Tag: sundance2021
Sundance 2021 Review: MASS, An Unflinching, Uncompromising Examination of Loss and Mourning
It might be one of the deepest and most abiding ironies of the last year that it took the emergence of one pandemic (COVID-19) to temporarily end another pandemic (school shootings). With the majority of elementary and high school students...
Sundance 2021 Review: CENSOR, The Danger Of Confusing Fiction With Reality
One of the most popular arguments to despise horror films and related genres – in their most violent and explicit incarnations – is that they can inspire atrocities in real life. It's a thought as old as the films with...
Sundance 2021 Review: PASSING, Stunning, Provocative Debut
In writer-director Rebecca Hall’s (Christine, The Town, Vicky Cristina Barcelona) evocative, provocative adaptation of Nella Larsen’s richly textured, multi-layered 1929 novel, Passing, two women, one-time high-school friends, now in their thirties, inadvertently cross paths in the tea room of an...
Sundance 2021 Review: COMING HOME IN THE DARK, The Bleak Past That Never Goes Away
The New Zealand film Coming Home in the Dark, James Ashcroft's first feature, starts off intensely: a well-off family (father, mother and two teenage sons) enjoy a road trip in the countryside. During a picnic, they are interrupted by a...
Sundance 2021 Review: KNOCKING, Genre Cinema With Social Subtext
All filmmakers introduced their works before each Sundance 2021 virtual screening. Swedish director Frida Kempff, responsible of Knocking, spoke about her film background. Until now she had developed her career in the documentary genre, always interested in social issues. She...
Sundance 2021 Review: CODA, A Crowd-Pleaser By Any Other Name
Deservedly or not, the word “crowd-pleaser” tends to have a negative connotation, situating a film’s potential popularity with broad demographic appeal, simple, easy-to-understand narratives, and emotionally cathartic endings. But in the second year of a global pandemic, a Before Times...
Sundance 2021 Review: MOTHER SCHMUCKERS, An Absurd And Very Dark Comedy
The absurd/dark comedy Mother Schmuckers, the first feature film by Belgian brothers Harpo and Lenny Guit, opens with some idiots cooking in a frying pan what appears to be a piece of shit. Although these young brothers, Issachar (Maxi Delmelle)...
Sundance 2021 Review: PRISONERS OF THE GHOSTLAND, Sono's Insane Film About Redemption
More than 30 years after his first film, Sono Sion has established himself as a brilliant, prolific and chameleonic director. In the past decade alone, you can find some of his best work: a hilarious tribute to guerrilla filmmaking and...
Sundance 2021 Review: THE PINK CLOUD, Greek Weird Wave Gone Brazilian in Dystopic Cabin Fever Drama
The Apocalypse gets put on hold in a surreal drama from Brazil about mankind's struggle to adapt to a new normal.
Sundance 2021 Review: PLEASURE, A Triumphant Tour de Force Behind the Scenes of the Porn Industry
The standout film of 2021 Sundance demystifies the porn industry through a female lens.
Sundance 2021 Review: Rodney Ascher's Hybrid Doc A GLITCH IN THE MATRIX Simulates Belief
Rodney Ascher nose-dives into the rabbit hole of simulation theory argument in a cyber-acid documentary.
Sundance 2021 Review: Orwell Meets Švankmajer in Retro-Futuro Metaphysical Romance Adventure STRAWBERRY MANSION
Writer-directing duo Albert Birney and Kentucker Audley deliver an escapist analog fantasy imbued with a technicolor retro vibe.
Sundance 2021 Preview: Words from Sono Sion to Get You Psyched for PRISONERS OF THE GHOSTLAND
After cramming what must be hundreds of hours of Japanese cinema into his brief 59 years on this planet, poet Sono Sion is on the brink of releasing his first entry into the American cinematic landscape. Callooh! Callay! Prisoners of...