Shanghai 2026 Interview: 9 TEMPLES TO HEAVEN Director Sompot Chidgasornpongse on His Debut Feature and Thai Independent Cinema
Independent Thai cinema has been rising on the international festival circuit in recent years. Following the success of A Useful Ghost in 2025, Thai independent filmmaker and longtime collaborator of Apichatpong Weerasethakul, Sompot Chidgasornpongse, premiered his feature debut, 9...
Fantasia 2026 Review: TEENAGE SEX AND DEATH AT CAMP MIASMA, Bold Queer Exploration
Opening with flesh and blood, Jane Schoenbrun's latest work, Teenage Sex and Death at Camp Miasma, is a continuation of the queer exploration found in their previous films, We're All Going to the World's Fair and I Saw the TV...
ScreenAnarchy's Top 10 Films Of The First Half Of 2026
We are halfway through 2026 already, a year which has been shaping up so far as an interesting one to say the least. I have already heard several people say they like the first half of 2026 better than all...
Cannes 2026 Review: Na Hong-jin's HOPE, Confusing, Yet Entertaining
Premiering at the 2026 Cannes Film Festival, Na Hong-jin’s Hope was one of the festival’s most anticipated films. The story is set in Hope Harbour, a fictional town in South Korea, which appears to be located near the North Korean border,...
Cannes 2026 Interview: TITANIC OCEAN Director Konstantina Kotzamani on How Personal Experience Inspired Her Dreamlike Debut
Bringing a flash of neon colour to the 79th Cannes Film Festival this year, Greek director Konstantina Kotzamani’s feature debut Titanic Ocean premiered in Un Certain Regard at the festival. Inspired by the Japanese aquarium industry and the Greek myth...
PANDA Review: Beautiful Poetry for Marginalised People in Suburban China
Directed by Zhang Xinyang, the film combines the suffering of people with the charm they display while enduring it.
