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Festivals: Berlin / EFM

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LUZ: Watch The New Teaser Trailer For Tilman Singer's Intense Debut

Already taking the festival circuit by storm, this intense, and intensely strange, possession mind bender, now has now a teaser trailer worthy of the experience. Tilman Singer's Luz, deftly straddles the line between genre and art-house, and it is sure...

LUZ: New Stills From Tilman Singer's Debut Feature Thriller

Tilman Singer's debut feature film Luz is just starting to really hit the genre film festival circuit with dates coming up in Brazil and here in Canada.    A fresh batch of stills were released yesterday and we have to...

Berlinale 2018 Review: HUMAN, SPACE, TIME AND HUMAN aka Rape: The Movie

The work of Kim Ki-duk has been contentious for many reasons over the years, with the rampant misogyny that permeates his films being a particular bone of contention amongst critics. His most recent outing doesn't so much add fuel to...

Berlinale 2018 Review: IN THE AISLES, A Cheery German Heart-Breaker

German director Thomas Stuber seems to have dramatically upped his game since his very straight-faced, moody debut Teenage Angst, which featured at the Berlinale back in 2008. Now also acting as a co-writer alongside Clemens Meyer (a collaboration that has...

Berlinale 2018 Review: THE INTERPRETER, Two Oldtimers in a Road Dramedy

Peter Simonischek of Toni Erdmann fame meets Oscar-winning director Jiří Menzel in a dramedy by Slovak director Martin Šulík

Berlinale 2018 Review: MUSEO, Another Gem of Charming Fecklessness By Alonso Ruizpalacios

Having won the Best First Feature Award with his exquisite debut Güeros at the Berlinale in 2014, director Alonso Ruizpalacios now excitingly returns to the festival's Main Competition with Museo (Museum). This sophomore effort feels much larger in scale, and it...

Berlinale 2018 Review: UNSANE, A Stellar Piece of Psycho Fiction

Depending on what your thoughts on Logan Lucky were, it was possible to worry that Steven Soderbergh had hit a bit of a bump in the road last year, but fortunately the director of prized titles like Ocean's Eleven, Magic...

Berlinale 2018 Review: FAKE TATTOOS, Bearing the Marks of a Great Teenage Drama

Whilst not Pascal Plante's first feature film, having previously made doc La génération porn in 2014, Fake Tattoos (Les faux tatouages) is the director's first step into feature-length drama. And it's quite the first step - one that definitely carries...

Berlinale 2018: Exclusive! Check Out The First Teaser For GARBAGE, The Shocking New Film By Q

Screen Anarchy is proud to bring you the exclusive first teaser for Garbage, the newest film from Indian provocateur, Q. Garbage has its world premiere tomorrow at the Berlin Film Festival as a part of their Panorama section, it is...

Berlinale 2018 Review: THE INVISIBLE HANDS, An Unlikely Meeting of Cultures Yields Strange and Beautiful Results

The Invisible Hands, an excellent documentary by Marina Gioti and Georges Salameh, explores the unlikely collaboration between American musical provocateur Alan Bishop and a group of young Egyptian musicians whose lives were upended by the Arab Spring. The film's international...

Berlinale 2018 Review: THE REAL ESTATE, a Devilishly Good Invasion of Personal Space

It's been hard to find something truly worth writing home about since opening night of this year's 68th Berlinale programme, but thankfully Swedish film The Real Estate (Toppen av ingenting) has finally exploded onto the scene. Like a cinematic pipe...

Berlinale 2018: Watch The Teaser For Brazilian LGBTQ Drama HARD PAINT (TINTA BRUTA)

Filipe Matzembacher and Marcio Reolon’s LGBTQ drama Hard Paint (Tinta Bruta) from Brazil will have its world premiere in the Panorama programme in Berlin Sunday night, February 18th. Screen Anarchy is pleased to debut the new teaser for the film...

Berlinale 2018 Review: GARBAGE Savagely Attacks Religious Hypocrisy In Media Addicted India

A nation crippled by divisive partisan politics and violent religious and cultural hardliners. A nation in which anyone who doesn't expressly and enthusiastically support the right wing central government is labeled as traitorous and excoriated on twenty four hour partisan...

Berlinale 2018 Review: ISLE OF DOGS, An Obvious Joy By the Masterful Wes Anderson

The 68th Berlinale Film Festival's Main Competition opened in safe hands today, with Wes Anderson's brilliant latest animation Isle of Dogs. Already hotly anticipated by the director's fiercly loyal fans ever since the film's trailer was dropped by Fox Searchlight...

Berlin 2018: GURRUMUL Trailer Introduces An Aboriginal Music Icon

It was back in 2015 that we first caught wind of Paul Williams' upcoming documentary about Australian aboriginal singer Geoffrey Gurrumul Yunupingu. An enormous gifted singer steeped in the traditions of his native people, you can easily make an argument...

Berlinale 2018 Unveils First Titles, Weimar Cinema, Body Politics and Latin America Make the Cut

Berlinale 2018 unveils the latest crop in its 68th line-up

Berlinale 2017 Review: DREAM BOAT Gives Cruising A Whole New Meaning

When you think of luxury cruises, you probably picture old couples and families setting off into the sunset - a sort of world tour that never has to forego the comforts of home. Well, Tristan Ferland Milewski's Dream Boat isn't that at...

Berlinale 2017 Review: Liu Jian Triumphs With HAVE A NICE DAY

Animated movies for adults are painfully undervalued, both at a festival level and as an art form, but Liu Jian's Have A Nice Day is a title that could smash through those barriers. Certainly one of the more interesting features...

Berlinale 2017 Review: ON THE BEACH AT NIGHT ALONE, Hong Sang-soo's Most Personal and Cruel Film to Date

A new year has arrived and with it the challenge of reviewing a new work from Korea's arthouse darling Hong Sang-soo. On the Beach at Night Alone, which borrows its name from the title of a Walt Whitman poem and...

Berlinale 2017 Review: BERLIN SYNDROME, Cate Shortland's Skin-Crawling Thriller

From Jutin Kurzel's Snowtown in 2011 to Ben Young's recent Hounds of Love at last year's Venice Biennale, Australia has developed a real knack for messed up cinema, and Cate Shortland's recent Screen Australia and Film Victoria supported skin-crawler is...