Review: THE WITCH, Dark And Brooding Comes The Fright

Editor, Festivals; Los Angeles, California (@RylandAldrich)
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Review: THE WITCH, Dark And Brooding Comes The Fright

Dark, brooding, and mysterious, The Witch is more parts drama than horror. But genre elements and a solid grounding in period source material will keep audiences engaged throughout the film's thrilling conclusion.

Set in New England circa 1630 (well before the Salem Witch Trials), The Witch takes us inside the challenging lives of a homesteading family, recently banished from the colony by the righteous acts of pious father William (Ralph Ineson). With crops failing and a harsh winter looming, eldest daughter Thomasin is called on to shoulder more of the burden of taking care of her four younger siblings. Tragedy strikes when the infant child mysteriously disappears while under the care of Thomasin. This sets in motion events that quickly threaten to turn an already difficult situation poisonous.

First time feature director Robert Eggers makes a bold and ultimately wise decision to remove the central mystery of the abduction right away. Through a series of stylized scenes, we see a haggard old woman sacrifice the baby to restore her youth. Yet mystery still surrounds the woman and her connection to the family (and their animals), This creates a connection for the audience with Thomasin, throwing us in with her plight from the get-go.

Thomasin's role at the center of the drama is no small task for an actor and young Anya Taylor-Joy is fully up for it. Along with the cinematography from Jarin Blaschke, Taylor-Joy's performance is the stand-out takeaway of the film.

Linguists will have a field day with the film's 17th Century vocabulary and sentence structure. Eggers went to painstaking lengths to reference period source material for both the story and dialog. While the result is sometimes hard to comprehend, the authenticity it lends makes the film stand out in a sea of period accents.

It would be inaccurate to call The Witch simply a horror movie. While the film is bound to be a hit with the indie genre crowd, this is a movie that should transcend that group. Arthouse and festival goers are sure to want to sign the book for The Witch as well - as long as they don't mind a few scares along the way.

Review originally published during the Sundance Film Festival in January 2015. The film opens wide in theaters across the U.S. on Friday, February 19.

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Anya Taylor-JoyKate DickieRalph InesonRobert Eggers

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ManateeAdvocateFebruary 17, 2016 11:11 AM

I want to see this film. Badly.

Rage72February 20, 2016 10:41 AM

This movie is so overrated. There was one scene with the son Calaeb that was ripped right from the Shining. I did like the overall production design, and the look of the film, but it's not groundbreaking like some critics are claiming it to be IMO.

iamspoonbenderFebruary 22, 2016 1:32 PM

I saw it, and while it's a decent film, it is not a horror movie. More of a art house drama really. It is based on folklore, and fairytale of the era. There are several scenes others will immediately recognize from other films. It is good that an independent film company took a chance with a first time director. Obviously it paid off quite well. For those that are unaccustomed to the horror genre this is a nice easy way in. More seasoned fans of the genre, myself included, will tend to be rather bored with this. The trailers paint one picture, and the film is quite the other. Definitely go see it, and support indie film directors, and companies. They deserve our support. Just keep your expectations down.

Rage72February 23, 2016 12:47 AM

I totally agree with you on everything that you mentioned...