Tag: hfr

Jason Gorber's Cineruminations: THE HOBBIT And HFR, Part 3 - One Last Time

With the close of Peter Jackson's latest foray to Middle Earth, the final film in The Hobbit trilogy also marks another time of reflection upon one of its more interesting and controversial aspects. Jackson's decision to capture and present the...

Destroy All Monsters: Trumbullvision

Earlier this month, as part of the Stanley Kubrick exhibit and retrospective at the TIFF Bell Lightbox, visual effects wizard Douglas Trumbull was in town to demo his proof-of-concept film for his next generation high-frame-rate presentation format, MAGI. Sort of...

Jason Gorber's Cineruminations: THE HOBBIT and HFR, Part 2 - The Journey Continues

Just over a year ago, I wrote an article trying to delve into the vagaries of the form of cinematic presentation that Peter Jackson chose for his Hobbit trilogy. At the time, there was already much consternation and gnashing of...

THE HOBBIT in HFingR: An Unexpected Journey To The Glory Of 48fps

At ScreenAnarchy we like to write not just about films, but about film. One excellent example, of many, is Matt Brown's regular and incessantly thought-provoking column, "Destroy All Monsters," which tackles myriad cinematic topics that, well, make him twitch. My...

TTTT: An American Film Geek's Bottom 10 for 2012

Many a film critic, including at times even the most positive and altruistic of us, take a certain mean delight in unleashing our master lists of the year's biggest stinkers. The temptation to avenge what may be an assault on...

Fantasy, More Real Than Real: THE HOBBIT, HFR And The Future Of Movies

Earlier this year, I found myself at a friend of a friend's apartment watching Tod Browning's 1932 masterpiece Freaks through the "motion smoothing" filter on his HD TV.  For me, the resulting video-like image of what should be the opposite...

Jason Gorber's Cineruminations: THE HOBBIT, 48 Frames Per Second, and A Whole New Journey

"To a regular cinemagoer...attendance at the motion-picture playhouse today is a continuously disturbing experience...The discovery that the shadowy images of the screen could be made articulate was as fruitful for exploitation to the captains of the cinema industry as was...