Tag: sometanishota
Interview: Miike Takashi on FIRST LOVE, Yakuza Subtypes, and the Joy of Not Evolving
After over 100 projects over 30 years, Miike Takashi has more than earned his status as one of the world’s most celebrated and fascinating directors. Unrestrained by style, or genre, or the limits of “good taste,” Miike has fearlessly made...
Fantastic Fest 2015 Review: THE BOY AND THE BEAST, Hosoda Mamoru's Best Film To Date
If The Boy And The Beast doesn't cast away any doubts that Hosoda Mamoru will become the new king of Japanese animation, I don't know what will. Ever since Miyazaki Hayao stopped making feature films, the world has been eagerly waiting to see...
New York Asian 2015: Checking Into KABUKICHO LOVE HOTEL With Hiroki Ryūichi And Sometani Shota, Plus TOKYO TRIBE
They grow up so fast. In 2009, I had the great pleasure of interviewing the then-rising teen star, Sometani Shota, on the verge of his first film of what would be a fruitful collaboration with maverick director, Sono Sion. Returning...
Udine 2015 Review: PARASYTE - COMPLETION, A Conclusion In Need Of A Pay-Off
Much like how Parasyte Part 1 suffered from being all set-up, so its sequel, Parasite - Completion, is similarly hobbled by being mostly a series of climactic stand-offs and philosophical summations, with precious little build-up or satisfactory pay-off.An unspecified yet brief amount...
Sono Sion And Sometani Shōta Reteam On Film Adaptation Of Hit Manga/TV Series ALL ESPER DAYO!
On Tuesday, it was announced that Sono Sion and Sometani Shōta will team up once again for live-action adaptation of Wakasugi Kiminori's (Detroit Metal City) popular sci-fi comedy manga All Esper Dayo! ( みんな!エスパーだよ!). First published in Weekly Young Magazine in...
Japan Cuts 2014 Review: WOOD JOB! Takes Us Deep Into the World Of Forestry, With Wonderfully Comic Results
The recent Japanese film Wood Job! is not, despite its very suggestive title, a pornographic film, which will either relieve or disappoint you, depending on where your movie tastes happen to lie. Instead, it is the latest comedy by Yaguchi...