Tag: toddhaynes

Cannes 2023 Review: MAY DECEMBER, Delicious Ides

Natalie Portman and Julianne Moore star in a new film by Todd Haynes.

Now on Blu-ray: THE VELVET UNDERGROUND, Into a Cultural Revolution

Todd Haynes' absorbing documentary gets the Criterion treatment, with choice extras and an audio commentary with the director and the editors.

Criterion in December 2022: COOLEY HIGH, THE VELVET UNDERGROUND, Mai Zetterling, Michael Haneke

The Criterion Collection has always put acclaimed filmmakers first. so let's talk about Mai Zetterling and Michael Haneke first. In December 2022, Criterion will be releasing three films from each filmmaker. Michael Haneke: Trilogy collects the first three he directed:...

Now Streaming: THE VELVET UNDERGROUND, More Than Heroin

Director Todd Haynes pays tribute to the influential rock group in a documentary that is more than a music doc, now streaming on Apple TV+.

New York 2017 Review: WONDERSTRUCK, Why We Go to the Movies

“We are all in the gutter, but some of us are looking at the stars.” -Oscar Wilde If we were to conduct a poll of all of our writers’ and readers’ favorite live-action kids movies – and I really think...

NYC Weekend Picks, Jan 20-22: Dealing with Trump, Early Scorsese, Adapting Patricia Highsmith, Poetic Docs From Iran, and a Jarmusch Classic

I wasn’t with it, but just that very minute, it occurred to me the suckers had authority … – Public Enemy, “Black Steel in the Hour of Chaos”   Today is when it all goes down, figuratively and literally. Regardless of...

Destroy All Monsters: Systems Of Control In CAROL

Some spoilers for Carol. Carol is one of the best films of the year, beautifully mounted by Todd Haynes, based on Patricia Highsmith's novel. It pays close attention to the tools of its trade: framing, composition, editing, and sound choices...

MAD MAX: FURY ROAD Tops Online Critics Awards

George Miller's action epic continues to pick up steam in awards season as it was named Best Film of 2015 today by the Online Film Critics Society, of which a number of ScreenAnarchy's contributors are members. Miller also nabbed the...

Interview: Screenwriter Phyllis Nagy On Adapting CAROL

Two years before Patricia Highsmith would earn acclaim with the release of her 1950 suspense novel, Strangers on a Train, she was working as a shopgirl selling dolls at a department store. Legend goes that one day an elegant, beautiful...

Review: CAROL, A Magnificent Mood For A Story That Doesn't Quite Connect

Todd Haynes' Carol is an objectively beautiful film. It is exquisitely acted, hauntingly shot and meticulously well-designed. And it left me surprisingly cold. The same-sex melodrama presents an interesting case where form and content match up a little too well....

Los Cabos 2015 Dispatch: QUEEN OF EARTH, SLEEPING GIANT, And CAROL, An Impressive Trio

It's gorgeous and sunny today but yesterday the weather was overcast at the Los Cabos International Film Festival, which made it just a tiny bit easier to ignore the beautiful surroundings and head inside to watch movies. Happily, the trio...

Los Cabos 2015 Preview: Mexico, Canada, And U.S. Get A New Spotlight

The fourth edition of the Los Cabos International Film Festival kicks off tonight with the Mexican premiere of Demolition, which is part of a tribute to filmmaker Jean-Marc Vallée. The festival is held in Cabo San Lucas, located at the...

New York 2015 Interview: Todd Haynes On Falling For CAROL

In Todd Haynes' new film, Cate Blanchett plays Carol, the object of uncharted desire for Therese (Rooney Mara), a young girl ill-equipped to handle this foreign attraction. Since the film exists in the closed-minded postwar years, circa late 40s, the courtship...

Cannes 2015 Review: CAROL, Tremendously Accomplished, Yet Cold

Todd Haynes' Carol is an objectively beautiful film. It is exquisitely acted, hauntingly shot and meticulously well-designed. And it left me surprisingly cold. The same-sex melodrama presents an interesting case where form and content match up a little too well....