Tag: 최우영

Busan 2018 Review: HOUSE OF HUMMINGBIRD Soars As It Signals Major New Talent

Exploring modern themes and history through the eyes of a young girl, Kim Bora's sensational debut House of Hummingbird is the Korean indie drama par excellence. A subtle exploration of local family and societal pressures crafted in a way that...

Busan 2018 Review: ODE TO THE GOOSE
 Serenades with Strong Performances and Playful Plot

Two years after opening the festival with A Quiet Dream, director Zhang Lu returns to Busan with Ode to the Goose, a terrifically performed and breezy art drama that meanders between allegories of national identity and literary and historical references....

Busan 2018 Review: BEAUTIFUL DAYS Handsomely Frames Somber Subject

As the veil of secrecy over the guarded North Korean regime threatens to give way (if only slightly) in the surprising geopolitical climate we find ourselves in today, the film industry in South Korea has also begun to change how...

Review: THE GREAT BATTLE, Rip-Roaring War Film Eschews Nationalism

Going all the way back to the Goguryeo Dynasty, siege action epic The Great Battle chronicles the historic standoff of a small Korean garrison against the might of the Tang army in the 7th century. Light on jingoism and heavy...

Review: HERSTORY Foregrounds Sensational Cast in Best Comfort Women Tale Yet (by a Margin)

One of the most sensitive issues in Korean society over the past few years has the been the acknowledgement of the plight of the Korean comfort women that were forced into sexual servitude by the Japanese military during World War...

Review: THE SPY GONE NORTH, Bold and Sumptuous Espionage Yarn Eschews Action for Geopolitical Intrigue

Following his period action blockbuster Kundo: The Age of the Rampant in 2014, Yoon Jong-bin is back in the summer season lineup with his 90s-set espionage drama The Spy Gone North, which bowed earlier this year as part of the...

Locarno 2018 Review: HOTEL BY THE RIVER, A Wonderfully Performed New Drama from Hong Sangsoo

Six months after the premiere of Grass at the Berlinale, prolific auteur Hong Sangsoo is back with another black and white drama which once again reunites him with his leading actress Kim Min-hee. Having just debuted at the Locarno International...

Japan Cuts 2018 Interview: THICKER THAN WATER Director Yoshida Keisuke Talks Sibling Rivalry

In director Yoshida Keisuke’s Thicker Than Water, sibling rivalry lasts far beyond the playground.  At Japan Cuts, director Yoshida spoke with LMD about family ties, jealousy, and sadistically teasing the audience.   The Lady Miz Diva:  As with most of...

Japan Cuts 2018 Interview: Actor/Filmmaker Saitoh Takumi on Life on Both Sides of the Camera With BLANK 13 and RAMEN SHOP

Beginning his career as a model at age 15, Saitoh Takumi has made his mark as an actor, singer, photographer, radio host, and blog writer.    Because he wasn’t busy enough, Saitoh graced the Japan Cuts film festival with a...

Review: ALONG WITH THE GODS: THE LAST 49 DAYS Sacrifices Focus for Franchise-Building

I'll admit that eight months ago I may have brought a certain amount of prejudice with me when I went to see Along with the Gods: The Two Worlds, the fantasy epic blockbuster that would become the second most successful...

BiFan 2018 Review: BEAUTIFUL VAMPIRE Bites Into Endearing and Quirky Horror Romcom

Combining the stylings of a young Park Chan-wook with the emotional sensibilities of the Korean drama world, debut feature Beautiful Vampire stood out from the crop of local indie genre features making their debuts at the Bucheon International Fantastic Film...

BiFan Promises Thrills and Chills in Stuffed 22nd Lineup

Pollution particles and yellow dust have been replaced by summer humidity hanging in the air, which can only mean one thing - BiFan is just around the corner! On a hot Thursday afternoon in early June in Central Seoul, the...

Jeonju 2018 Review: A GOOD BUSINESS, NK Defector Doc Poses Fascinating Ethical Quandaries

Some of the best documentaries are those that don't tell you what to think but choose instead to explore a subject from different viewpoints and angles, let the images speak for themselves and give the viewer a chance to make...

Jeonju 2018 Review: WINTER'S NIGHT Takes a Colorful and Introspective Trip Down Memory Lane

Returning with his third film to the festival where he picked up the top Korean Competition prize for his debut A Fresh Start, director Jang Woo-jin delivers his most carefully designed work to date with Winter's Night, one of this...

Jeonju 2018 Review: GRADUATION Scores Top Marks for Its Young Director and Star

Making films is hard anywhere, but in Korea, where so many youths dream of entering what is a successful yet relatively small industry, it's a particularly tricky proposition. Thus it comes as little surprise that so many debut features focus...

Jeonju 2018 Review: HELLO DAYOUNG, Korean Comedy Goes Full Chaplin

For the third year on the trot, and after already receiving two prizes, director Ko Bong-soo returns to the Jeonju International Film Festival with his third work, Hello Dayoung. Largely working with the same troupe of actors, who are taking...

Review: BELIEVER, Explosive DRUG WAR Remake Puts Faith in Livewire Cast

Korean noir gets an action makeover in Believer, the explosive and hugely entertaining local remake of Johnny To's mainland Chinese crime saga Drug War. A parade of Korean character actors sink their teeth into deliciously over-the-top characters, including the beloved...

Cannes 2018 Review: BURNING, a Slow Burn for the Ages

Eight years after his phenomenal drama Poetry, Lee Chang-dong makes a long-awaited return to the Cannes competition with his sixth film Burning, an adaptation of Haruki Murakami's short story 'Barn Burning'. Dense with symbolism, this tour de force burrows towards...

GONJIAM: HAUNTED ASYLUM Trailer: An Experience in Terror Begins Now

Although I've steered away from found-footage films for several years, my curiosity about Gonjiam: Haunted Asylum was stirred by Pierce Conran's recent review of the film. He wrote, in part: "It is the first Korean film to properly blend found...

Udine 2018 Review: GONJIAM: HAUNTED ASYLUM May Scare You Away from Hospitals for Good

The history of Korean horror was rewritten this year by the most unlikely of contenders, as a low-budget found footage chiller became one of the top-selling K-horrors of all time. Without the benefit of any stars, Epitaph co-director Jung Bum-sik...