Tag: koreedahirokazu
MONSTER Review: Genre Trappings, Tricky Structural Dynamics, Impactful Message
Kore-Eda Hirokazu's newest film.
Fantasia 2022 Review: MY SMALL LAND, Empathy and Omotenashi
I have been told that Japan is a challenging country if you are not born there. But what if you grew up in Japan without being born there? We first meet high-school senior Sarya at a traditional Kurdish wedding...
Review: In THE TRUTH, Kore-eda Hirokazu Goes French
Catherine Deneuve, Juliette Binoche, and Ethan Hawke star in Kore-eda Hirokazu's first film shot outside Japan and in a non-Japanese language, with an international cast.
Japan Cuts 2019 Interview: HIS LOST NAME Director Hirose Nanako Uncovers Dark Truths
His Lost Name is the story of a young man whose mysterious presence in a small town engenders willing deceptions, and reveals uncomfortable truths. At Japan Cuts 2019, director Hirose Nanako spoke exclusively with LMD about creating her first feature...
Eric Ortiz's Favorite Movies Of 2018
After watching 133 new releases over the past 12 months, it’s certainly time to chime in, for what it’s worth, with my list of personal favorites. I live in Mexico City, therefore several 2017 titles are here. On the other...
Review: SHOPLIFTERS, The Comfort Between the Chaos
It’s a common platitude, the choices we make defining us. But what about those we don’t make? The country we live in, the class we’re born into, our family, etc. They may or may not define who we are, but...
Japan Cuts Interview: Cut Above Award Winner Kirin Kiki on Living Life and Art on Her Own Terms
In a career that spans over half a century, Kirin Kiki is the epitome of the late-blooming rose. From wild, comedic parts early in her career, to the wry, scene-stealing elder roles that won her awards later in life, Kirin-san...
Review: It's Oh So Quiet in Kore-eda Hirokazu's AFTER THE STORM
In Kore-eda's world, the storm is not a cause of destruction and pain but a helping agent to bond with each other- something the current Japanese society has lost due to modern life taking its course. But the film is so old-fashioned and soft-edged, it hardly registers on an emotional level. Still a great little film. But after the greatness that was Our Little Sister, After the Storm feels like a minor Kore-eda.
Japan Cuts 2016 Interview: Cut Above Award Winner Lily Franky on THE SHELL COLLECTOR
Novelist, illustrator, scriptwriter, radio host, and even as a singer, Lily Franky mastered many arts before his muse called him to become one of Japan’s most popular character actors. Receiving Japan Cuts’ Cut Above award, Franky spoke with me about...
Review: OUR LITTLE SISTER Packs A Most Gentle Punch
For years now, Japanese director Kore-eda Hirokazu has been making films that have an uncommonly humanist core. Often emotional, sometimes openly feel-good even, his films somehow never become the saccharine dross they would undoubtedly be in lesser hands. One of...
Kore-Eda Hirokazu's AFTER THE STORM Details Announced
Kore-Eda Horokazu's next film, After the Storm (Umi yori mo Mada Fukaku), will be released in Japan on May 21, 2016, according to The Hollywood Reporter. Kore-Eda's previous two films (Like Father, Like Son and Our Little Sister) debuted at...
Camera Japan 2015 Review: OUR LITTLE SISTER Shows The Cold Through Blissful Warmth
For years now, Japanese director Kore-eda Hirokazu has been making films which have an uncommonly humanist core. Often emotional, sometimes openly feel-good even, his films somehow never become the saccharine dross they would undoubtedly be in lesser hands. One of...
Camera Japan 2015: Line-up And Recommendations
Every autumn the Camera Japan festival descends on Rotterdam for a long weekend, after which it transforms into a traveling festival which visits several other cities as well. This year, on September the 24th, the festival celebrates its 10th...
Review: LIKE FATHER, LIKE SON Affectingly Debates Nature Vs. Nurture
It seems Kore-eda Hirokazu is incapable of making bad movies. The babies-switched-at-birth premise in films is nothing new. But he just makes it so darn affecting and poignant, avoiding all the clichés that go with this kind of blurry-eyed family...