New To Netflix: Psychics in Venice, Brundle-Fly, Parkour and Omni Computer Products
New In The USA: Don't Look Now
One of the best horror films ever made. Period. In the astounding opening sequence, director Nicolas Roeg paints a picture of of mounting terror by image association and abstract editing to imply that John Baxter (Donald Sutherland) has a moment of intuition that something bad is going to happen to his daughter. It does.
Freshly grieving for his daughter, John takes a job restoring a church in Venice, and brings along his wife Laura (a fragile Julie Christie) in the hopes that a change of scenery will help. It doesn't. As Laura starts seeing psychics to communicate with their daughter, John takes a position of steady pragmatism, but keeps seeing his daughter creeping around in the shadows of Venetian canals.
Taking a very experimental approach to horror filmmaking and creating a controversy that the sex scene in the film between Christie and Sutherland wasn't 'faked,' Don't Look Now has as notorious a reputation as Robin Hardy's The Wicker Man, and amazingly both films toured Britain on a double bill back in the early 1970s.
(Also popping up on the American service is the Australian science fiction film Crawlspace, Katherine Bigelow's new millennium-tension Strange Days, Sean Ellis' overlooked gem The Broken, which is kind of horror remake of The Double Life of Veronique and stars Lena Heady and Richard Jenkins, Roger Avery's unhinged crime flick Killing Zoe, Kon Satoshi's empathy-laden Tokyo Godfathers, and Peter Weir's 'boy in a media bubble' science fiction drama, The Truman Show.)