Tag: udine

Udine 2018 Review: THE NAME, an Odd but Curiously Absorbing Japanese Indie

There is more than meets the eye in Toda Akihiro’s The Name, an odd but curiously absorbing mystery drama that appears deceptively simple from the outset. Within its modest trappings, this Japanese indie raises some thoughtful existential questions about personal...

Udine 2018 Review: THE SCYTHIAN LAMB, A Bizarre Genre Hybrid Infused with Kaiju Folklore

In the sleepy coastal town of Uobuka, the statue of a googly-eyed green sea monster named Nororo towers over a precipice. According to legend, Nororo is an evil presence from the sea and whoever looks into its eyes will be...

Udine 2018 Review: BE WITH YOU, Pleasant Fantasy Drama Stays the Course

The Korean fantasy romance, a genre that has spawned modern classics such as Il Mare and Ditto, has fallen on hard times in recent years but makes a strong case for a return to form with Be With You, an...

Udine 2018: South Korean Drama 1987: WHEN THE DAY COMES Takes Top Honours

Jang Joon-hwan's historical drama 1987: When the Day Comes won the Audience Award at the Far East Film Festival in Udine, Italy, as the festival wrapped up its 20th edition in fine style. Shuichiro Ueda's meta zombie comedy One Cut...

Far East Film Festival 20 to Open with STEEL RAIN, CROSSROADS: ONE TWO JAGA

The Far East Film Festival launches its 20th edition on 20 April with Netflix’s South Korean spy thriller Steel Rain, playing for the very first time on the big screen. The world premiere of Namron’s Malaysian drama Crossroads: One Two...

Udine 2015 Review: THE END OF THE WORLD AND THE CAT'S DISAPPEARANCE, A Quirky Little Sci-Fi Film

Takeuchi Michihiro's The End of the World and the Cat's Disappearance, a zany, modestly packaged apocalyptic sci-fi film revolving around Itsuko (Izukoneko aka Mari), a vlogger-cum-J-pop-idol who attempts to singlehandedly save the world from a gigantic meteor, but ends up...

Udine 2015 Review: FORGET ME NOT, A Touching Mixture Of Fantasy, Mystery, And Teen Romance

One of the most affecting and enigmatic teen-targeted Japanese films of the last few years, Horie Kei's Forget Me Not (not to be mistaken with Hirayama Hideyuki's 2010 drama that bears the same English title) defies easy categorization, veering confidently...

Udine 2015 Review: PORT OF CALL Proves Philip Yung's Most Ambitious And Polished Film To Date

A decidedly bleak yet surprisingly meditative exploration of the lower depths of contemporary Hong Kong, Philip Yung's Port of Call clearly articulates its genre-bending aspirations and effectively taps into the generational anxieties of youth today. Based on a case that...

Udine 2015 Review: THE WICKED, An Effectively Thrilling Exercise In Low-Budget Filmmaking

Bolstered and braced by a wonderfully sinister performance from the relatively unknown young South Korean actress Park Ju-hui, Yoo Young-sun's The Wicked is a slow-paced but nicely modulated and effectively gripping exercise in low-budget indie filmmaking. Shot in a mere...

Udine 2015 Review: MAKEUP ROOM Makes Perfect Use Of Its Very Limited Location

Genuinely funny, touching, and cleverly realized, Morikawa Kei's Makeup Room (メイクルーム) plays like a modest but deft combination between a chamber-like dramedy and well-observed ensemble piece that derives most of its energy from a wealth of enthusiastic performances and witty...

Udine 2015: ScreenAnarchy's Most Anticipated Picks

We've been waiting for this moment for a whole year now: Thursday, April 23rd marks the grand opening of the 17th Udine Far East Film Festival, without a doubt one of the world's most important cultural events dedicated exclusively to...

Udine Far East Film Festival Announces 2015 Lineup

The Udine Far East Film Festival, one of Europe's biggest showcases for contemporary Asian cinema and also one of ScreenAnarchy's favorite international festivals, has officially unveiled its lineup during a press conference which took place earlier today.Covering a wide variety...

Udine 2014 Review: BILOCATION, A Surprisingly Intriguing But Messy Psycho-Thriller

Even though it has most of the ingredients of a typical J-horror, Bilocation spices up a slightly worn-out formula with material that would otherwise be reserved for other genres, and instead of relying on overused plot devices, controls the narrative with thought-provoking...

Udine 2014 Review: MY PRETEND GIRLFRIEND Unfurls A Quietly Heartbreaking Tale Of First Love

Known for his great contributions to the world of Japanese commercials, Yakumo Saiji has finally decided to venture into feature-length filmmaking, and for the world premiere of his debut, he chose the Udine Far East Film Festival. Seeing that the...

Udine 2014 Review: MAY WE CHAT Is A Dynamic, Dark Youth Drama Bolstered By Three Great Performances

Emphasized by sugary and excessively colorful visuals, the beginning of Philip Young's May We Chat epitomizes everything that's most shallow about contemporary youth culture. Teenagers consciously trapped in a virtual realm take pictures of shoes, food, themselves, and communicate via...

Udine 2014 Review: THE SNOW WHITE MURDER CASE Gives A Stunning New Angle To Familiar Thriller Formula

A young and beautiful office lady has been brutally murdered in a national park near Tokyo. With no suspects in sight, the mysterious case seems to be barely moving forward, until an ambitious, ramen-loving journalist seeking publicity starts throwing accusations...

Udine 2014 Review: THE JOURNEY, A Feel-Good Road Film About The Ups And Downs Of Cross-Cultural Relationships

Given its heartwarming appeal and universally applicable message about cross-cultural relationships, from the western point of view it's not really hard to see why Chiu Keng Guan's The Journey has become Malaysia's highest grossing domestic picture of all time. Considering...

Udine 2014 Review: BLACK COAL, THIN ICE Is A Cold, Compelling Crime Drama

This year's surprise Golden Bear winner at Berlin is a bleak, yet engrossing whodunnit set in the wintry climes of Northern China.For his third feature film, writer-director Diao Yinan (Uniform, Night Train) evokes both Hollywood procedurals and European arthouse cinema...

Udine 2014 Review: SWEET ALIBIS, An Uneven But Wacky Taiwanese Genre Film

After recovering from a depression that lasted for over 10 years Taiwanese cinema is gradually gaining recognition, mostly due to the rising popularity of its many touching dramas and promising independent productions. That said, such specific, if wacky, genre mixtures...

Udine 2014 Review: Girl-Powered GIRL'S BLOOD Mixes Violence And Nudity In A Strangely Mesmerizing Manner

If I hadn't seen it, I wouldn't have believed that such a film actually exists. What's more, I'm now practically sure that underground cat-fighting clubs such as Girl's Blood can be found not only in Roppongi, but also in some...