Tag: lucilehadzihalilovic

The British Quad-style poster feels like a rare bird these days, so it is a joy to behold this fiery key art for Lucile Hadžihalilović's peculiar, moody, mysterious film Earwig. The poster, designed by the iconic Laurent Lufroy, echoes a...

To European filmmakers few awards are as important in the genre community as the Méliès d’Or Awards. Tonight, Sitges hosted the Méliès d'Or awards ceremony and rewarded Prano Bailey-Bond's Censor the Best European Feature Film award, the Méliès d'Or . ...

Somewhere, in a small apartment in Europe in the early 1950s, after the War, there was a little girl named Mia, who had no teeth. She had a melancholy caretaker who prepared ice-dentures for her several times a day, which...

A few days after teasing the very first titles, the full line-up for this year's Etrange Festival, which will take place in Paris from from the 6th to the 17th of september is here, and the least that can be...

[Back in January regular ScreenAnarchy reader indiemaker drank a great deal of alcohol, watched Isaac Florentine's Ninja and sent us a wildly entertaining review as a result. He has maintained this tradition throughout Philadelphia's Danger After Dark Festival but in...

There has been a lot of talk, and a lot of argument around these parts, on the merit and quality and overall significance of Gaspar Noe's Enter The Void.  Some of us have a strong dislike, some of us think...

Yar. Thar be nudity and suggestive scenes in yonder Japanese trailer for Gasper Noe's Enter the Void. Consider ye warned. She be a sexy and visually fucked up trailer indeed. I don't know why I did that in pirate vernacular....

[Because Sundance is featuring films that have played at other festivals, and Enter The Void happens to be what I consider the best film on the circuit in 2009, here is my review, republished from when I caught it...

As the guy who gets migraines from watching 3D (my Avatar IMAX-3D hang-over lasted several days), it seems strange that I would actively wish that Gaspar Noé's Enter The Void (all 156 minutes of it) would be retrofitted into the...

It is not in any way surprising that Enter The Void was a polarizing film on the festival circuit.  I mean this was a three hour spiritual odyssey from Gaspar Noé, the director who made Irreversible.  Long, repetitive, loose and...

[With two very positive reviews of Gaspar Noe's Enter the Void already published here at ScreenAnarchy you may consider my own take on the film to be a dissenting view.  Find the others in the archive.]Unfocused, poorly thought out, and...

[Our thanks to Katarina Gligorijevic for the following review of the latest from Gaspar Noe.] Gaspar Noé won the Palme D'Or of my heart with this 160+ minute mind-bender. Enter the Void is more of an experimental, avant-garde journey through...