Tag: toronto2018
Toronto 2018 Wrap: All Our Reviews & Coverage
Don't touch the cube! Things are long done at TIFF but we wanted to round up all our reviews and coverage in one place for easy access. We hope you enjoyed the fest, whether on the streets of Toronto, or...
Toronto 2018 Review: SIBEL Finds Her Voice
Sibel is a mute woman, who isn’t. She lives in the mountainous Black Sea region of Turkey, with her sister and father, the mayor of Kosköy - “village of the birds” - so called for the local whistling language, which...
Toronto 2018 Review: DUELLES (MOTHER'S INSTINCT), Stylish Yet Stunted Nostalgic Thrills
Olivier Masset-Depasse’s Duelles is a product of the times. Though a homage to the thrillers of Hitchcock and the aesthetics of Sirk, Duelles’ conceit is one that banks on obsessions of current pop culture: nostalgia and the resurgence of female-led...
Toronto 2018 Interview: Kristen Stewart, Laura Dern, Savannah Knoop, and Justin Kelly on JEREMIAH TERMINATOR LEROY
The JT LeRoy story - or hoax, as some would prefer to call it - all comes down to how one chooses to perceive it. Those who say “nay”, scoff it off as the story of a malicious literary swindler...
Toronto 2018 Review: LET ME FALL Is Sublimely Harrowing
Stella and Magnea, it feels stressful to just write their names after witnessing the excruciating awfulness of their lives. Let Me Fall is centred on their very intense relationship. An attraction that brings with it chaos, reminiscent of the two...
Toronto 2018 Review: THE ACCUSED Offers Compelling Character Study and Little Else
The Accused is first and foremost a character study, one surrounded by a hazy stasis of implication and culpability, a mystery on hold. The last person to see her best friend alive is also the number one suspect for her...
Toronto 2018 Review: CLIMAX Is Something Kicking In
Climax takes its time. Like previous Gaspar Noe joints, the film opens pretentiously with a startling and beautiful image and pompous title cards. Fragments of film credits appear as the dancing crew is introduced, stylishly so of course, on an...
Toronto 2018 Review: AMERICAN DHARMA Wrestles With Our Current Political Carnage
The third chapter in Errol Morris's documentary interview trilogy on significant figures in USA policy creation and thinking is described by the director himself as "his horror movie." Indeed, the Oscar-winning documentarian showcased a very considerate and quite repentant Secretary...
Toronto 2018 Review: SUMMER SURVIVORS, A Sensitive Look at Mental Health
Upon reading a plot description of Summer Survivors -- the debut feature by Lithuanian filmmaker Marija Kavtaradze -- one may imagine a quirky indie comedy with touches of the absurd. While the film does have its share of lighthearted, funny...
Toronto 2018 Review: SHOPLIFTERS, Scavenging on Multiple Levels
It’s a common platitude, the choices we make defining us. But what about those we don’t make? The country we live in, the class we’re born into, our family, etc. They may or may not define who we are, but...
Toronto 2018 Review: EL ANGEL Dazzles With Its Astounding Lead Actor
The latest film of Pedro Almodovar's production company El Deseo, El Angel, opens with the image of a young man walking in the streets of Buenos Aires, the capital of Argentina. It's a breezy warm autumn afternoon of the late...