Tag: usa
SEPARATED Review: The Past Is Prologue on US Immigration Policy
In the first half of the first Trump administration, several thousand children were forcibly separated from their parents in a ‘zero-tolerance’ deterrence policy that was cynically designed to discourage Latin American migrants from seeking entry into the United States of...
Toronto 2024 Review: ANORA, This Palme D'Or Winner Is a Banger
The experience of watching Anora is akin to a spontaneous and unexpected invite to a epic house-wrecking party. It starts off with surprise and wonder, plunges into drunken euphoria, loses all your friends, projectile vomits on you in a car ride around...
Friday One Sheet: LITTLE HAITI, MIAMI, USA
We have featured the work of L.A. designer Tori Huynh in the pages previously for Rielle Li's short film Penny Pinched. Her latest design is another short film, Little Haiti, Miami, USA. Here, using architecture, shadows, and sky, she underscores the...
Friday One Sheet: SHE'S MINE NOW
Here is a handsome, minimalist, poster. Was it Godard who said, "All you need to make a movie is a girl and a gun"? Clearly, he overlooked the cute little purse dog, and besides: domestic animals are good for one's...
Review: PROFILE, Making New Mythologies and Morality Tales
Director Timur Bekmambetov's mystery-thriller stars Valene Kane, Shazad Latif and Christine Adams.
Festival Diary: Arrow Video FrightFest Day 5 - CLIMAX, CRYSTAL EYES, THE DARK
The fifth and final day of FrightFest wrapped up a packed weekend of festivities in fine style. Monster Squad fans got their fill from the European Premiere of documentary Wolfman’s Got Nards from child star turned director Andre Gower. The...
Festival Diary: Arrow Video FrightFest Day 4 - THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT, HAMMER HORROR: THE WARNER BROS YEARS, TERRIFIED
It was the penultimate day of FrightFest and the incessant rain did nothing to deter horror fans and genre aficionados from swarming back to Leicester Square for a fourth helping of cinematic excess. Sunday witnessed the English Premiere of John...
Festival Diary: Arrow Video FrightFest Day 2 - BRAID, BLUE SUNSHINE
The momentum was building fast heading into Day 2 of Arrow Video FrightFest, as horror icon Barbara Crampton swooped into town to introduce the European Premieres of Sonny Laguna and Tommy Wiklund’s Puppet Master: The Littlest Reich as well as...
ScreenAnarchy's Favourite Films of 2017
Another year over, and what an annus horribilis it proved to be in so many ways. But away from the political atrocities that took place in pretty much every country you care to mention, and the sexual harassment scandals that...
Busan 2017 Review: THE WORK, an Essential Exploration into Masculine Fragility
There are few places in the world more terrifying than prison. For most of us, it is an environment we will never have to experience first hand, but for those who are incarcerated, it is a community of division, hostility...
Fantastic Fest 2017 Review: THOROUGHBREDS, A Pitch Black Tale of Female Friendship
Olivia Cooke and Anya Taylor-Joy cement their positions as two of the most captivating young actresses working today in Thoroughbreds, a wickedly humorous psychodrama straddling the class divide in small-town Connecticut and exposing the complex malevolence of the adolescent psyche....
Marshy's Favourite Asian Movies of 2017 Part 1
As we hit the halfway point of the year, it is time to look back over the past six months, specifically the cinematic offerings from Asia. This year’s crop of new releases has been a mixed bunch, with precious few...
Review: WONDER WOMAN Is The Superhero Movie We All Need Right Now
At a time when men in certain circles feel compelled and emboldened to weaponise their fragility in the face of advancing feminism, the world needs a hero like Wonder Woman more than ever. Created more than 75 years ago, and...
COVER GIRL and A MAN FOR ALL SEASONS to Join the Masters of Cinema in February
Eureka! Entertainment has announced that Charles Vidor's Cover Girl, starring Rita Hayworth and Gene Kelly, together with Fred Zinnerman's Oscar-winning A Man for all Seasons, will be joining the Masters of Cinema series in February. The British home video label also announced...
Review: Hanks Sticks the Landing, But SULLY Fails to Soar
Oscar-winning director Clint Eastwood helms this big screen reenactment of the “Miracle on the Hudson", when US Airways flight 1549 made an emergency landing on New York’s Hudson River in January 2009. Tom Hanks plays Captain Chesley “Sully” Sullenberger, who...
Exclusive: Poster Debut For Kurando Mitsutake's KARATE KILL From The Dude Designs
Back in 2009, I caught a little movie called Samurai Avenger: The Blind Wolf at a beer-soaked midnight screening at the Asian Film Festival of Dallas. I was tipsy, but I was also blown away by this super fun slice...
RADIO DREAMS Interview: Babak Jalali On Absurdity and Working with Lars Ulrich
Iran-born writer/director Babak Jalali will enter the history books of the International Film Festival Rotterdam as the first winner in the revamped main competition where instead of honoring three emerging filmmakers, the award goes to only one. Jalali debuted with...
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Learning From The Masters Of Cinema: Sydney Pollack's THREE DAYS OF THE CONDOR
James Grady’s novel Six Days Of The Condor was published just a year before Sydney Pollack’s big-screen adaptation, and yet almost every aspect of the story was changed. It is difficult to imagine such a flagrant disregard for the source...
Festival Diary: Sundance Hong Kong 2015 Brings The Best Of Park City To Asia
Sundance is without doubt one of the best film festivals in the US right now, but for us over here in far-flung Asia, it is also one of the most frustrating. Due to the overwhelming number of smaller indie films...
Sundance Hong Kong 2015 Review: Only A Mother Could Love JAMES WHITE
The debut feature from Josh Mond, producer of Simon Killer and Martha Marcy May Marlene, is a tough coming-of-age tale featuring a couple of top-notch showboating performances. However, the desperate circumstances alone do not make for an engaging drama, and...
