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Rotterdam 2019 Review: MONUMENT Builds Up To Something Memorable

During her intro at the International Film Festival Rotterdam, Polish director Jagoda Szelc stated that in her new feature film Monument, she doesn't try to tell a story. She asked the audience to watch the film with the idea that...

Rotterdam 2019 Review: NONA. IF THEY SOAK ME, I'LL BURN THEM, An Intriguing Mocku-Biopic

Chilean filmmaker Camila José Donoso's third feature manifests formalistic experimentation in docu-fiction and reality aesthetics.

Rotterdam 2019 Review: TAKE ME SOMEWHERE NICE Takes Different Route Than Usual Eastern European Arthouse Fare

The feature debut of Bosnian-bornm Amsterdam-based Ena Sendijarević goes against the conventions of Eastern European dramas.

Rotterdam 2019 Review: TRANSNISTRA, Intimate, Dreamy Portrait of Youth Stuck in Time and Space

There is an ethereal, evanescent beauty to Anna Eborn's feature-length documentary Transnistra. Six teenagers casually frolic by the river banks in the heat of summer, skipping stones across the water, their silhouettes cast in the pinkish evening glow of the setting...

Rotterdam 2019 Review: SONS OF DENMARK, The Front Row of Extremism Collides in Neo-Noir Thriller

Emerging Danish director Ulaa Salim debuts with a Scandi neo-noir thriller on the verge of political and social issues.

Rotterdam 2019 Review: In PRESENT.PERFECT., Live Streaming and Loneliness Collide

This year's Hivos Tiger Competition winner at the 2019 International Film Festival Rotterdam looks at the phenomenon of live streaming in contemporary Chinese society.

Rotterdam 2019 Review: CAPERNAUM Delivers A Magnificent Punch

Last Friday, at the 2019 edition of the International Film Festival Rotterdam, the audience award went to a film which managed to score an average of 4.8 out of 5. That film was writer-director Nadine Labaki's Capernaum, and while it...

Rotterdam 2019 Review: In SHADOW, Zhang Yimou Paints With Black, White And Red

Being a trained cinematographer, Chinese director Zhang Yimou cannot be accused of making ugly films. Be it a small drama or an epic fantasy flick, the man knows how to shoot pretty pictures, so it will be no surprise that...

Rotterdam 2019 Review: HARPOON Shoots Holes In The Concept Of Friendship

(Because it's a speargun, not a harpoon...) Richard, Sasha and Jonah are friends. Richard and Sasha have been together for a while, but Richard suspects Sasha to be cheating on him with Jonah. And, as shown early on, Richard is...

Rotterdam 2019 Interview: Fest Director Bero Beyer Talks Independent Cinema and IFFR

IFFR director Bero Beyer talks about the mercurial landscape of contemporary independent cinema.

HARPOON: Poster Debuts For Robert Grant's Dark Comedy Horror

With the world premiere of Rob Grant's new film Harpoon coming soon to International Film Festival Rotterdram it is time to add to the promotional push for it. The teaser debuted the other week with the news that our friends...

Rotterdam 2019: DIRTY GOD Clip - Nice Monster

Set to enjoy its world premiere on the opening night of the International Film Festival Rotterdam -- that's tonight! -- is Dirty God, directed by Sacha Polak. And the fact that it is also scheduled to have its U.S. premiere...

Rotterdam 2019: Heads-Ups And Recommendations

The International Film Festival Rotterdam opens its 2019 edition today, meaning that for a week-and-a-half, my home town will be mostly dedicated to films. The yearly fest is the largest cultural event in the Netherland in ticket sales, and...

HARPOON: Yellow Veil Acquires World Sales, Release New Teaser

Upstart sales company Yellow Veil Pictures have acquired the worldwide sales right for the Canadian dark comedy Harpoon from director Rob Grant (Alive and Knuckleball).      Directed and written by Grant, Harpoon is about to have its World Premiere...

Ard's Dozen Of Musings About 2018

In 2018 I saw 156 films, or 155 if you count two of the three Deadpool 2s as one. While that may seem like a lot to some people, what this number tells ME is that I've spent less time...

Rotterdam 2018 Review: SWEATING THE SMALL STUFF, an Uncompromising Character Study of a Flawed Man

When it comes to passive heroes, perhaps none could be more than Ryutaro, the protagonist (and director of the same name) of Sweating the Small Stuff. Ryutaro, 27 years of age, lives alone in a messy apartment piled high with...

Rotterdam 2018 Review: I HAVE A DATE WITH SPRING, a Playful Tragicomic Ensemble Drama about The End Of The World

Do not be fooled by the outwardly cheery title of Baek Seung-bin’s I Have A Date With Spring – the film is actually about individuals whose birthdays fall one day before doomsday.   For a country like South Korea, which...

Rotterdam 2018 Review: THE NIGHT IS SHORT, WALK ON GIRL Marches Across All Emotions

Recent times have been kind to fans of animation director Yuasa Masaaki. The man has been quite prolific: in 2017 we got two new films from him, and Netflix viewers could start 2018 with his 10-episode-take on Go Nagai's Devilman...

Rotterdam 2018 Review: THE RETURN, a Poignant and Authentic Tale of Korean Adoptees Returning Home

Ever since the end of the Korean War in 1953, South Korea has earned a name as one of the largest exporters of babies worldwide. Over 200,000 infants have been put up for adoption and sent overseas, mainly to Europe...

Rotterdam 2018 Review: THE DEATH OF STALIN Makes You Laugh At A Corrupt Tragedy

We're big fans of Scottish writer/director Armando Iannucci here at Screen Anarchy, and have been ever since he was doing short comedic skits on the BBC. The man is now of course most famous for his series Veep, The Thick...