Review: DAMSEL, Laughs Aplenty in Zellner Brothers' Western
Western tropes get punched straight in their often male-driven faces by a heroine in the Zellner Brothers' newest film.
Geena Davis' Bentonville Film Festival Proves Inclusion is Good for Business
Nestled in the birthplace of one of the world’s most powerful corporations, yet far away from any city that one would instinctively consider a progressive hub, the Bentonville Film Festival (now in its fourth edition), is an event fueled by...
Review: BIG FISH & BEGONIA, Chinese Animation Dazzles in Sumptuous and Mystical Feature
Hailed as the Chinese answer to the fantastical works of beloved Japanese animation house, Studio Ghibli, the independently produced feature Big Fish & Begonia channels ancient wisdom into a dazzling animated canvas. Enhancing the overall production value of the film,...
Sundance 2018 Review: TYREL, An Ambiguous and Uncomfortable Look at Casual Racism
Proving that ostracized characters with odd outlooks on life can be effectively disturbing in any language, Chilean director Sebastián Silva has made a career, in both Spanish and English, out of stories focused on people pushed to the edge –...
Sundance 2018 Review: DAMSEL, A Quick-Witted Feminist Western
Western tropes get punched straight in their often male-driven faces by a heroine in the Zellner Brothers' Damsel, where the protagonist is only in distress when dealing with the pathetically entitled males that cross her path. The fantasy of macho bravado...
Sundance 2018 Review: PITY, A Brilliant Portrait of Dangerous Self-Victimization
An unspoken consensus exists among prominent Greek filmmakers, including Yorgos Lanthimos (Dogtooth), Athina Rachel Tsangari (Chevalier), and Argyris Papadimitropoulos (Suntan), regarding the validity of the so-called “Weird Wave.” In their rare eyes, a collective effort at creating similarly themed or...