Tag: torontointernationalfilmfestival
Toronto 2023 Review: LAST SUMMER, Sex and Power in the Heat of the Season
While it's unusual for an auteur like Catherine Breillat to remake another, recent film, it's not a surprise, in this case, given the subject: sex and power. The filmmaker behind daring works (to say the least) such as Anatomy of...
Toronto 2023 Review: HUMANIST VAMPIRE SEEKING CONSENTING SUICIDAL PERSON, Coming of Age When You Don't Age
Sasha is a bit of a disappointment to her parents. Not only is her body a little slow to catch up to lend the family the survival help they need, she also has no desire to participate in their most...
Toronto 2023 Review: SOLO, Love That Elevates, Love That Binds
How can we know what makes us happy? More importantly, how can we trust the people around us to make us happy, support us in our happiness, provide us with the love and care we deserve? And how can we...
Toronto 2020: CITY HALL Trailer, Frederick Wiseman Documents Boston Problems, Possible Solutions
The great Frederick Wiseman makes documentaries that are restful yet restless, exploring big subjects that inevitably spiral and split into absorbing moments, capturing a time and place that may never be repeated or replicated. His latest, City Hall, recently enjoyed...
Toronto 2018 Review: SHOPLIFTERS, Scavenging on Multiple Levels
It’s a common platitude, the choices we make defining us. But what about those we don’t make? The country we live in, the class we’re born into, our family, etc. They may or may not define who we are, but...
Toronto 2015 Review: BLACK Paints A Vivid Picture Of The Violent, Seedy Side Of Brussels
When you're hanging with a posse who murder, steal, rape and share the bed with the same women and commit every crime imaginable, it's time to reassess your life. Black is a movie you will not forget once you see...
COLLECTIVE INVENTION: Meet The Sad Fish Man In Trailer For Korean Oddity
Yep. That dude's a fish. And something of a media celebrity. Welcome to the very odd world of Kwon Oh-kwang's TIFF selected comedy Collective Invention.Young and unemployed Gu is desperate to make some money and participates in a clinical trial...
Destroy All Monsters: The Last TIFF
My time as an attendee of the Toronto International Film Festival has nicely overlapped the transition from Festival Then to Festival Now, which I'd argue has taken place over just about exactly the last fifteen years, the same period for...
Toronto 2014: Mavericks, Discovery, Kids, Studio Ghibli, And Even More Selections
Let's be honest: many film festivals would be happy to lead with the announcement of the films included in the Mavericks, Discovery, and Kids programs at the upcoming Toronto International Film Festival. But Toronto is different, intent on maintaining a...
TIFF 2013: ScreenAnarchy's Super Wrap With All Our Reviews and Top Fest Picks - UPDATED
* Now Updated with more reviews and features! See the links below in bold. * Another crazy and wonderful year of the Toronto International Film Fest has come to a close and again ScreenAnarchy's coverage has been second to...
TIFF 2013 Review: ENOUGH SAID Simply Falls Flat
I saw Enough Said at a festival screening surrounded by several of my colleagues. They laughed at the jokes (there are many), they fell for the characters, and they left the film happy and content with this presumably insightful and...
Destroy All Monsters: A Fine Madness
I popped my TIFF cherry at midnight on the last night of the Toronto International Film Festival in 1999, at a screening of Gamera 3: The Revenge of Iris, preceded by the short film George Lucas in Love, and hosted...
TIFF 2013 Interview: Toa Fraser On Returning To Toronto, How Bob Dylan Influenced His Ballet Film GISELLE And Why He Values Stillness
New Zealand auteur Toa Fraser attended the Toronto International Film Festival in 2008 with his whimsical comedy-drama Dean Spanley and returned this year with Giselle, an acclaimed filmed ballet starring world-renowned dancers Qi Huan and Gillian Murphy. Made in collaboration...
TIFF 2013 Review: SUNSHINE ON LEITH Supplies Musical Warmth
What would happen if Ken Loach or Mike Leigh made a musical? You know, cast a bunch of hardscrabble Brits in a family drama, add a bit of grit and friction, and set it all within the context of a...
TIFF 2013 Review: HOW I LIVE NOW Does Young Adult Better Than Most
It's hard to throw a stone in Hollywood without hitting a Young Adult novel turned quickly-optioned screenplay. Nine times out of ten the story involves mythological creatures or futuristic themes. So you would be forgiven for dismissing the big...
TIFF 2013: Our Complete Coverage (So Far)
Well folks, it's the half way mark for ScreenAnarchy's Christmas, also known as the Toronto International Film Festival, which means it's the perfect time to catch up on all the films that have been reviewed thus far by our intrepid...
TIFF 2013 Review: THE SACRAMENT Will Make You Want To Drink The Kool-Aid
Sometimes we are frankly limited by our terminology. What do you call a film that uses in-world video? That is to say, what do you call a film where the camera used to exclusively record the footage is incorporated...
TIFF 2013 Interview: CANNIBAL Director Manuel Martín Cuenca Talks About Representing Evil
Manuel Martín Cuenca's masterful Cannibal has had its first public screenings at TIFF (one more on Saturday September 14th, you can read my review). It's a mermerizing story of love and evil, with a man committing crimes so horrible that only...
TIFF 2013 Review: CANNIBAL, A Beautiful And Minimalist Study Of Love
Cannibalism pops up with fair regularity in film; and between Somos los que hay, its remake (the fact that there is a remake) We Are What We Are and the television series Hannibal, it seems a particular kind of obsession/evil...
TIFF 2013 Review: THE FIFTH ESTATE Showcases Benedict Cumberbatch
Over the weeks leading up to the Toronto International Film Festival, I've been asked repeatedly about the choice of this film as an opening Gala. Many have questions whether the opening film somehow speaks to a great theme at the...
