Tag: toronto
Toronto 2026 Review: EVERYTHING ELSE IS NOISE
Opening with one of the most pleasurable and ambient scenes of 2026, Everything Else Is Noise announces its intentions immediately. Gridlocked traffic in a Mexico City intersection struggles to move and to find space in a complex interactive dance, while...
Toronto 2026 Review: MISTY GREEN, Profane Hollywood Satire Is Fitfully Amazing
Chris Rock, as a Hollywood insider kimono-opener, wants to regale us with joyously crass anecdotes about the business' lurid inner workings. In his telling, everyone is a coke-addled fuck-up cheating on their partners, sleeping around for roles and money, and...
Toronto 2026 Review: LADIES AND GENTLEMEN, BRIAN MULRONEY
Ladies and Gentlemen, Brian Mulroney is, in the words of our former honourable Prime Minister from Baie-Comeau, a "little bit of genius in everybody that causes something to happen in Canada, and that thing has got to be rewarded.” And...
Toronto 2026 Review: MINOTAUR, Russia As A Psychological-Visual Labyrinth
Andrey Zvyagintsev interrogates Russia in the same way 1990s era Zhang Yimou interrogated China: Methodically, metaphorically, and with an astutely savage eye for beautiful visuals to mask the criticism. There is a scene in his latest film, Minotaur, where the...
Toronto 2026 Review: RIVER, Survival Slasher Has an Experimental Streak
What is in the water in 2026 for the slasher horror subgenre? Between Avalon Fast flirting and subverting expectations in Camp, and Jane Schoenbrun's deep dive into eros and thanatos (and the pleasure principle) in Teenage Sex and Death at...
Toronto 2026 Curtain Raiser: Discover With Us What TIFF Is Offering Audiences This Year
As the first year after the Toronto International Film Festival (colloquially known as tiff, in all lower case) turned 50, the 2026 edition feels like a more low-profile year for the festival. A back to basics, nuts & bolts, and...
Toronto 2026: Midnight Madness Drops Its Full Lineup. Duncan Jones! Anna Biller! SABU! Matthew Rankin! Na Hong-jin! Oh My!
With the capable and unpredictable curation of Peter Kuplowsky and his team of brave pre-screeners, the Midnight Madness (MM) sidebar at the Toronto International Film Festival continues to be one of the favourite parts of TIFF here at Screen Anarchy....
Calgary Underground 2026 Review: CLAIRE'S HAT: THE UNMAKING OF A FILM
It seems strange to be writing a review for a film that is over 20 years old, about another film that few have seen. Given its rogue construction, and unorthodox structure and style, Claire’s Hat has been screened publicly...
Toronto 2025 Review: COUTURE, Angelina Jolie Stars in Parisian Fashion Tale
Angelina Jolie makes her French-language debut in Alice Winocour's haute couture drama.
Toronto 2025 Review: CHRISTY, Sydney Sweeney Shines in Standard Sports Biopic
Sydney Sweeney stars as boxer Christy Martin in David Michôd's sports biopic.
Toronto 2025 Interview: Shu Qi Talks GIRL, Finding a Film Grammar for Girlhood, and What's Next
Hong Kong-Taiwanese legend Shu Qi discusses her directorial debut.
Toronto 2025 Review: WAKE UP DEAD MAN, Uneven But Entertaining Third KNIVES OUT Mystery
Daniel Craig returns as detective Benoit Blanc in Rian Johnson's third entry in his mystery movie series.
Fantasia 2025 Short Film, Short Review: LE TOUR DE CANADA
Fuelled by strong beer, broken glass, and raw fish, John Hollands' Le Tour De Canada is a frenetic race from St. John’s to Vancouver somewhere in an alternate 1970s - if the chroma keyed backdrops of Toronto are to be trusted, or...
Friday One Sheet: IN A VIOLENT NATURE
This gritty poster for Chris Nash's original and disturbing slasher film was designed by The Boland Design Company, and unironically features the word "gnarly" in the top pull quote. When designing a poster for a slasher (or for that matter,...
Friday One Sheet: THE NIGHT OF THE HUNTER
Today we are featuring this lovely, high-contrast key art for a repertory screening of The Night of the Hunter in Toronto's iconic century-old Revue Cinema. It is very likely that the cinema played Charles Laughton's film back in 1955 upon...
Friday One Sheet: THE WICKER MAN @ 50
The Wicker Man (and its double feature-mate Don't Look Now) are 50 years old. Albeit, they played the UK in 1973 and USA in 1975. There is a long story around the complex history of Robin Hardy's film, and it is...
Review: WENDELL & WILD, A Stop-Motion Roller Coaster
“One scream, and my parents were gone.” After an abrupt car crash (aren’t they all?) a very young girl, Kat, loses her loving, independent and artistic parents. She ends up in “the system,” a series of orphanages and youth detention...
Friday One Sheet: CORSAGE
Due to the hubbub of TIFF last week, this one slipped under the radar, so I am circling back around to it now. Marie Kreutzer's fictional account of the 40th birthday of Empress Elisabeth of Austria grapples with notions of...
Toronto 2022 Review: UNREST, A Most Unconventional Biopic
A man with one watch always knows what time it is. A man with two watches is never sure. Cyril Schäublin’s deep dive into nineteenth century Swiss watchmaking, the business and the labour, alongside the nascent political movement that was...
Review: TURNING RED, The Beast Within
Rosalie Chiang and Sandra Oh star in a charming, perceptive and very funny animated adventure, set in Toronto, and directed by Domee Shi.
