Tag: koolshen

Quillévéré understands those connections and implies in Heal the Living in a cinematic way. Every movement in the film has to do with being alive. Every stillness implies death. She understands that death is part of life. We lose somebody close and feel like time is standing still- the camera movement becomes static. But we go on living again- and the camera moves again.

In 2004, French director Catherine Breillat, famous for making very personal and sexually provocative films such as 36 Fillette (1988), Romance (1999), and Fat Girl (2001), suffered a debilitating stroke caused by a cerebral hemorrhage. This stroke partially paralyzed her...