Tag: palmedor

The experience of watching Anora is akin to a spontaneous and unexpected invite to a epic house-wrecking party. It starts off with surprise and wonder, plunges into drunken euphoria, loses all your friends, projectile vomits on you in a car ride around...

For every Host, there must be a Parasite. Since his debut Barking Dogs Never Bite 19 years ago, Bong Joon-ho's works have always resisted easy classification. Within stories that stray from one genre to the next, surprising things tend to...

Ruben Östlund is proving himself to be a keen observer of the human (specifically, male) condition, and one who can draw humor from its depths without losing any empathy along the way.

"I'm going to find a tree to chop down." That line, perhaps familiar from another film released by Criterion, Moonrise Kingdom, also applies to this new release by the company, respected Italian director Ermanno Olmi's 1978 Palme D'or winner, The...

Director Jia Zhang-ke is a big fan of segmented narratives. His last film, A Touch of Sin, was an anthology of sorts tackling different stories surrounding the larger topic of the the modernization of Chinese culture. In his latest film,...

Equally hailed and disregarded for a plethora of reasons that could probably fill its near 3 and a half hour running time, Nuri Belge Ceylan, Turkey's preeminent filmmaker on the international stage, nonetheless walked away from this year's Cannes with...

So far we've looked at the films playing in the various sidebars and co-selections, but today is the big day, today kicks off the 67th Annual Cannes Film Festival, and we're going to mark it with a look at...

October is looking to be one of the best months of the year for independently minded film in the U.S., if only because a handful of titles that have been some of the most anticipated and talked about (and controversial)...

The big winner at Cannes this past spring was Blue Is The Warmest Color, Abdellatif Kechiche's screen adaptation of the graphic novel Blue Angel. A coming-of-ager that got quite a bit of initial attention for its graphic sex scenes between...

Michael Haneke wants to remind us all that we are going to die someday, and that the long day's journey into night is probably not going to be a pleasant one. He accomplishes this mightily in the heartbreaking, occasionally shocking,...

Austrian film director Michael Haneke took home the coveted Palme d'Or at Cannes for the second time after his The White Ribbon in 2009 and swept the year-end European film awards with his austere, devastating film Amour. I got...