NOSFERATU: A SYMPHONY OF HORROR Retains the Power to Chill Your Bones and Haunt Your Dreams
For a great many aspiring cinephiles, F.W. Murnau's Nosferatu: A Symphony Of Horror served as their entry point into both Silent Cinema and also German Expressionism. Perhaps because of the film's subject matter, rooted firmly in the horror genre, Murnau's...
TWILIGHT OF THE WARRIORS: WALLED IN Review: Celebratory Siege of a City
Directed by Soi Cheang, the Hong Kong action extravaganza is packed with martial arts legends and rising stars from Sammo Hung and Louis Koo to Philip Ng and Raymond Lam.
ScreenAnarchy's Top 10 Films Of The First Half Of 2024
The last six months of 2024 contain two more days than the first six do (courtesy of February, even in a leap year as this one...), so we could stretch it a day, but now there's no avoiding it any...
Roger Corman Remembered: 1926-2024
In a conversation with Roger and Julie Corman in September 2010, the filmmakers talked about working in present-day Hollywood, shooting in the Philippines, making 'X: The Man With the X-Ray Eyes,' Allan Arkush, and 'Sharktopus.'
Cannes 2024 Review: TWILIGHT OF THE WARRIORS: WALLED IN, Hong Kong's Nostaglia-Fuelled Gangland Throwdown
Since it was first announced back in 2013, the nostalgia-fuelled martial arts epic set within the labyrinthine back alleys of Kowloon Walled City has nurtured a mythical status to rival the notorious neighbourhood itself. Development of the project dates back...
EVIL DOES NOT EXIST Review: Bold, Chilling, Ominous, From Ryusuke Hamaguchi
'Drive My Car' director Ryusuke Hamaguchi heads in a new direction with his latest film.
Brussels 2024 Interview: 4PM Stars Oh Dal-su, Jang Young-nam and Director Jay Song Discuss New Korean Thriller
Last week, the 42nd Brussels International Film Festival played host to the world premiere of The Nightmare director Jay Song’s new South Korean thriller, 4PM. Inspired by the Belgian novel “Les Catilinaires”, from celebrated author Amélie Nothomb, which was published...
Udine 2024 Review: THE ROUNDUP: PUNISHMENT Wins One More Round in a Franchise Clinging to the Ropes
It’s Beast Cop vs Bitcoin in the fourth instalment of Ma Dong-seok’s enduringly popular Roundup action franchise, as his hulking detective goes toe-to-toe with a tech-savvy crime syndicate looking to expand into crypto. Helmed by action director Heo Myeong-haeng, Ma’s...
ScreenAnarchy's Top 10 Films of 2023
Hello all of you readers, and the best wishes for 2024 from all of us here at ScreenAnarchy! One of those best wishes is that we hope you will all see many good films. May our enjoyment of cinema be...
POOR THINGS Review: Both Hideous Creation and Beautiful Monster, Ghastly and Glorious
Emma Stone, Willem Dafoe and Mark Ruffalo star in a new film by Yorgos Lanthimos.
Busan 2023 Review: ALI TOPAN, Young Lovers On the Run in Spirited Adaptation of Seventies Romance
A rich girl and a street punk fall in love and run away together in Sidharta Tata’s polished adaptation of Teguh Esha's beloved novel Ali Topan Anak Jalanan, which was previously brought to the screen in the 1977 movie of...
Busan 2023 Review: THE KILLER, the Style is the Substance in David Fincher's Clinically Executed Action Thriller
Michael Fassbender and David Fincher come together for a lone assassin thriller that glides off the screen with impeccable style and a simmering, slyly subversive wit that elevates it above the tried and tested conventions of this beloved action genre. ...
Busan 2023 Review: EVIL DOES NOT EXIST Reveals a More Ominous Side to DRIVE MY CAR Director
Japanese director Ryusuke Hamaguchi follows up his Academy Award winning Drive My Car with this sombre and deceptively chilling tale of urban sprawl’s encroachment upon a remote countryside community. Originally conceived as a video piece to accompany the music of composer...
Busan 2023 Review: POOR THINGS, a Ghoulish, Glorious Fairytale of Tongue Play and Female Empowerment
Equal parts Frankenstein and My Fair Lady, Yorgos Lanthimos’ Golden Lion winner Poor Things is a visually ravishing, disgracefully funny tale of sexual awakening and female empowerment. Adapted from the prize-winning novel by Alisdair Gray, this riotous romp stars Emma...
Busan 2023 Review: ADAGIO sees Rome Burn in Stefano Sollima's Operatic Crime Saga
Italian genre stylist Stefano Sollima returns to his homeland to complete his thematic “Roman Trilogy” that began with his debut ACAB - All Cops Are Bastards ( 2012) and continued in Suburra (2015) with the muscular and kinetic crime drama...
Busan 2023 Review: 24 HOURS WITH GASPAR Brings Hardboiled Detective Sci-Fi to South East Asia
South East Asia is not the region you'd typically come to looking for science fiction thrills, but Indonesian director Yosep Anggi Noen looks to change all that with his fast-paced, dystopian detective thriller 24 Hours with Gaspar, which premiered tonight...
Busan 2023 Review: THE MOON, Rie Miyazawa is Magnetic in Drama that Finds Humanity in Unspeakable Tragedy
A grief-stricken author attempts to reconnect with society by taking a job at a nursing home for the severely disabled in Yuya Ishii’s compelling drama The Moon, inspired by a real-life Japanese tragedy and adapted from the novel by Yo...
ScreenAnarchy's Top 10 Films Of The First Half Of 2023
Thanks to February being so short, the first of July is technically still in the first half of the year. It was only yesterday at noon that we all moved into the second half, but we're here now and that...
BiFan 2023: 6 New Films to get Excited for at the 27th Bucheon International Fantastic Film Festival
The Bucheon International Fantastic Film Festival (BiFan), Asia's finest bacchanal of genre cinema, is about to raise the curtain on its jam-packed 27th edition, which kicks off this Thursday with Ari Aster presenting Beau is Afraid for the first time...
ScreenAnarchy's Top 10 Films of 2022
What, it's 2023 already? You're kidding, right? Alas, 2022 has come and gone, as long as every other non-leap year but seeming shorter than most nonetheless. But as Yoda says "Size matters not", so we asked our writers to send...