Tag: kimminhee
Toronto 2024 Review: BY THE STREAM (Suyoocheon), Hong Sang-Soo's Primer On How To Watch His Work
I have not seen all of Hong Sang-Soo's feature films, but I have seen many of them. Starting somewhere in the late 1990s, it took me years to figure out how to watch them. Had this one been made earlier...
Cannes 2023 Review: IN OUR DAY, Luminous Korean Miniature
Prolific Korean auteur Hong Sangsoo premieres his 30th film in the Director's Fortnight section at the 2023 Cannes Film Festival.
New York 2022 Review: Hong Sang-soo's THE NOVELIST'S FILM, Compulsion and Stagnation
Prolific as ever, Hong is not stagnating for sure. But I guess with the pandemic it crossed his mind. I hope his compulsion never stops.
Review: THE WOMAN WHO RAN, Deceptively Simple Yet Deliciously Playful
A new film by director Hong Sang-soo.
New York 2020 Review: THE WOMAN WHO RAN, Hong Sang-soo Again Explores Monotony vs. Chaos
Kim Min-hee, Lee Eun-mi, and Kwon Hae-hyo star in director Hong Sang-soo's deceptively simple yet deliciously playful film.
Review: GRASS, Cynical, Delicious Coffee Shop Vignettes
Kim Minhee stars in director Hong Sangsoo's latest human comedy.
New York 2018 Review: Emotions Run High in Hong Sangsoo's GRASS
When considering the work of Hong Sangsoo, Grass is not groundbreaking or anything, but itis perhaps more cynical and darker than Hong's other films. Still, the director's human comedy continues with slight variations each time with delicious results.
Locarno 2018 Review: HOTEL BY THE RIVER, A Wonderfully Performed New Drama from Hong Sangsoo
Six months after the premiere of Grass at the Berlinale, prolific auteur Hong Sangsoo is back with another black and white drama which once again reunites him with his leading actress Kim Min-hee. Having just debuted at the Locarno International...
Review: CLAIRE'S CAMERA, A Perfunctory Blip
Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar framework and new variations on his favorite themes. His 20th work Claire's Camera debuted last year at the Cannes Film...
Cannes 2017 Review: THE DAY AFTER Offers Bitter Portrait of Infidelity
Returning to black and white for the first time since The Day He Arrives (which screened in Un Certain Regard in 2011), Hong Sangsoo returns to the Cannes competition section with The Day After, a focused rumination on love and...
Cannes 2017 Review: CLAIRE'S CAMERA, Hong Sangsoo's Low-Key Cannes Holiday
Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar framework and new variations on his favorite themes. His 20th work Claire's Camera debuts this weekend as a Special Screening...
Review: THE HANDMAIDEN, Park Chan-wook's Deeply Engrossing and Highly Sexual Tale of Female Sexuality
Following his Hollywood foray Stoker, Park Chan-wook returns to (mostly) home soil for his sumptuous and sensual adaptation of Sarah Waters' Fingersmith. Transposing the novel's setting from Victorian England to 1930s Korea and Japan, when the former was a colony...
Cannes 2016 Review: THE HANDMAIDEN, A Breathtaking And Twisted Lesbian Thriller
Following his Hollywood foray Stoker, Park Chan-wook returns to (mostly) home soil for his sumptuous and sensual adaptation of Sarah Waters' Fingersmith. Transposing the novel's setting from Victorian England to 1930s Korea and Japan, when the former was a colony...
-thumb-200x200-61016.jpg)
Hypnotic & Freaky International Trailer For Park Chan-wook's THE HANDMAIDEN
We've already seen a few promos for Park Chan-wook's Cannes-bound The Handmaiden but this new international trailer really delivers the goods. Hypnotic, weird and gorgeous, the film looks to offer what we love about the flimmaker's style in spades, but...
-thumb-630xauto-58229-thumb-200x200-60817.jpeg)
New Trailer for THE HANDMAIDEN: Secrets and Lies
Three weeks before its world premiere at Cannes, and a week after the first teaser was posted, there's a new, longer trailer for Park Chan-wook's The Handmaiden. While there aren't english subtitles, there is more information to be gleaned as...
Park Chan-wook's Cannes-Bound THE HANDMAIDEN Gets A Teaser
Just a few hours after it was officially announced for the Cannes Film Festival's main competition, CJ Entertainment has dropped the first teaser for Park Chan-wook's The Handmaiden. Starring Ha Jung-woo, Kim Min-hee and newcomer Kim Tae-ri, the lush period...
-thumb-200x200-58229.jpeg)
Amazon Studios Buys US Rights To Park Chan-wook's THE HANDMAIDEN
Amazon Studios has continued to exert itself in the distribution market with its acquisition of the US rights for The Handmaiden, the new film by Korean director Park Chan-wook. CJ Entertainment sold the US rights, as well as rights to...
Park Chan-wook's THE HANDMAID Wraps on Halloween, New Still Revealed
Todd gave us the first still of Park Chan-wook's latest film The Handmaid last week and now we can report that the film wrapped production on Halloween following five months of shooting in Japan and Korea. The film also released...
THE HANDMAID: Check The First Image From Park Chan-wook's Latest!
Oldboy helmer Park Chan-wook following his 2013 English language debut Stoker with period thriller The Handmaid. Adapted from Sarah Waters' novel Fingersmith, the action moves between 1930s Korea and Japan with its story of an heiress, a con man, and...
Locarno 2015 Review: RIGHT NOW, WRONG THEN, Stars Shine In Classic Hong Sangsoo
Following Hong Sangsoo's career guarantees for viewers, at the very least, one thing - developing a keen eye for detail. The auteur's films are remarkably similar to one another, from their lecherous male director/professor characters and conversations over bottles of...
