Tag: charlottelebon

REALIVE Interview: Mateo Gil on His Latest Science Fiction Effort

Mateo Gil made a name for himself firstly as the writer of Alejandro Amenábar - he co-wrote such films as Thesis, Open Your Eyes (later remade by Cameron Crowe as Vanilla Sky) and The Sea Inside - but he has...

Review: THE TAKE, Terrorism As Background for a Buddy Action Movie

British filmmaker James Watkins previously helmed Eden Lake and The Woman in Black, horror thrillers that may not have been completely successful but were certainly above average accomplishments. So the idea of him directing a straight action flick sounded intriguing....

Fantasia 2016 Review: REALIVE Deeply Engages With Medical Morality And The Human Condition

When screenwriters turn towards directing their own features, the case is often that they can make their talkiest screenplay into a film. This is not necessary a bad thing at all, especially considering the case of Mateo Gil's new science...

Review: SAINT LAURENT, Drinking, Screwing Around, And Smoking Like A Chimney

The gilded life of fashion designer Yves Saint Laurent has received the big screen treatment twice in recent times. The first was the paint by the numbers biopic Yves Saint Laurent, a gentle, actor's film made with the full collaboration...

Review: YVES SAINT LAURENT Is Saved by Lead Performance

There are two biopics out this year on Yves Saint Laurent, the iconic French women's fashion designer. Considering his importance in French fashion culture, this is probably not surprising (at least that there might be more than one film about...

Berlinale 2014 Review: YVES SAINT LAURENT Is Saved By Lead Performance

There are two biopics out this year on Yves Saint Laurent, the iconic French women's fashion designer. Considering his importance in French fashion culture, this is probably not surprising (at least that there might be more than one film about...

Review: THE STROLLER STRATEGY Is a Bad Idea Badly Executed

France has a thriving film industry, the biggest in Europe, with more than 250 productions a year. Of those, only a few dozen make their way into U.S. cinemas, usually because they're good, or have notable names attached, or will...