Tag: angelaschanelec

Review: I WAS AT HOME, BUT..., The Best Kind of Cinema

Director Angela Schanelec's take on the effects of grief might be less inscrutable than her previous film, 'The Dreamed Path,' but that doesn't make it any less challenging.

Interview: Angela Schanelec on I WAS AT HOME, BUT...

It's never about interpretation, it's never about meaning, it's never about where we are going. Maren doesn't ask these because films are not about where we are going. (laughs) It's about a scene. Then another scene.

New York 2019 Review: Grief and Human Folly in Angela Schanelec's I WAS AT HOME, BUT...

A puzzle piece that is never solvable, we instead concentrate on gestures and details inside the frame, in compensation for the lack of dialogue. It's that fragmentary images and colors that we play around our heads long after we leave the theater to make sense of it. Even more so than Godard's, Schanelec's cinema concentrates on the 'visual' part of the medium. It is the best kind of cinema I can think of.

Ben's 2016 in Cinema: Reflections and Favorites

In the year 2016, cinema almost killed me.

 Okay, that’s not an accurate statement. But it isn’t far from the truth either. And heck, it does look really good up there doesn’t? 

On February 1st, on my way back...

Toronto 2016 Review: THE DREAMED PATH, A Minimalist Masterwork

German director Angela Schanelec's latest look at the nature of migration, stasis and loneliness should prove an equally striking and challenging cinematic event.

Haunted People, Haunted Places: The Films Of The Berlin School At MoMA

Despite having one of the richest and most influential cinematic histories of any nation, current German cinema's star rarely shines beyond its borders. The films that make the rounds and get the spotlight or any awards attention are the ones...