Tag: bifan

BiFan 2019 Review: THE 12TH SUSPECT, Stagey Mystery Explores Oppressive History

This year's BiFan came to a close with a trip back to the Japanese Occupation Era in the whodunnit The 12th Suspect. Kim Sang-kyung leads a cast filled with indie cinema stalwarts in a tense single location murder mystery that...

BiFan 2019 Review: FILM ADVENTURE, Well-Performed Drama Less Exciting Than Its Title Suggests

The accomplished young actor Cho Hyun-chul returns to screens as a neurotic actor who embarks on a pensive journey peppered by unusual encounters after a row with his girlfriend in Film Adventure, the second feature film by Lee Sang-deok, following...

BiFan 2019: 10 Films to get Excited for at the 23rd Bucheon International Fantastic Film Festival

Our annual pilgrimage to the soju-soaked suburbs of South Korea is just days away, with the 23rd Bucheon International Fantastic Film Festival getting underway this Thursday. The event promisies 11 days of the finest indie genre offerings from around the...

BiFan 2019: THE GASOLINE THIEVES to Open Jam-Packed, SciFi-Themed 23rd Edition

We're now just four weeks away from the crown jewel on the calendar for genre film fans in Asia, as the Bucheon International Fantastic Film Festival (BiFan) has just unveiled the program for its 23rd edition. The main theme will...

BiFan 2018: NAFF Awards Claimed by WORM and SOUL SEARCHING

Taking place just a few blocks away from the theaters screening the world's genre cinema delights in Bucheon, the Network of Asian Fantastic Film (NAFF) returned for its 11th edition to promote the global genre hits of tomorrow. In all,...

BiFan 2018: REVENGE & LAND OF HAPPINESS Claim Top Prizes

After ten days of hot days, long summer nights and endless genre treats in Bucheon, this year's BiFan finally drew to a close in late July. Earning this year's top award was Coralie Fargeat's acclaimed horror-thriller Revenge. Meanwhile Jung Min-kyu's...

BiFan 2018: ScreenAnarchy Offers Its Picks for This Year's Jam-Packed Bucheon!

We're now just 48 hours away from the opening of this year's 22nd Bucheon International Fantastic Film Festival (BiFan), and while the ScreenAnarchy team is busy packing their printed tees, brollies and aspirin, we've also found a little time to...

BiFan Promises Thrills and Chills in Stuffed 22nd Lineup

Pollution particles and yellow dust have been replaced by summer humidity hanging in the air, which can only mean one thing - BiFan is just around the corner! On a hot Thursday afternoon in early June in Central Seoul, the...

BiFan 2017 Review: MON MON MON MONSTERS, Giddens Ko's Brutal, Stylish High School Horror-Comedy

Taiwanese filmmaker Giddens Ko returns to high school for his follow up to the massively entertaining and successful You Are the Apple of My Eye, but things take a much darker turn in Mon Mon Mon Monsters, a mile-a-minute horror-comedy...

BiFan 2017 Review: RYEOHAENG Casts Abstract Light on NK Refugees

Director Im Heung-soon returns for his third feature, casting his artistic light on another under-served segment of the population with the documentary Ryeohaeng. Focusing on the lives of several female North Korean defectors in Korea, Im contrasts talking heads positioned...

BiFan 2017 Review: GODSPEED Revs Up Violence and Humor in Artful Road Movie

Hong Kong comedy star Michael Hui returns after a long absence in the latest from Taiwanese filmmaker Chung Mong-hong. A road movie about a drug deal gone wrong, Godspeed may not appear special on the surface, but this mashup of...

BiFan 2017: THE TWIN Takes Top NAFF Project Award

The Network of Asian Fantastic (NAFF) Films brought its tenth anniversary project market to a close earlier this week, and gave its top prize to the Finish horror project The Twin by director Taneli Mustonen. Mustonen's Lake Bodom also screened...

BiFan 2017: THE ENDLESS and BEHIND THE DARK NIGHT Triumph on Closing Night

After eight days of screenings and round-the-clock BBQ, the 21st edition of the Bucheon International Fantastic Film Festival (BiFan) held its closing ceremony at Bucheon's City Hall on Friday, July 21st. Topping the awards during the night was The Endless,...

BiFan 2017 Review: ROOM NO. 7 Gets A 6 At Best

Following his acclaimed indie 10 Minutes, director Lee Yong-seung once again examines the plight of the working man in Korea with his commercial debut Room No. 7, which serves as the opening film of this year's Bucheon International Fantastic Film...

Bucheon 2017: BiFan 21 to Kick Off with Trip into ROOM NO. 7

The nights are getting warmer in Korea, which means that the next Bucheon International Fantastic Film Festival is just around the corner. BiFan held a press conference today in Central Seoul for its 21st edition, which will take place over...

MOGWAI, CANNIBAL GRANNY, HYPNOTIZE THE JURY Win Big at NAFF

Three days of intense meetings and project pitches ended in a ceremony presentation of awards last night for the NAFF, Asia's premiere gathering for genre film projects. 24 different film projects were pitched to several companies, with over 500 meetings...

BiFan 2016 Review: THE FOREST Is A Slow Burn Beauty

In Paul Spurrier's The Forest, Preecha (Asanee Suwan) walks into a bucolic village in nowhere Thailand to begin a new chapter in his life as teacher in the local village. Whatever hope and passion he has for his new profession...

BiFan 2016 Review: GRANNY'S DANCING ON THE TABLE, Beautiful and Brutal

It might seem that we have choices for our life’s direction; we can choose whom we spend tie with, who we marry, whether or not to have children, our career. But often those choices are invisible to us, impossible to...

BiFan 2016 Review: CAPTAIN FANTASTIC Takes Quirky Journey to Known Destination

There's a certain type of film that'e become prominent and popular among a lot of American indie filmmakers in recent years; I like to call it the Sundance Film (though not all have played at that festival). It's a social...

BiFan 2016 Review: INSANE, Kinda Lame

Released earlier this year, the surprise hit Insane is the sixth film from versatile director Lee Cheol-ha. Employing a less than original premise, this new thriller turns out to be a middle-of-the-road attempt that pales in comparison to a slew...