Festivals: Venice
Toronto 2026 Review: WOMAN UNKNOWN, Provocative Drama of Survival and Retribution
May el-Toukhy's film, by virtue of winning the Golden Lion, is an automatic entrant into the Best International Film Oscar race.
Venice 2026 Review: LOVERS IN THE BLUE NIGHT, Tender Social Drama Caught in Its Own Emotional Web
Anuparna Roy's second feature intertwines queer longing, displacement, caste and emotional misrecognition in the nocturnal margins of Mumbai.
Venice 2026 Review: ARRESTED MEMORY, Screwball Cop Caper Brings Melancholy to the Police-Action Formula
Japanese cult filmmaker Sabu refreshes the police-action formula with screwball comedy and melancholic undertones.
Venice 2026 Review: JUPITER, Claustrophobic Political Thriller for the Current Time
Alexandre Smia's gripping feature debut locks Denis Ménochet inside the machinery of presidential power, where rational calculations lead toward an unthinkable conclusion.
Venice 2026 Review: NO PARADISE IF YOU ARE KILLED BY A WOMAN Goes into Stealth Mode to Confront the Scars of War
Merging the exportable mechanics of a stealth-combat thriller with the political urgency of Kurdish resistance, Halkawt Mustafa delivers an ambitious Iraqi-Norwegian genre film.
Venice 2026 Review: DIANE IN THE LOOP Channels Inherited Generational Rage into a Whimsical Yet Touching Feminist Western
Belgian filmmakers Ann Sirot and Raphaël Balboni turn intergenerational trauma into an eccentric tale of revenge and rebirth, veiled as unexpected feminist Western fairy tale and family road movie.
Toronto 2026 Review: FURIES, A Feverishly Hellish Heist By Women Scorned
What is the world coming to when you have to steal your own hard earned money? Dalia is in need of a significant surgery. Until then, her medicine is only available on the black market, where half of it is...
Venice 2026: Exclusive UNTIL THE DAY ENDS Poster Premiere
Jelena Maksimović's fiction-feature debut, set to world premiere in the 83rd Venice International Film Festival's Orizzonti competition, follows two young people divided by politics but united by a desire for freedom.
Friday One Sheet: HOMBRE AL AGUA
The poster for Gael Garcia Bernal's latest film, Hombre Al Agua (aka Man Overboard!) has a retro vibe not seen too much these days. It was designed by the iconic Edel Rodríguez Mola (or simply Mola), who is known for...
GHOST ELEPHANTS Interview: Werner Herzog and Dr. Steve Boyes Speak of Dreams, Ritual, and the Vast Mondo Wilderness
Werner Herzog needs no introduction. He has been one of cinema's most fascinating and deliberate risk-takers for over five decades of extraordinary cinema. The enlightenments he discovers through his pursuit of the "ecstatic truth" are often intense and absurd in...
GHOST ELEPHANTS Review: Werner Herzog Reconciles Pragmatism and Poetry in the Angola Highlands
In 1955, Hungarian born Angolan rancher, businessman, and big game hunter, Josef J. Fénykövi, tracked down and killed the largest land animal on record. He was lauded by Sports Illustrated at the time for this sportsman prowess, although Fénykövi...
100 NIGHTS OF HERO Review: Storytelling as a Spell of Resistance
Emma Corrin, Nicholas Galitzine, and Maika Monroe star in Julia Jackman's romantic, queer fantasy film.
Venice 2025 Review: THE STRANGER Proves the Third Adaptation Is the Charm
François Ozon's take on the Albert Camus classic may well be the most definitive.
Venice 2025 Review: FATHER MOTHER SISTER BROTHER Finds Jim Jarmusch Up to His Old Tricks
The auteur revisits tropes from decades ago, leaving the ensemble cast little to work with.
Venice 2025 Review: THE HOLY BOY (LA VALLE DEI SORRISI), Identity, Control, And The Fear of Freedom
A troubled teacher seeking a fresh start in Italy's 'happiest town' uncovers a sinister secret: the villagers' devotion to a teenage boy they call an angel hides a disturbing ritual that he may be powerless to stop.
Venice 2025: Exclusive FATHER Poster Premiere
Tereza Nvotová's 'Father,' set to world premiere in Venice's Orizzonti competition, is a haunting psychological drama about love, loss, and a moment that changes everything.
ROQIA: Algerian Horror Acquired by Alpha Violet Ahead of World Premiere at Venice
Venice-bound Algerian horror film, Roqia, acquired by Alpha Violet
Friday One Sheet: THE BRUTALIST
Typography is no stranger to the design of Brady Corbet's "Monumental" new film, The Brutalist. The credits in both the film, and its recent trailer, do interesting things. This carries into this iconic poster, with the Statue of Liberty upside...
A Superb Trailer for Brady Corbet's 70mm Epic, THE BRUTALIST
One of the best films of the year gets one of the best trailers of the year. Harnessing an early scene in the film, before breaking into a montage of the celebration of artictectural form, with the joy and pain...
Friday One Sheet: THE ORDER
I am generally indifferent to collage style posters, particularly when designers transitioned from hand-painted to photoshop. However, I do admire the commitment to verticality taken by design house, Fable, for Justin Kurzel's neo-nazi procedural, The Order. The pull quotes, the above...
