Tag: sitgesfilmfestival

PRESENCE To Open Sitges 2024; Alexandre Aja's NEVER LET GO To Close

This was one of the hardest festival news articles I've had to write. Why? Because I can't attend Sitges this year, and their line-up, always great, is even more stellar than usual. Each paragraph brough tears to my eyes, thinking...

Sitges 2023 Review: HALFWAY HOME, Romance Before the Afterlife

Hungarian director Isti Madarasz orchestrates a whimsical journey between the living and the dead with Péter Bárnai, Vivien Rujder and Erzsébet Kútvölgyi.

Sitges 2022 Review: STORIES TO KEEP YOU AWAKE Season 2 Delights, Terrifies, Intensifies the Fears

Narciso Ibáñez Serrador's series Historias para no dormir remains one of the most important and influential in Spanish television history; part Twilight Zone, part horror anthology, it has been revived a few times, in the early 2000s with works by...

Sitges 2022 Review: UNIDENTIFIED OBJECTS, Close Encounter of the Queer Kind

The road trip movie is tailor-made for the journey of self discovery; more so perhaps in North America, where the distances are long, the population sparse, and the lack of anything to do besides face yourself dominates. This can be...

Sitges 2022 Review: EMILY, A Soul Driven to Create a Masterpiece

There is a reason why Emily Brontë's novel Wuthering Heights has remained a literary favourite, a mainstay of school books lists, and had several adaptations in film and television: it is very well written, and it is terrifying. One of...

Sitges 2022 Review: IRATI, Basque Epic of Pagan Women & Giants

There isn't a culture on the planet without its myths and folklores (or if there is, I don't want to know about it). These are the stories than can tell a people where they came from, who they were, perhaps...

Sitges 2022 Review: EVIL EYE, Blood & Magic Abound in Modern Mexican Fairy Tale

It's not easy to be the sibling of an ill child. You're expected to be more of an adult than you're prepared for, accept less attention from your parents, be brave and kind, when you yourself are still growing up...

Sitges 2022 Review: NIGHTMARE, A Woman's Place is in The Dark

The expression 'You've come a long way, baby' might be true for women, but we still have a very long way to go. Despite more contemporary understanding (at least in some parts of the world) that women are capable of...

Sitges 2022 Review: THE MIDNIGHT CLUB, Holding On to Horror in the Final Hours

As one of the characters points out in the first epsiode, what's scarier than finding out you have a terminal illness? Perhaps once you know you're going to die - the ultimate unknown, which is what drives much of fear...

Jaume Balagueró's VENUS to Open Sitges Festival

Spanish director Jauma Balagueró might not be quite as well-known as other directors of his country, at least outside of it, but he's a cornerstone of the horror renaissance that swept the country in recent decades. From the [REC] series...

Sitges 2021 Review: BELLE

At this stage of his career, I think it's pretty safe to say that Mamoru Hosoda has firmly established himself as one of the best contemporary Japanese animation directors. And he's also no stranger at Sitges, where he has won...