Deep Is Your Love?

Jennifer Peedom's documentary goes deep on Harry Harris' pursuit of something that is always out of reach.

SXSW 2025 Review: FLIGHT 149: HOSTAGE OF WAR, Flown into a War Zone

Directed by Jenny Ash, the film asks why civilian passengers were used as pawns by powerful forces.

SXSW 2025 Review: LIFEHACK, Raw Humanity, Vibrant Storytelling

Ronan Corrigan's crime thriller is like a buzz haircut.

SXSW 2025 Review: $POSITIONS, Money Changes Everything

Brandon Daley's wildly funny film stars Mike Kunicki, Vinny Kress, Trevor Dawkins, and Kaylyn Carter in a compelling tale of friendship, obsession, and a p--- bomb.