Tag: sarahpaulson

Review: OCEAN'S 8, Thieves Like Us, Sorta

Upon its release in December 2001, Steven Soderbergh's Ocean's Eleven felt like a salve upon a troubled nation's open wounds. Coming on the heels of Soderbergh's dazzling dramatic duo of the previous year (Erin Brockovich and Traffic), his caper flick...

Interview: Mark Duplass Talks BLUE JAY

The last time Jim and Amanda (Mark Duplass and Sarah Paulson) saw each other, it was in the midst of a devastating breakup – the type you never really get over. That was twenty years ago, but you wouldn't necessarily...

Destroy All Monsters: Systems Of Control In CAROL

Some spoilers for Carol. Carol is one of the best films of the year, beautifully mounted by Todd Haynes, based on Patricia Highsmith's novel. It pays close attention to the tools of its trade: framing, composition, editing, and sound choices...

MAD MAX: FURY ROAD Tops Online Critics Awards

George Miller's action epic continues to pick up steam in awards season as it was named Best Film of 2015 today by the Online Film Critics Society, of which a number of ScreenAnarchy's contributors are members. Miller also nabbed the...

Interview: Screenwriter Phyllis Nagy On Adapting CAROL

Two years before Patricia Highsmith would earn acclaim with the release of her 1950 suspense novel, Strangers on a Train, she was working as a shopgirl selling dolls at a department store. Legend goes that one day an elegant, beautiful...

Review: CAROL, A Magnificent Mood For A Story That Doesn't Quite Connect

Todd Haynes' Carol is an objectively beautiful film. It is exquisitely acted, hauntingly shot and meticulously well-designed. And it left me surprisingly cold. The same-sex melodrama presents an interesting case where form and content match up a little too well....

New York 2015 Interview: Todd Haynes On Falling For CAROL

In Todd Haynes' new film, Cate Blanchett plays Carol, the object of uncharted desire for Therese (Rooney Mara), a young girl ill-equipped to handle this foreign attraction. Since the film exists in the closed-minded postwar years, circa late 40s, the courtship...

Cannes 2015 Review: CAROL, Tremendously Accomplished, Yet Cold

Todd Haynes' Carol is an objectively beautiful film. It is exquisitely acted, hauntingly shot and meticulously well-designed. And it left me surprisingly cold. The same-sex melodrama presents an interesting case where form and content match up a little too well....